Madison Cawein - The Garden of Dreams

Earth hath her images of utterance,
Her hieroglyphic meanings which elude;
A symbol language of similitude,
Into whose secrets science may not glance;
In which the Mind-in-Nature doth romance
In miracles that baffle if pursued —
No guess shall search them and no thought intrude
Beyond the limits of her sufferance.
So doth the great Intelligence above
Hide His own thought's creations; and attire
Forms in the dream's ideal, which He dowers
With immaterial loveliness and love —
As essences of fragrance and of fire —
Preaching th' evangels of the stars and flowers.

First came the rain, loud, with sonorous lips;
A pursuivant who heralded a prince:
And dawn put on a livery of tints,
And dusk bound gold about her hair and hips:
And, all in silver mail, then sunlight came,
A knight, who bade the winter let him pass,
And freed imprisoned beauty, naked as
The Court of Love, in all her wildflower shame.
And so she came, in breeze-borne loveliness,
Across the hills; and heav'n bent down to bless:
Before her face the birds were as a lyre;
And at her feet, like some strong worshiper,
The shouting water pæan'd praise of her,
Who, with blue eyes, set the wild world on fire.

There is a music of immaculate love,
That breathes within the virginal veins of Spring: —
And trillium blossoms, like the stars that cling
To fairies' wands; and, strung on sprays above,
White-hearts and mandrake blooms, that look enough
Like the elves' washing, white with laundering
Of May-moon dews; and all pale-opening
Wild-flowers of the woods, are born thereof.
There is no sod Spring's white foot brushes but
Must feel the music that vibrates within,
And thrill to the communicated touch
Responsive harmonies, that must unshut
The heart of beauty for song's concrete kin,
Emotions – that be flowers – born of such.

Yes, there are some who may look on these
Essential peoples of the earth and air —
That have the stars and flowers in their care —
And all their soul-suggestive secrecies:
Heart-intimates and comrades of the trees,
Who from them learn, what no known schools declare,
God's knowledge; and from winds, that discourse there,
God's gospel of diviner mysteries:
To whom the waters shall divulge a word
Of fuller faith; the sunset and the dawn
Preach sermons more inspired even than
The tongues of Penticost; as, distant heard
In forms of change, through Nature upward drawn,
God doth address th' immortal soul of Man.

It is the time when, by the forest falls,
The touchmenots hang fairy folly-caps;
When ferns and flowers fill the lichened laps
Of rocks with color, rich as orient shawls:
And in my heart I hear a voice that calls
Me woodward, where the Hamadryad wraps
Her limbs in bark, or, bubbling in the saps,
Laughs the sweet Greek of Pan's old madrigals.
There is a gleam that lures me up the stream —
A Naiad swimming with wet limbs of light?
Perfume, that leads me on from dream to dream —
An Oread's footprints fragrant with her flight?
And, lo! meseems I am a Faun again,
Part of the myths that I pursue in vain.

Sad o'er the hills the poppy sunset died.
Slow as a fungus breaking through the crusts
Of forest leaves, the waning half-moon thrusts,
Through gray-brown clouds, one milky silver side;
In her vague light the dogwoods, vale-descried,
Seem nervous torches flourished by the gusts;
The apple-orchards seem the restless dusts
Of wind-thinned mists upon the hills they hide.
It is a night of omens whom late May
Meets, like a wraith, among her train of hours;
An apparition, with appealing eye
And hesitant foot, that walks a willowed way,
And, speaking through the fading moon and
flowers,
Bids her prepare her gentle soul to die.

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.

Calling, the heron flies athwart the blue
That sleeps above it; reach on rocky reach
Of water sings by sycamore and beech,
In whose warm shade bloom lilies not a few.
It is a page whereon the sun and dew
Scrawl sparkling words in dawn's delicious speech;
A laboratory where the wood-winds teach,
Dissect each scent and analyze each hue.
Not otherwise than beautiful, doth it
Record the happ'nings of each summer day;
Where we may read, as in a catalogue,
When passed a thresher; when a load of hay;
Or when a rabbit; or a bird that lit;
And now a bare-foot truant and his dog.

There, from its entrance, lost in matted vines, —
Where in the valley foams a water-fall, —
Is glimpsed a ruined mill's remaining wall;
Here, by the road, the oxeye daisy mines
Hot brass and bronze; the trumpet-trailer shines
Red as the plumage of the cardinal.
Faint from the forest comes the rain-crow's call
Where dusty Summer dreams among the pines.
This is the spot where Spring writes wildflower verses
In primrose pink, while, drowsing o'er his reins,
The ploughman, all unnoticing, plods along:
And where the Autumn opens weedy purses
Of sleepy silver, while the corn-heaped wains
Rumble the bridge like some deep throat of song.

Ten-hundred deep the drifted daisies break
Here at the hill's foot; on its top, the wheat
Hangs meagre-bearded; and, in vague retreat,
The wisp-like blooms of the moth-mulleins shake.
And where the wild-pink drops a crimson flake,
And morning-glories, like young lips, make sweet
The shaded hush, low in the honeyed heat,
The wild-bees hum; as if afraid to wake
One sleeping there; with no white stone to tell
The story of existence; but the stem
Of one wild-rose, towering o'er brier and weed,
Where all the day the wild-birds requiem;
Within whose shade the timid violets spell
An epitaph, only the stars can read.

Dark in the west the sunset's somber wrack
Unrolled vast walls the rams of war had split,
Along whose battlements the battle lit
Tempestuous beacons; and, with gates hurled back,
A mighty city, red with ruin and sack,
Through burning breaches, crumbling bit by bit,
Showed where the God of Slaughter seemed to sit
With conflagration glaring at each crack.
Who knows? perhaps as sleep unto us makes
Our dreams as real as our waking seems
With recollections time can not destroy,
So in the mind of Nature now awakes
Haply some wilder memory, and she dreams
The stormy story of the fall of Troy.