Генрик Ибсен - The Master Builder

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One of the Norwegian playwright’s most mysterious, symbolic, and lyrical dramas explores the life of architect Halvard Solness, once ruthlessly ambitious, but who, in his later years, not only feels threatened by the younger generation but also fears the decay of his own creativity. A tragic end for one of the most fascinating characters in modern drama.

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SOLNESS.

Yes, you can indeed! For you, too, come—under a new banner it seems to me. You marshalled against youth—!

DR. HERDAL comes in by the hall–door.

DR. HERDAL.

What—you and Miss Wangel here still?

SOLNESS.

Yes. We have had no end of things to talk about.

HILDA.

Both old and new.

DR. HERDAL.

Have you really?

HILDA.

Oh, it has been the greatest fun. For Mr. Solness—he has such a miraculous memory. All the least little details he remembers instantly.

MRS. SOLNESS enters by the door on the right.

MRS. SOLNESS.

Well, Miss Wangel, your room is quite ready for you now.

HILDA.

Oh, how kind you are to me!

SOLNESS.

[To MRS. SOLNESS.] The nursery?

MRS. SOLNESS.

Yes, the middle one. But first let us go in to supper.

SOLNESS.

[Nods to HILDA.] Hilda shall sleep in the nursery, she shall.

MRS. SOLNESS.

[Looks at him.] Hilda?

SOLNESS.

Yes, Miss Wangel's name is Hilda. I knew her when she was a child.

MRS. SOLNESS.

Did you really, Halvard? Well, shall we go?

[She takes DR. HERDAL's arm and goes out with him to the right. HILDA has meanwhile been collecting her travelling things.

HILDA.

[Softly and rapidly to SOLNESS.] Is it true, what you said? Can I be of use to you?

SOLNESS.

[Takes the things from her.] You are the very being I have needed most.

HILDA.

[Looks at him with happy, wondering eyes and clasps her hands.] But then, great heavens—!

SOLNESS.

[Eagerly.] What—?

HILDA.

Then I have my kingdom!

SOLNESS.

[Involuntarily.] Hilda—!

HILDA.

[Again with the quivering twitch of her lips.] Almost—I was going to say.

[She goes out to the right, SOLNESS follows her.

Act Second

A Prettily Furnished Small Drawing-room in Solness's House. in the Back, a Glass-door Leading Out to the Verandah and Garden. the Right-hand Corner is Cut Off Transversely by a Large Bay-window, in Which Are Flower-stands. the Left- Hand Corner is Similarly Cut Off by a Transverse Wall, in Which is a Small Door Papered Like the Wall. on Each Side, an Ordinary Door. in Front, on the Right, a Console Table With a Large Mirror Over It. Well-filled Stands of Plants and Flowers. in Front, on the Left, a Sofa With a Table and Chairs. Further Back, a Bookcase. Well Forward in the Room, Before the Bay Window, a Small Table and Some Chairs. It is Early in the Day - Solness Sits by the Little Table With Ragnar Brovik's Portfolio Open in Front of Him. He is Turning the Drawings Over and Closely Examining Some of Them. Mrs. Solness Moves About Noiselessly With a Small Watering-pot, Attending to Her Flowers. She is Dressed in Black as Before. Her Hat, Cloak and Parasol Lie on a Chair Near the Mirror. Unobserved by Her, Solness Now and Again Follows Her With His Eyes. Neither of Them Speaks - Kaia Fosli Enters Quietly by the Door on the Left

SOLNESS.

[Turns his head, and says in an off–hand tone of indifference:] Well, is that you?

KAIA.

I merely wished to let you know that I have come.

SOLNESS.

Yes, yes, that's all right. Hasn't Ragnar come too?

KAIA.

No, not yet. He had to wait a little while to see the doctor. But he is coming presently to hear—

SOLNESS.

How is the old man to–day?

KAIA.

Not well. He begs you to excuse him; he is obliged to keep his bed to–day.

SOLNESS.

Why, of course; by all means let him rest. But now, get to your work.

KAIA.

Yes. [Pauses at the door.] Do you wish to speak to Ragnar when he comes?

SOLNESS.

No—I don't know that I have anything particular to say to him.

[KAIA goes out again to the left. SOLNESS remains seated, turning over the drawings.

MRS. SOLNESS.

[Over beside the plants.] I wonder if he isn't going to die now, as well?

SOLNESS.

[Looks up at her.] As well as who?

MRS. SOLNESS.

[Without answering.] Yes, yes—depend upon it, Halvard, old Brovik is going to die too. You'll see that he will.

SOLNESS.

My dear Aline, ought you not to go out for a little walk?

MRS. SOLNESS.

Yes, I suppose I ought to.

[She continues to attend the flowers.

SOLNESS.

[Bending over the drawings.] Is she still asleep?

MRS. SOLNESS.

[Looking at him.] Is it Miss Wangel you are sitting there thinking about?

SOLNESS.

[Indifferently.] I just happened to recollect her.

MRS. SOLNESS.

Miss Wangle was up long ago.

SOLNESS.

Oh, was she?

MRS. SOLNESS.

When I went in to see her, she was busy putting her things in order.

[She goes in front of the mirror and slowly begins to put on her hat.

SOLNESS.

[After a short pause.] So we have found a use for one our nurseries after all, Aline.

MRS. SOLNESS.

Yes, we have.

SOLNESS.

That seems to me better than to have them all standing empty.

MRS. SOLNESS.

That emptiness is dreadful; you are right there.

SOLNESS.

[Closes the portfolio, rises and approaches her.] You will find that we shall get on far better after this, Aline. Things will be more comfortable. Life will be easier—especially for you.

MRS. SOLNESS.

[Looks at him.] After this?

SOLNESS.

Yes, believe me, Aline—

MRS. SOLNESS.

Do you mean—because she has come here?

SOLNESS.

[Checking himself.] I mean, of course—when once we have moved into the new home.

MRS. SOLNESS.

[Takes her cloak.] Ah, do you think so, Halvard? Will it be better then?

SOLNESS.

I can't think otherwise. And surely you think so too?

MRS. SOLNESS.

I think nothing at all about the new house.

SOLNESS.

[Cast down.] It's hard for me to hear you say that; for you know it is mainly for your sake that I have built it.

[He offers to help her on with her cloak.

MRS. SOLNESS.

[Evades him.] The fact is, you do far too much for my sake.

SOLNESS.

[With a certain vehemence.] No, no, you really mustn't say that, Aline! I cannot bear to hear you say such things!

MRS. SOLNESS.

Very well, then I won't say it, Halvard.

SOLNESS.

But I stick to what I said. You'll see that things will be easier for you in the new place.

MRS. SOLNESS.

Oh, heavens—easier for me—!

SOLNESS.

[Eagerly.] Yes, indeed they will! You may be quite sure of that! For you see—there will be so very, very much there that will remind you of your own home—

MRS. SOLNESS.

The home that used to be father's and mother's—and that was burnt to the ground—

SOLNESS.

[In a low voice.] Yes, yes, my poor Aline. That was a terrible blow for you.

MRS. SOLNESS.

[Breaking out in lamentation.] You may build as much as ever you like, Halvard—you can never build up again a real home for me!

SOLNESS.

[Crosses the room.] Well, in Heaven's name, let us talk no more about it then.

MRS. SOLNESS.

We are not in the habit of talking about it. For you always put the thought away from you—

SOLNESS.

[Stops suddenly and looks at her.] Do I? And why should I do that? Put the thought away from me?

MRS. SOLNESS.

Oh yes, Halvard, I understand you very well. You are so anxious to spare me—and to find excuses for me too—as much as ever you can.

SOLNESS.

[With astonishment in his eyes.] You! Is it you—yourself, that your are talking about, Aline?

MRS. SOLNESS.

Yes, who else should it be but myself?

SOLNESS.

[Involuntarily to himself.] That too!

MRS. SOLNESS.

As for the old house, I wouldn't mind so much about that. When once misfortune was in the air—why—

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