Ye. Khundaeva - Geser. The Вuryat heroic epic

The black mangadkhai Lobsogoldoi had three sisters. The eldest sister Yenkhoboi tells Lobsogoldoi to turn into a traveling lama, build a temple and desecrate Geser with a dirty cup. Lobsogoldoi captures Urmai Gokhon. Asurai mangadkhai ploughs on the donkey. Alma Mergen flies to the country of Khonin Khoto as a lark. There she sends the hail on the ground. The donkey eats the hail and that gives him strength. Alma Mergen having turned into Lobsogoi’s sister Yenkhoboi comes and asks to give her the donkey. Together with the donkey she rises up to the sky to Gurme grandmother. They clean and wash Geser and he resumes his former look.

Geser together with his bators sets out on a journey. His place of destination is the country of Khonin Khoto. He wants to bring back his wife Urmai Gokhon. He fights with Lobsogoldoi, throws him into a deep hole and leaves the guards with the iron bodies armed with the arrows. Having returned home he arranges a good feast which lasts nine days.

Geser fights with Shirem Minata devil. Neither Geser’s Khanggai arrow nor his black spear, nor his yellow damask steel dagger can cut the devil. Sherem Minata beats Geser with a cast iron whip. The bator gets weakened. On his winged horse he goes to the skies and asks his father Khan Khirmas and his brother Zasa Mergen to give him advice how he could conquer the devil. Manzan Gurme-grandmother gives Geser a wool-carding twig. Geser with that twig knocks to pieces the devil’s cast iron whip and beats him to death.

Geser goes to Alma Megen’s father to ask him help to tame the late four sons of the Mother-Earth. Uhan Lobson-khan gives him his magic walking stick. Geser sets out in search of those four late sons, at last he finds them. They turn into a healing spring, silver, gold and ginseng, that help Geser live a long and happy life.

The Chinese sovereign Gumen-khan after his favorite wife’s death orders his people to mourn her for three years in the posture her death caught them. He himself fell asleep for three years embracing his dead wife. The khan’s subjects decided to address Abai Geser for help, they sent one of the seven black smiths to him. Geser promises to help them but he needs the seven black smith’s heads, the seventy carts of wool and a big copper.

When the khan’s people brought those objects Geser made of the sculls of those heads the seven cups and rose on back of his winged horse to Manzan Gurme-grandmother. They both have the arkhi from those cups. When his grandma got drunk Geser opened the trunk with her keys and took out the fifteen magic treasures and got down to the Earth. The grandma having awakened found out that her treasures disappeared. She was in rage and threw those seven cups after Geser. The cups turned into the seven stars known as the Great Bear.

Then she got sorry about what she had done in rage and sprinkled with her milk in the same direction. The splashes turned into the Heaven’s stitches, or the Milky Way and Geser’s protective armor. The bator came to Gumen-khan who was still asleep. Abai Geser buried the khan’s wife and instead of her he put a black bitch. When Gumen-khan awoke he threw Geser into the dungeon. Geser cleaned the dungeon and filled it up with the treasures.

When going home he took with him the Chinese khan’s daughter. But on the way home he told her that they would not be happy together and sent her home. Geser goes to the land of Tebid to shoot through the top of a lonely growing tree that threatened to grow through the eight celestial vaults. He shoots off its top with his Khangai arrow, utters an incantation for the tree to remain as it has been before and not to grow upwards and in breadth.

Having completed all his deeds on the Earth Geser goes back to the sky to his grandma Manzan Gurme. He says: “I have done away with all those evil and cruel enemies, I have cut short those that grew too high, I narrowed those that grew too wide, I have done away with those with the beaks and fangs. Now we’ll live on having the three lucks each day”.

The epic shows that Nature is closely connected with the life of man. Nature gives the man strength and vital energy. The co-evolution of man and nature or the principle of the ecological imperative, ecological ethics and ecological responsibility that are believed to be the main contribution of the epic to the common knowledge of the humankind cannot be overestimated.

A good deal of attention is given to the image of the Mother-Earth in the Buryat myths. In the old days they worshipped the Earth that gives everything to the man including life and everything returns back to her. She is the Hostess of the water, she represents the souls of fish, bird, snake, all the beasts and animals. She is taken to be the Great Mother of the Beasts. The image of the Great Goddess in the Buryat epic “Geser” has its parallels in the world folklore. The most ancient image of the Mother – Earth was discovered in Ur, an ancient Sumerian city on the Euphrates. This is a mother holding the son in her hands, both depicted with the snake’s head. The snakes represent the eight kinds of the spirits of the Earth worshipped by the peoples including the Buryats who thought the snake-like sabdaks to be the hosts of the territory or locality. In Sumer she is a dual divinity, in the morning she is the goddess of the battles and heroes, whereas at night she is the goddess of fertility. In a later time in Egypt she was understood as the virgin giving birth to all the worlds. In the Buryat uliger or epic she conceives from the rays of the Sun and the Moon and gives birth to the daughters who continue the lineage of the human beings.

Yenkhoboi sisters from the Geseriade like the Mother-Earth from Sumer also had the long breasts, they threw them back which symbolized death and forward which symbolized life. The bulls in the epic are understood as the totemic forefathers of the Buryats. The grain is often mentioned in the Buryat uligers. They are of the sacral meaning, Geser when praying throws them around as an offering to the hosts of Nature.

Understanding of the essence of the physiological phenomena like pregnancy, birth, growing of corn from grains, the appearance of birds out of eggs, the reproduction of fish, insects, worms in the water led to the sacralization of the biological vitality. The water, grain, egg were attributed the magic vital potentiality. Their ritual part in the religious cults was enormous. Those natural elements have a deep symbolical meaning connected with the idea of the vital energies. The larva reminding of the worm is of interest in understanding the phenomenon of the sacralization of Nature.

One of the main attributes of the shaman is the crown on his head which is connected with the idea of the World Tree. On the crown there are the hangings. The semantics of those objects was not quite clear. The hypothesis put forward by S. V. Alkin enables to solve the problem to some degree. He takes them to be the images of the larvae of the insects. The crown is the image of the World Tree with the souls of the unborn people that are depicted as the larvae. The outward similarity of the human and the animal embryons with the C-like larvae might give rise to the formation of a peculiar cult.

The epic gives much attention to the chaos, fire, water, air, wind, rain, frost, etc. which all have the special epical names. One of the powerful personages of the “Geser” epic, Gal Durme Khan is the symbol of the Fire. Thus one can say that the prime elements of nature are attached a great significance to in the Buryat tales. The Buryats took note of the fact that their household and everyday life were dependent on the natural phenomena, such as the periodical change of seasons, the climatatic variations, rain and snow, humidity of soil, etc. Alongside with this they mastered the reality in the spiritual sense, they had the ideas of the spiritual relationship of Man and Nature. As a result there emerged quite a few cult rituals.