Hammond Innes - Golden Soak

We watched as it settled and the blades stopped turning. A man climbed out, glanced quickly in our direction, and then began unloading an aluminium peg about 6 feet long. The battered hat, the bulky body — no question who it was. And Kennie staring, his body rigid, his face gone white as death. I could literally feel the anger in him as he watched his father start to set up the first comer post. The pilot got out, and another man, and they began attacking the rock with hammer and chisel.

That was when Kennie moved. He gave a sort of grunt, not quite a cry, but a furious expellation of breath that expressed the pent-up fury within him. Then he moved, very fast, and the next thing I knew he was in the Land-Rover, the engine roaring as he slammed it into gear and went bucketing across the rock slope towards the helicopter.

I followed on foot. But I didn’t hurry. I didn’t think there was any need. I knew he had to get this off his chest, have it out with his father, and there were two other men there if it came to blows. I saw the Land-Rover stop, saw him jump out and go towards his father, who was standing there, leaning on the post, waiting for him. They were arguing there for about a minute. I could hear Kennie’s voice, high and strident, but not his father’s. Culpin seemed to be reasoning with him quietly.

Then suddenly the whole scene erupted in violence. Culpin dropped the post, caught hold of his son by the collar of his shirt and shook him. The others said later he was merely trying to shake some sense into him, that there was no reason for him to call his father names like that. But there must have been more to it than that for I heard Kennie scream something at him, and then Culpin at him.

That’s when I started to run. But too late.

Kennie had come up off the ground with an inarticulate cry that seemed to express some inner horror. He was round the back of the Land-Rover in a flash and came out holding my rifle. He took about a dozen steps towards his father, then stopped and raised the gun. Culpin didn’t say anything, didn’t move; he just stood there, his mouth open and an expression of shock on his face. Kennie’s movements were quite deliberate. He took careful aim and fired.

I had stopped by then, of course. But at the sound of that shot I started running again.

Culpin’s body took a long time falling, a slow crumpling at the knees. The boy had, in fact, shot him through the heart. But I didn’t know that. I yelled to the other two. I wanted them to grab him before he fired again. The sand drifts tugged at my feet, the rock stony and uneven, and as I raced the last few yards, Kennie standing dazed, his father dead at his feet and the gun lying where he had dropped it, I saw his legs begin to go. He was in a state of shock, trembling violently and unable to speak, and then he fell forward, his arms flung out, reaching for the rock as though to embrace the entire monstrous body of the ore.

The ten days it took me to get out of the Gibson were the loneliest I have ever spent in my life. The real reaction to what had happened didn’t come until after the helicopter had taken off with Kennie and the body of his father. For the rest of that day I just sat there by the Land-Rover, or mooched around unable to think, or even to feel anything. And all the time the greenish brown of that copper showing through the gibber stones and the redder brown of the whale’s back.

And that night, lying sleepless and cold, with nothing there with which to make a fire, I thought back to McIlroy. My God, he’d named it well! McIlroy, Ed Garrety and now Kennie facing a charge of murder — the murder of his own father. And the guilt was mine, or so I felt, alone there in the Gibson with the desert all round me and that hill of copper rising beside me. Edith Culpin’s warning words, Kennie and his talk of mamus, so like his mother, and I lay there remembering his voice, the way he tossed his head when the long hair fell over his face, the irritating little laugh. I wished to God I could have that day again, change what had happened.

In the morning I drove the Land-Rover to where there was some wattle and snappy gums, built myself a fire and had coffee and a large breakfast. And after that, I went back and pegged the bloody Monster, using a pick to set the stakes and cut the trenches. It was hard, slow work in the sun, and it took me two days all on my own. And when I had finished setting up the intermediary pegs, I got my camera and photographed the datum post as proof that I had done it. Then I started back.

I didn’t go near the lira. I couldn’t face that place again on my own. I just headed back west, on a compass course for the Soaks, hoping to God I’d make it on the fuel I had left. And then the rain started. That was one thing I hadn’t expected. Rain. There was a day of broken cloud, the second I think after I had started back, and then about noon the next day it began. Showers at first, some of them quite heavy, but intermittent, so that I was able to keep going. It was like that all night. And then in the morning the clouds thickened, very low clouds and heavy rain, torrential at times, with lightning and thunder around midday.

The desert was suddenly changed, the sandhill troughs awash with water, the air damp and humid, difficult to breathe, and a cold wind blowing. I lay up all that day, and the next, the Land-Rover just below the crest of a sandhill. And then the clouds dispersed, the sky was blue again and the sun blazed down, and the desert took on a sheen of fresh green before my eyes. It was a sudden, extraordinary miracle of re-birth.

I was there altogether four days until the sand had sucked up all the flood water. And after that I was able to drive quite fast in places, the going surprisingly firm, almost like a blacktop road in the flats between the ridges.

My fuel carried me all the way to Lynn Peak, but when I got there I was suddenly too tired to go any further. They made up a bed for me and I stayed there two days, sleeping most of the time, too exhausted even to bother about shaving. They knew what had happened, but they had the sense not to talk about it. Kindness is a great healer and they couldn’t have been kinder, Maria fussing over me and Andie sitting beside my bed for long stretches during the day, not saying much, just sitting there so I wouldn’t be on my own. And the kids came and went, little Anna Maria, aged five, and Bruce, who was two years younger. They did more than anything to restore my sanity.

The third morning I got up. That was when Andie let me see the papers. Culpin’s body had been flown to Kalgoorlie and the inquest had been held there. Smithie and the helicopter pilot had given evidence. But it was Edith Culpin who told the court what lay behind the tragedy. ‘Kennie took after me. He was farming stock. He was always working for the future. He believed in it. My husband lived for the present. The two of them just didn’t suit.’ And there was a picture of her, dressed in black, neat as always, but stony faced. It was a sad picture that seemed to say everything.

Sometime soon there would be a trial and I would have to give evidence. I thought a lot about that, and about Edith Culpin — it was what I could say to her that worried me most. And there was Janet, too. Andie told me that when he had driven over to Jarra Jarra with the supplies she had burst into tears. She wants to see you, he said. But that, too, would have to wait.

I left that morning, driving north up the Highway, and with the creek bottoms bad after the floods, it was late afternoon before I reached Marble Bar. I drove straight to the Mines Department office and there I registered the claim to McIlroy’s Monster, the first I think that had ever been registered deep in the Gibson Desert. I could have stayed the night at the Ironclad. Instead, I drove up the valley of the Coongan River towards the Comet Mine and camped above Chinaman’s Pool, by the Jasper Bar that had given the gold-rush town its name. The river was running fast over the cream and ochre striped marble of the bar and the pool below it was peaceful in the still evening, the sand at the edge marked by the feet of countless birds.