Gerald Durrell - A Zoo in My Luggage

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A Zoo in My Luggage by British naturalist Gerald Durrell is the story of Durrell’s 1957 animal collecting trip to British Cameroon, the northwestern corner of present day Cameroon.

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But of all our monkey family, it was the apes, I think, that gave us the most pleasure and amusement. The first one we obtained was a baby male who arrived one morning, reclining in the arms of a hunter, with such an expression of sneering aristocracy on his small, wrinkled face that one got the impression he was employing the hunter to carry him about, in the manner of an Eastern potentate. He sat quietly on the Rest House steps watching us with intelligent, scornful brown eyes, while the hunter and I bargained over him, rather as though this sordid wrangling over money was acutely distasteful to a chimpanzee of his upbringing and background. When the bargain had been struck and the filthy lucre had changed hands, this simian aristocrat took my hand condescendingly and walked into our living-room, peering about him with an air of ill-concealed disgust, like a duke visiting the kitchen of a sick retainer, determined to be democratic however unsavoury the task. He sat on the table and accepted our humble offering of a banana with the air of one who is weary of the honours that have been bestowed upon him throughout life. Then and there we decided that he must have a name befitting such a blue-blooded primate, so we christened him Cholmondely St John, pronounced, of course, Chumley Sinjun. Later, when we got to know him better, he allowed us to become quite familiar with him and call him Chum, or sometimes, in moments of stress, ‘you bloody ape’, but this latter term always made us feel as though we were committing lèse-majesté .

We built Chumley a cage (to which he took grave exception) and only allowed him out at set times during the day, when we could keep an eye on him. First thing in the morning, for example, he was let out of his cage, and accompanied a member of the staff into our bedroom with the morning tea. He would gallop across the floor and leap into bed with me, give me a wet and hurried kiss as greeting and then, with grunts and staccato cries of ‘Ah! Ah!’ he would watch the tea tray put in position and examine it carefully to make sure that his cup (a large tin one for durability) was there. Then he would sit back and watch me carefully while I put milk, tea and sugar (five spoons) into his mug, and then take it from me with twitching, excited hands, bury his face in it and with a noise like a very large bath running out, start to drink. He would not even pause for breath, but the mug would be lifted higher and higher, until it was upside down over his face. Then there was a long pause as he waited for the delicious, semi-melted sugar to slide down into his open mouth. Having made quite sure that there was no sugar left at the bottom, he would sigh deeply, belch in a reflective manner and hand the mug back to me in the vague hopes that I would refill it. Having made quite sure that this wish was not going to be fulfilled, he would watch me drink my tea, and then set about the task of entertaining me.

There were several games he had invented for my benefit and all of them were exhausting to take part in at that hour of the morning. To begin with he would prowl down to the end of the bed and squat there, giving me surreptitious glances to make sure I was watching. Then he would insert a cold hand under the bedclothes and grab my toes. I was then supposed to lean forward with a roar of pretended rage, and he would leap off the bed and run to the other side of the room, watching me over his shoulder with a wicked expression of delight in his brown eyes. When I tired of this game I would pretend to be asleep, and he would then walk slowly and cautiously down the bed and peer into my face for a few seconds. Then he would shoot out a long arm, pull a handful of my hair and rush down to the bottom of the bed before I could catch him. If I did succeed in grabbing him, I would put my hands round his neck and tickle his collar bones, while he wriggled and squirmed, opening his mouth wide and drawing back his lips to display a vast acreage of pink gum and white teeth, giggling hysterically like a child.

Our second acquisition was a large five-year-old chimp called Minnie. A Dutch farmer turned up one day and said that he was willing to sell us Minnie, as he was soon due to go on leave and did not want to leave the animal to the tender mercies of his staff. We could have Minnie if we went and fetched her. As the Dutchman’s farm was fifty miles away at a place called Santa, we arranged to go there in the Fon’s Land-Rover, see the chimp and, if she proved healthy, buy her and bring her back to Bafut. So, taking a large crate with us, we set off very early one morning, thinking we would be back with the chimp in time for a late lunch.

To reach Santa we had to drive out of the valley in which Bafut lay, climb the great Bemenda escarpment (an almost sheer three-hundred-foot cliff) and then drive on into the range of mountains that lay beyond it. The landscape was white with heavy morning mist which, waiting for the sun to drag it into the sky in great toppling columns, lay placidly in the valleys like pools of milk, out of which rose the peaks of hills and escarpments like strange islands in a pallid sea. As we moved higher into the mountains we drove more slowly, for here the slight dawn wind, in frail spasmodic gusts, rolled and pushed these great banks of mist so that they swirled and poured across the road like enormous pale amoebas, and we would suddenly round a corner and find ourselves deep in the belly of a mist bank, visibility cut down to a few yards. At one point, as we edged our way through a bank of mist, there appeared in front of us what seemed, at first sight, to be a pair of elephant tusks. We shuddered to a halt, and out of the mist loomed a herd of the long-horned Fulani cattle which surrounded us in a tight wedge, peering through the Land-Rover windows with serious interest. They were huge, beautiful beasts of a dark chocolate brown, with enormous melting eyes and a massive spread of white horns, sometimes as much as five feet from tip to tip. They pressed closely around us, their warm breath pouring from their nostrils in white clouds, the sweet cattle smell of their bodies heavy in the cold air, while the guide cow’s bell tinkled pleasantly with each movement of her head. We sat and surveyed each other for a few minutes and then there was a sharp whistle and a harsh cry as the herdsman appeared out of the mist, a typical Fulani, tall and slender with fine-boned features and a straight nose, somewhat resembling an ancient Egyptian mural.

‘Iseeya, my friend,’ I called.

‘Morning, Masa,’ he answered, grinning and slapping the dewy flank of an enormous cow.

‘Na your cow dis?’

‘Yes, sah, na ma own.’

‘Which side you take um?’

‘For Bemenda, sah, for market.’

‘You fit move um so we go pass?’

‘Yes, sah, yes, sah, I go move um,’ he grinned and with loud shouts he urged the cows onwards into the mist, dancing from one to the other and beating a light tattoo on their flanks with his bamboo walking-stick. The great beasts moved off into the mist, giving deep, contented bellows, the guide cow’s bell tinkling pleasantly.

‘Thank you, my friend, walka good,’ I called after the tall herdsman.

‘Tank you, Masa, tank you,’ came his voice out of the mist, against a background of deep, bassoon-like cow calls.

By the time we reached Santa the sun was up and the mountains had changed to golden-green, their flanks still striped here and there with tenacious streaks of mist. We reached the Dutchman’s house to find that he had been unexpectedly called away. However, Minnie was there and she was the purpose of our visit. She lived, we discovered, in a large circular enclosure that the Dutchman had built for her, surrounded by a tallish wall and furnished simply but effectively with four dead trees, planted upright in cement, and a small wooden house with a swing door. One gained access to this enclosure by lowering a form of drawbridge in the wall which allowed one to cross the dry moat that surrounded Minnie’s abode.

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