Robert Michael Ballantyne - Charlie to the Rescue

“That’s true, Shank, and really I feel almost as incapable of giving you an answer as Captain Stride himself. You see, during our conversation Mr Crossley attributed mean—at all events wrong—motives to me, and somehow I felt that I could not accept any favour at his hands just then. I suspect I was too hasty. I fear it was false pride—”

“Ha! ha!” laughed Leather; “‘pride!’ I wonder in what secret chamber of your big corpus your pride lies.”

“Well, I don’t know. It must be pretty deep. Perhaps it is engrained, and cannot be easily recognised.”

“That last is true, Charlie. Assuredly it can’t be recognised, for it’s not there at all. Why, if you had been born with a scrap of false pride you and I could never have been friends—for I hate it!”

Shank Leather, in saying this, had hit the nail fairly on the head, although he had not intelligently probed the truth to the bottom. In fact a great deal of the friendship which drew these young men together was the result of their great dissimilarity of character. They acted on each other somewhat after the fashion of a well-adjusted piece of mechanism, the ratchets of selfishness and cog-wheels of vanity in Shank fitting easily into the pinions of good-will and modesty which characterised his friend, so that there was no jarring in their intercourse. This alone would not, perhaps, have induced the strong friendship that existed if it had not been coupled with their intimacy from childhood, and if Brooke had not been particularly fond of Shank’s invalid mother, and recognised a few of her good characteristics faintly reproduced in her son, while Shank fully appreciated in Charlie that amiable temperament which inclines its happy possessor to sympathise much with others, to talk little of self, to believe all things and to hope all things, to the verge almost of infantine credulity.

“Well, well,” resumed Charlie, with a laugh, “however that may be, I did decline Mr Crossley’s offers, but it does not matter much now, for that same worthy captain who bothered you so much has told me of a situation of which he has the gift, and has offered it to me.”

“You don’t say so! Is it a good one?”

“Yes, and well paid, I’m told, though I don’t know the exact amount of the salary yet.”

“And have you accepted?”

“I have. Mother agreed, after some demur, that it is better than nothing, so, like you, I begin work in a few days.”

“Well now, how strangely things do happen sometimes!” said Leather, stopping and looking out seaward, where the remains of the brig could still be distinguished on the rocks that had fixed her doom. “But for that fortunate wreck and our saving the people in her, you and I might still have been whistling in the ranks of the Great Unemployed—And what sort of a situation is it, Charlie?”

“You will smile, perhaps, when I tell you. It is to act as supercargo of the Walrus , which is commanded by Captain Stride himself.”

Young Leather’s countenance fell. “Why, Charlie,” he said, “that means that you’re going away to sea!”

“I fear it does.”

“Soon?”

“In a week or two.”

For some little time Leather did not speak. The news fell upon him with a shock of disagreeable surprise, for, apart from the fact that he really loved his friend, he was somehow aware that there were not many other young men who cared much for himself—in regard to which he was not a little surprised, for it never occurred to him that egotism and selfishness had anything to do with the coolness of his friends, or that none but men like our hero, with sweet tempers and self-forgetting dispositions, could by any possibility put up with him.

“Who are the owners of the Walrus , Charlie?” he asked, as they turned into the lane that led from the beach to the village.

“Withers and Company of London.”

“H’m—don’t know them. They must be trustful fellows, however, to take a captain into their employ who has just lost his vessel.”

“They have not taken him into their employ,” said Charlie. “Captain Stride tells me he has been in their service for more than a quarter of a century, and they exonerate him from all blame in the loss of the brig. It does seem odd to me, however, that he should be appointed so immediately to a new ship, but, as you remarked, that’s none of my business. Come, I’ll go in with you and congratulate your mother and May on your appointment.”

They had reached the door of Shank Leather’s house by that time. It was a poor-looking house, in a poor side street or blind alley of the village, the haunt of riotous children during the day-time, and of maddening cats at night. Stray dogs now and then invaded the alley, but, for the most part, it was to children and cats that the region was given over. Here, for the purpose of enabling the proverbial “two ends” to “meet,” dwelt a considerable population in houses of diminutive size and small accommodation. A few of these were persons who, having “seen better days,” were anxious to hide their poverty and existence from the “friends” of those better days. There was likewise a sprinkling of individuals and families who, having grown callous to the sorrows of earth, had reached that condition wherein the meeting of the two ends is a matter of comparative indifference, because they never met, and were never more expected to meet—the blank, annually left gaping, being filled up, somehow, by a sort of compromise between bankruptcy, charity, and starvation.

To the second of these the Leather family belonged. They had been brought to their sad condition by that prolific source of human misery—the bottle.

To do the family justice, it was only the father who had succumbed. He had been a gentleman; he was now a sot. His wife—delicate owing to bad treatment, sorrow, and insufficient nourishment—was, ever had been, and ever would be, a lady and a Christian. Owing to the last priceless condition she was still alive. It is despair that kills, and despair had been banished from her vocabulary ever since she had laid down the arms of her rebellion and accepted the Saviour of mankind as her guide and consolation.

But sorrow, suffering, toil had not departed when the demon despair fled away. They had, however, been wonderfully lightened, and one of the brightest gleams of hope in her sad life was that she might possibly be used as the means of saving her husband. There were other gleams of light, however, one of the brightest of them being that May, her only daughter, was loving and sympathetic—or, as she sometimes expressed it, “as good as gold.” But there was also a very dark spot in her life: Shank, her only son, was beginning to show a tendency to tread in his father’s steps.

Many golden texts were enshrined in the heart of poor Mrs Leather, and not a few of these—painted by the hand of May—hung on the walls of their little sitting-room, but the word to which she turned her eyes in seasons of profoundest obscurity, and which served her as a sheet-anchor in the midst of the wildest storms, was, “Hope thou in God, for thou shalt yet praise Him.” And alongside of that text, whenever she thought of it or chanced to look at it, there invariably flashed another: “Immanuel, God with us.”

May and her mother were alone when the young men entered; the former was at her lessons, the latter busy with knitting-needles.

Knitting was the means by which Mrs Leather, with constant labour and inexhaustible perseverance, managed to fill up the gap between the before-mentioned “two ends,” which her dissolute husband failed to draw together. She could read or assist May with her lessons, while her delicate fingers, working below the table, performed miraculous gyrations with steel and worsted. To most male minds, we presume, this is utterly incomprehensible. It is well not to attempt the description of that which one does not understand. The good lady knitted socks and stockings, and mittens and cuffs, and comforters, and other things, in absolutely overwhelming quantities, so that the accumulation in the press in which she stored them was at times quite marvellous. Yet that press never quite filled up, owing to the fact that there was an incurable leak in it—a sort of secret channel—through which the products of her toil flowed out nearly as fast as she poured them in.