Дирк Уффельманн - Дискурсы Владимира Сорокина

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Lipovetsky M. The New «Norma»: Vladimir Sorokin’s «Telluria» and Post-Utopian Science Fiction // Suslov M., Bodin P.-А. (eds.). Utopian Worlds in Post-Soviet Russia: Politics, Fiction and Fantasy. London et al.: I. B. Tauris, 2019. P. 301-314.

Lipovetsky M. Vladimir Sorokin’s «Theater of Cruelty» // Balina M., Condee N., Dobrenko E. (eds.). Endquote: Sots-Art Literature and Soviet Grand Style. Evanston (IL): Northwestern University Press, 2000. P. 167-192.

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Lorkova Z. Vychod verzus Zapad v diele «Opricnikov den» // Lorkova Z. (ed.). Vladimir Sorokin: Tvorca mnohych tvari. Interpretacne podoby v slovenskom kulturnom priestore. Bratislava: Stimul, 2011. S. 64-72.

Lunde I. Keen som sprakrom // Sorokin V. Keen. Oslo: Flamme, 2009. S. 9-13.

Lunde I. Simultaneity of the Non-Simultaneous: On the Diachronic Dimensions of Language in Sorokin // Roesen T., Uffelmann D. (eds.). Vladimir Sorokin’s Languages. P. 298-313.

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Menzel B. The Occult Revival in Russia Today and Its Impact on Literature // The Harriman Review. 2007. 16.1. P. 1-14.

Morelli E. The Deconstruction of Representation in Vladimir Sorokin’s Short Stories // Transcultural Studies. 2006. 2. P. 261-277.

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Murav H. Sorokin’s Lawsuits and the Boundaries of the National Body // Compar(a)ison. 2003. 1. P. 73-80.

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Obermayr B. Choosing a Different Example Would Mean Telling a Different Story: On Judgement in «Day of the Oprichnik» // Roesen T., Uffelmann D. (eds.). Vladimir Sorokin’s Languages. Bergen: University of Bergen, 2013.

Obermayr B. Die Liebe zum Willen zur Wahrheit: Der Hohepunkt als ExzeB der Macht in «Tridcataja ljubov’ Mariny» // Burkhart D. (Hg.). Poetik der Metadiskursivitat: Zum postmodernen Prosa-, Film- und Dramenwerk von Vladimir Sorokin. Munchen: Sagner, 1999. S. 81-93.

Obermayr B. Man f... nur mit dem Herzen gut: Pornografien der Liebe bei Vladimir Sorokin // Metelmann J. (Hg.). Porno-Pop: Sex in der Oberflachenwelt. Wurzburg: Konigshausen & Neumann, 2005. S. 105-123.

Obermayr В . Verfemte Teile eines Werkes: Sorokin zwischen Sub- und Pop(ular)kultur // Grtibel R., Kohler G.-B. (Hg.). Gabe und Opfer in der russischen Literatur und Kultur der Moderne. Oldenburg: BlS-Verlag der Carl-von-Ossietzky-Universitat, 2006. S. 519-552.

Ohme A. Iconic Representation of Space and Time in Vladimir Sorokin’s Novel «The Queue» // Muller W. G., Fisher O. (eds.). From Sign to Signing: Iconicity in Language and Literature. Vol. 3. Amsterdam: John Benjamins, 2003. P. 153-165.

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Paulsen M. The Latin Alphabet in Sorokin’s Works // Roesen T., Uffelmann D. (eds.). Vladimir Sorokin’s Languages. Bergen: University of Bergen, 2013.

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Qualin A. Rituel, violence et perversion: la drole de cuisine de Vladimir Sorokine // La Revue Russe. 2015. 44. P. 175-184.

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Roesen T., Uffelmann D. (eds.). Vladimir Sorokin’s Languages. Bergen: University of Bergen, 2013.

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