Myrtle Reed - Threads of Grey and Gold

In his life there were but two women – his mother and Maria Ward. While his lips were closed on the subject of his love, he did not hesitate to avow his misery. “I too am wretched,” he would say with infinite pathos; and after her death, he spoke of Maria Ward as his “angel.”

In a letter written sometime after she died, he said, strangely enough: “I loved, aye, and was loved again, not wisely, but too well.”

His brilliant career was closed when he was sixty years old, and in his last illness, during delirium, the name of Maria was frequently heard by those who were anxiously watching with him. But, true to himself and to her, even when his reason was dethroned, he said nothing more.

He was buried on his own plantation, in the midst of “that boundless contiguity of shade,” with his secret locked forever in his tortured breast. “John Randolph of Roanoke,” was all the title he claimed; but the history of those times teaches us that he was more than that – he was John Randolph, of the Republic.

In October of 1788, a little company of immigrants arrived in Tennessee. The star of empire, which is said to move westward, had not yet illumined Nashville, and it was one of the dangerous points “on the frontier.”

The settlement was surrounded on all sides by hostile Indians. Men worked in the fields, but dared not go out to their daily task without being heavily armed. When two men met, and stopped for a moment to talk, they often stood back to back, with their rifles cocked ready for instant use. No one stooped to drink from a spring unless another guarded him, and the women were always attended by an armed force.

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