Paul Doherty - An Evil Spirit Out of the West

I became a student skilled in the hieratic and hieroglyphic writing, the preparation of papyrus, and the use of calculations, especially the nilometer. With the rest I studied the glories of Tomery and, of course, theology — the worship of the gods and the cults of the temple. All things centred around Amun-Ra, the silent God of Thebes who, over the years, had become associated with the Sun God and was now the dominant deity of Egypt. We were instructed in the mysteries of the Osirian rites, of the journey through the Underworld, the Am-Duat , as well as the difference between the Ka and the Ba , the soul and the spirit. It all meant nothing to me. The gods were as dry and dusty as the calculations for assessing a kite of gold or a deben of copper. Women, though, were a different matter.

The years had passed, our bodies had changed. We no longer played skittles, or jump the goose or tug of war, but became more interested in stick fighting, wrestling, boxing — anything to dissipate the energy which seethed within us. Weni, of course, noted the changes and turned a blind eye to our sweaty forays beneath trees and in bushes with kitchen girls and maids, those who crossed our courtyard carrying pots or jars, swaying their hips and glancing sly-eyed at us. Of course Weni tried to give advice, but his attitude on women could be summed up in that proverb he lugubriously repeated: ‘Instructing a woman is like holding a sack of sand whose sides have split open’. Weni’s experiences with women had not been happy ones! He certainly never had the honour, or blood-freezing experience, of meeting women such as Tiye, Nefertiti and Ankhesenamun. I once repeated Weni’s advice to Nefertiti, at which she bubbled with laughter, and pithily replied, ‘You don’t have to instruct a woman, Mahu. She is already knowledgable.’

One word of advice Weni gave us which Sobeck later ignored to his peril. ‘Have nothing,’ Weni roared at us, one stubby finger punching the air, ‘have nothing to do with the Per Khe Nret , the Royal Harem, whoever they are, wherever they come from! They are the Sacred Ornaments of the Magnificent One!’

I listened bemused. The Magnificent One was encroaching more and more into our daily lessons, not only his name and titles but his power, whilst Prince Tuthmosis was finding his feet and wielding authority amongst the young men of the Kap. I, in turn, was becoming more curious about my surroundings. Years away from Aunt Isithia, I now began to crawl out of my shell or nest, the House of Instruction, and my first foray formed one of those threads which would later bind my entire life. I had been out with a kitchen servant, a sweet girl with beaded head-band and pretty gorget. We had gone deep into the orchards, then she left whispering how she would be missed and flitted away like a shadow through the trees.

I lay for a while staring up at the branches and listening to the early morning call of the birds. It was one of those inauspicious days, decreed by the Priests of the Calendar to be touched by Seth the Red-Haired God. Accordingly, there would be no instruction, no school, nothing but boredom from dawn to dusk. I had stolen out, met the girl and now wondered if I should go back. Instead I decided to explore the orchard and, for the first time, approached the Silent Pavilion. I had heard of this place from chatter in the dormitory and the drill ground but had paid it no attention. It lay some distance from the Residence. It wasn’t really a pavilion but a two-storeyed house peeping above a high, whitewashed wall. From my vantage point I could glimpse date palms, sycamore trees and terebrinths. A canal from the Nile had been dug in to water the grass, gardens and herbs. I crept closer, moving silently amongst the trees, and discovered that the Pavilion had only one entrance — a spiked double gate of heavy wood painted a gleaming black.

I approached the gate but froze. It was guarded by Kushite mercenaries, in fringed leather kilts, copper-studded baldrics across their chests; there were at least a dozen of them, some armed with the khopesh thrust through their sash, others with spears and shields bearing the insignia of the Isis and Ptah Regiments. A few archers also patrolled the area, heavy composite bows in their hands, quivers of cruel barbed arrows slung across their backs. They all wore the imperial blue and gold head-dress which stretched from their forehead down to the nape of their neck, each warrior displaying the Gold Collar of Bravery and the Silver Bees of Valour. Yet, even from where I crouched, I noticed they were all disfigured: one had an eye missing, another had suffered a deep scar which ran across his face and down into his neck: a third had his left cheek shrivelled, the eye pulled down as if he had escaped from some hideous fire.

The sun had risen though a faint mist still clung to the trees. I had just decided to withdraw when I heard a shout, that of a boy playing in the courtyard beyond. I also noticed the heavy rutted tracks of a cart marking the entrance to the gate. Mystified, I crouched back and listened more intently. Again the shout. Memories flooded back of Aunt Isithia’s house. Was this a similar situation? A boy playing by himself, guarded by adults?

I returned to the Residence. When I questioned my companions they were equally mystified, though Rameses smirked slyly, rubbing that beaked nose as if he knew a secret but was unwilling to share it. Huy whispered something about being careful, how the Silent Pavilion was forbidden territory. I went to see Weni, who was sunning himself against a wall, a jug of dark beer in his lap — an increasingly common sight. We had begun to lose our fears of him. He was slower; sometimes his speech was slurred, whilst he depended more and more on his subordinates. Since the incident of the goose he had shown me a little more respect. When I asked him about the Silent Pavilion, he sat up, slurped from the beer jug, opened his mouth to bellow at me but then shrugged.

‘Sooner or later,’ he mumbled.

‘Sooner or later what?’

Weni stared slack-jawed.

‘Who’s there?’ I asked.

Weni blinked and swallowed hard. He gazed round the courtyard then tapped his nose. ‘The Veiled One,’ he slurred.

‘Why is he veiled?’

‘Because he’s ugly like you!’

‘Who is he?’ I asked.

Weni smiled drunkenly and waved me away.

I was intrigued. A boy living all by himself, kept away because he was ugly? And why those cart tracks? And the disfigured guards? Early the next morning, long before dawn, it must have been the eighteenth or nineteenth day of the Inundation, I stole out of the dormitory and took up my position near the Silent Pavilion. The guards were easily distinguishable in the glaring light of fiery pitch torches dug into the ground. The dancing flames illuminated the spiked gates as well as the grotesque wounds of those who guarded it. I waited.

The north wind, the cooling breath of Amun, began to subside. At the first gash of sunlight a conch horn wailed from beyond the gate, a harsh braying sound which sent the birds all a-flutter. The torches had now burned out. I was moving to ease my cramp when the conch horn wailed again. I recalled hearing it on a number of occasions in the House of Instruction but had always dismissed it as just another eerie sound of the palace. The double gates opened and a covered cart, pulled by four red-and-white oxen, garlands between their horns, lumbered out. Two Kushite archers led these, another sat on the seat guiding the beasts through the gate. On the cart stood what looked like a naos , a tabernacle. I could make out a wooden frame and a shape beneath hidden by drapes of the finest gauze linen. Pots of incense in the cart glowed and sent up perfumed clouds. The cart, followed by its escort, turned east towards the river. I followed. It entered a small glade and drew to one side.