Walter Scott - The Abbot

John Knox, who writes at large upon this tumult, informs us it was inflamed by the deacons of craftes, who, resenting; the superiority assumed over them by the magistrates, would yield no assistance to put down the tumult. "They will be magistrates alone," said the recusant deacons, "e'en let them rule the populace alone;" and accordingly they passed quietly to take their four-hours penny , and left the magistrates to help themselves as they could. Many persons were excommunicated for this outrage, and not admitted to church ordinances till they had made satisfaction.

From the interesting novel entitled Anastasius, it seems the same burlesque ceremonies were practised in the Greek Church.

These rude rhymes are taken, with some trifling alterations, from a ballad called Trim-go-trix. It occurs in a singular collection, entitled; "A Compendious Book of Godly and Spiritual Songs, collected out of sundrie parts of the Scripture, with sundry of other ballatis changed out of prophane sanges for avoyding of sin and harlotrie, with Augmentation of sundrie Gude and Godly Ballates. Edinburgh, printed by Andro Hart." This curious collection has been reprinted in Mr. John. Grahame Dalyell's Scottish Poems of the 16th century Edin. 1801, 2 vols.

Fox , An old-fashioned broadsword was often so called.

The Saint Swithin, or weeping Saint of Scotland. If his festival (fourth July) prove wet, forty days of rain are expected.

There is a popular belief respecting evil spirits, that they cannot enter an inhabited house unless invited, nay, dragged over the threshold. There is an instance of the same superstition in the Tales of the Genii, where an enchanter is supposed to have intruded himself into the Divan of the Sultan.

"'Thus,' said the illustrious Misnar, 'let the enemies of Mahomet be dismayed! but inform me, O ye sages! under the semblance of which of your brethren did that foul enchanter gain admittance here?'―'May the lord of my heart,' answered Balihu, the hermit of the faithful from Queda, 'triumph over all his foes! As I travelled on the mountains from Queda, and saw neither the footsteps of beasts, nor the flight of birds, behold, I chanced to pass through a cavern, in whose hollow sides I found this accursed sage, to whom I unfolded the invitation of the Sultan of India, and we, joining, journeyed towards the Divan; but ere we entered, he said unto me. 'Put thy hand forth, and pull me towards thee into the Divan, calling on the name of Mahomet, for the evil spirits are on me and vex me.'"

I have understood that many parts of these fine tales, and in particular that of the Sultan Misnar, were taken from genuine Oriental sources by the editor, Mr. James Ridley.

But the most picturesque use of this popular belief occurs in Coleridge's beautiful and tantalizing fragment of Christabel. Has not our own imaginative poet cause to fear that future ages will desire to summon him from his place of rest, as Milton longed

"To call him up, who left half told The story of Cambuscan bold?"

The verses I refer to are when Christabel conducts into her father's castle a mysterious and malevolent being, under the guise of a distressed female stranger.

'They cross'd the moat, and Christabel Took the key that fitted well; A little door she open'd straight, All in the middle of the gate; The gate that was iron'd within and without, Where an army in battle array had march'd out.

"The lady sank, belike through pain, And Christabel with might and main Lifted her up, a weary weight, Over the threshold of the gate: Then the lady rose again, And moved as she were not in pain.

"So free from danger, free from fear, They cross'd the court;―right glad they were, And Christabel devoutly cried To the lady by her side: 'Praise we the Virgin, all divine, Who hath rescued thee from this distress.' 'Alas, alas!' said Geraldine, 'I cannot speak from weariness.' So free from danger, free from fear, They cross'd the court: right glad they were

George, fifth Lord Seton, was immovably faithful to Queen Mary during all the mutabilities of her fortune. He was grand master of the household, in which capacity he had a picture painted of himself, with his official baton, and the following motto:

In adversitate, patiens; In prosperitate, benevolus. Hazard, yet forward.

On various parts of his castle he inscribed, as expressing his religious and political creed, the legend:

Un Dieu, un Foy, un Roy, un Loy.

He declined to be promoted to an earldom, which Queen Mary offered him at the same time when she advanced her natural brother to be Earl of Mar, and afterwards of Murray.

On his refusing this honour, Mary wrote, or caused to be written, the following lines in Latin and French:

Which may be thus rendered:―

Earl, duke, or king, be thou that list to be:

Seton, thy lordship is enough for me.

This distich reminds us of the "pride which aped humility," in the motto of the house of Couci:

After the battle of Langside, Lord Seton was obliged to retire abroad for safety, and was an exile for two years, during which he was reduced to the necessity of driving a waggon in Flanders for his subsistence. He rose to favour in James VI's reign, and assuming his paternal property, had himself painted in his waggoner's dress, and in the act of driving a wain with four horses, on the north end of a stately gallery at Seton Castle

A name given to the gold chains worn by the military men of the period. It is of Spanish origin: for the fashion of wearing these costly ornaments was much followed amongst the conquerors of the New World.

Both these Border Chieftains were great friends of Queen Mary.

Maiden of Morton―a species of Guillotine which the Regent Morton brought down from Halifax, certainly at a period considerably later than intimated in the tale. He was himself the first who suffered by the engine.

Footnote: The details of this remarkable event are, as given in the preceding chapter, imaginary; but the outline of the events is historical. Sir Robert Lindesay, brother to the author of the Memoirs, was at first intrusted with the delicate commission of persuading the imprisoned queen to resign her crown. As he flatly refused to interfere, they determined to send the Lord Lindesay, one of the rudest and most violent of their own faction, with instructions, first to use fair persuasions, and if these did not succeed, to enter into harder terms. Knox associates Lord Ruthven with Lindesay in this alarming commission. He was the son of that Lord Ruthven who was prime agent in the murder of Rizzio; and little mercy was to be expected from his conjunction with Lindesay.

The employment of such rude tools argued a resolution on the part of those who had the Queen's person in their power, to proceed to the utmost extremities, should they find Mary obstinate. To avoid this pressing danger, Sir Robert Melville was despatched by them to Lochleven, carrying with him, concealed in the scabbard of his sword, letters to the Queen from the Earl of Athole, Maitland of Lethington, and even from Throgmorton, the English Ambassador, who was then favourable to the unfortunate Mary, conjuring her to yield to the necessity of the times, and to subscribe such deeds as Lindesay should lay before her, without being startled by their tenor; and assuring her that her doing so, in the state of captivity under which she was placed, would neither, in law, honour, nor conscience, be binding upon her when she should obtain her liberty. Submitting by the advice of one part of her subjects to the menace of the others, and learning that Lindesay was arrived in a boasting, that is, threatening humour, the Queen, "with some reluctancy, and with tears," saith Knox, subscribed one deed resigning her crown to her infant son, and another establishing the Earl of Murray regent. It seems agreed by historians that Lindesay behaved with great brutality on the occasion. The deeds were signed 24th July, 1567.