Джозеф Конрад - Typhoon

Captain Hagberd jerked himself free, and began to back away shrinkingly. "For the present," he muttered, in a crestfallen tone.

"What's the matter with him?" The stranger addressed Bessie with the utmost familiarity, in a deliberate, explanatory tone. "I didn't want to startle the old man." He lowered his voice as though he had known her for years. "I dropped into a barber's on my way, to get a twopenny shave, and they told me there he was something of a character. The old man has been a character all his life."

Captain Hagberd, daunted by the allusion to his clothing, had retreated inside, taking his spade with him; and the two at the gate, startled by the unexpected slamming of the door, heard the bolts being shot, the snapping of the lock, and the echo of an affected gurgling laugh within.

"I didn't want to upset him," the man said, after a short silence. "What's the meaning of all this? He isn't quite crazy."

"He has been worrying a long time about his lost son," said Bessie, in a low, apologetic tone.

"Well, I am his son."

"Harry!" she cried—and was profoundly silent.

"Know my name? Friends with the old man, eh?"

"He's our landlord," Bessie faltered out, catching hold of the iron railing.

"Owns both them rabbit–hutches, does he?" commented young Hagberd, scornfully; "just the thing he would be proud of. Can you tell me who's that chap coming to–morrow? You must know something of it. I tell you, it's a swindle on the old man—nothing else."

She did not answer, helpless before an insurmountable difficulty, appalled before the necessity, the impossibility and the dread of an explanation in which she and madness seemed involved together.

"Oh—I am so sorry," she murmured.

"What's the matter?" he said, with serenity. "You needn't be afraid of upsetting me. It's the other fellow that'll be upset when he least expects it. I don't care a hang; but there will be some fun when he shows his mug to–morrow. I don't care that for the old man's pieces, but right is right. You shall see me put a head on that coon—whoever he is!"

He had come nearer, and towered above her on the other side of the railings. He glanced at her hands. He fancied she was trembling, and it occurred to him that she had her part perhaps in that little game that was to be sprung on his old man to–morrow. He had come just in time to spoil their sport. He was entertained by the idea—scornful of the baffled plot. But all his life he had been full of indulgence for all sorts of women's tricks. She really was trembling very much; her wrap had slipped off her head. "Poor devil!" he thought. "Never mind about that chap. I daresay he'll change his mind before to–morrow. But what about me? I can't loaf about the gate til the morning."

She burst out: "It is you —you yourself that he's waiting for. It is you who come to–morrow."

He murmured. "Oh! It's me!" blankly, and they seemed to become breathless together. Apparently he was pondering over what he had heard; then, without irritation, but evidently perplexed, he said: "I don't understand. I hadn't written or anything. It's my chum who saw the paper and told me—this very morning…. Eh? what?"

He bent his ear; she whispered rapidly, and he listened for a while, muttering the words "yes" and "I see" at times. Then, "But why won't today do?" he queried at last.

"You didn't understand me!" she exclaimed, impatiently. The clear streak of light under the clouds died out in the west. Again he stooped slightly to hear better; and the deep night buried everything of the whispering woman and the attentive man, except the familiar contiguity of their faces, with its air of secrecy and caress.

He squared his shoulders; the broad–brimmed shadow of a hat sat cavalierly on his head. "Awkward this, eh?" he appealed to her. "To–morrow? Well, well! Never heard tell of anything like this. It's all to–morrow, then, without any sort of to–day, as far as I can see."

She remained still and mute.

"And you have been encouraging this funny notion," he said.

"I never contradicted him."

"Why didn't you?"

"What for should I?" she defended herself. "It would only have made him miserable. He would have gone out of his mind."

"His mind!" he muttered, and heard a short nervous laugh from her.

"Where was the harm? Was I to quarrel with the poor old man? It was easier to half believe it myself."

"Aye, aye," he meditated, intelligently. "I suppose the old chap got around you somehow with his soft talk. You are good–hearted."

Her hands moved up in the dark nervously. "And it might have been true. It was true. It has come. Here it is. This is the to–morrow we have been waiting for."

She drew a breath, and he said, good–humouredly: "Aye, with the door shut. I wouldn't care if…And you think he could be brought round to recognise me…Eh? What?…You could do it? In a week you say? H'm, I daresay you could—but do you think I could hold out a week in this dead–alive place? Not me! I want either hard work, or an all–fired racket, or more space than there is in the whole of England. I have been in this place, though, once before, and for more than a week. The old man was advertising for me then, and a chum I had with me had a notion of getting a couple quid out of him by writing a lot of silly nonsense in a letter. That lark did not come off, though. We had to clear out—and none too soon. But this time I've a chum waiting for me in London, and besides…"

Bessie Carvil was breathing quickly.

"What if I tried a knock at the door?" he suggested.

"Try," she said.

Captain Hagberd's gate squeaked, and the shadow of the son moved on, then stopped with another deep laugh in the throat, like the father's, only soft and gentle, thrilling to the woman's heart, awakening to her ears.

"He isn't frisky—is he? I would be afraid to lay hold of him. The chaps are always telling me I don't know my own strength."

"He's the most harmless creature that ever lived," she interrupted.

"You wouldn't say so if you had seen him chasing me upstairs with a hard leather strap," he said; "I haven't forgotten it in sixteen years."

She got warm from head to foot under another soft, subdued laugh. At the rat–tat–tat of the knocker her heart flew into her mouth.

"Hey, dad! Let me in. I am Harry, I am. Straight! Come back home a day too soon."

One of the windows upstairs ran up.

"A grinning, information fellow," said the voice of old Hagberd, up in the darkness. "Don't you have anything to do with him. It will spoil everything."

She heard Harry Hagberd say, "Hallo, dad," then a clanging clatter. The window rumbled down, and he stood before her again.

"It's just like old times. Nearly walloped the life out of me to stop me going away, and now I come back he throws a confounded shovel at my head to keep me out. It grazed my shoulder."

She shuddered.

"I wouldn't care," he began, "only I spent my last shillings on the railway fare and my last twopence on a shave—out of respect for the old man."

"Are you really Harry Hagberd?" she asked. "Can you prove it?"

"Can I prove it? Can any one else prove it?" he said jovially. "Prove with what? What do I want to prove? There isn't a single corner in the world, barring England, perhaps, where you could not find some man, or more likely woman, that would remember me for Harry Hagberd. I am more like Harry Hagberd than any man alive; and I can prove it to you in a minute, if you will let me step inside your gate."

"Come in," she said.

He entered then the front garden of the Carvils. His tall shadow strode with a swagger; she turned her back on the window and waited, watching the shape, of which the footfalls seemed the most material part. The light fell on a tilted hat; a powerful shoulder, that seemed to cleave the darkness; on a leg stepping out. He swung about and stood still, facing the illuminated parlour window at her back, turning his head from side to side, laughing softly to himself.