Марк Дайс - The Liberal Media Industrial Complex

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The Liberal Media Industrial Complex: краткое содержание, описание и аннотация

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The “media” used to mean television, radio, newspapers, and magazines; but today it largely involves social media, which has swallowed up all of these other forms and is now controlled by a small group of Silicon Valley titans who decide what billions of people are able to see and hear online.
The convergence of old technology and new has centralized unimaginable power into the hands of a few gigantic corporations that now dictate how we communicate with each other and perceive the outside world.
Media analyst Mark Dice details how the rise of social media that tipped the balance of power regarding the production and distribution of information has also resulted in a massive backslash from those conspiring to regain the influence they once held.
Now conservatives are experiencing widespread censorship as the tech giants scramble to put the genie back in the bottle.
The liberal media has launched an information war against President Trump and his supporters, and are using their monopolies to manipulate public opinion in order to further their aims of a socialist revolution.

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Imagine a bank not letting someone cash a check that was written to them because the bank didn’t like what the person was going to do with the money, or didn’t like the kind of language the person uses when talking with their friends. That’s exactly what Patreon has done here, and it’s beyond Orwellian and is a dangerous precedent that’s likely only going to follow with much worse actions in the near future. 

Meanwhile, far-left individuals and groups are allowed on Patreon, including “Revolutionary Left Radio,” a communist podcast which is run by an admitted “militant revolutionary Communist who wants to put every fascist in the world against the wall and violently expropriate the wealth and property of the owning class.” 861Before a Breitbart article was published highlighting violent Leftists using Patreon, the group’s banner on their Twitter account featured masked militants holding guns. 862

Another Communist account called the “Guillotine Podcast” had over 350 patrons (sponsors) donating monthly. The Patreon page itself said they are working to “inspire insurrection” and notes that they want to fire “massive .44 rounds at the heads of politicians and capitalists.” 863

Milo Yiannopoulos was banned by Patreon one day after he joined in December 2018. They released a statement saying, “Milo Yiannopoulos was removed from Patreon as we don’t allow association with or supporting hate groups on Patreon.” 864He joined Patreon just days after widely circulated reports said he was $2 million dollars in debt from legal fees, employee salaries he hadn’t been paying, and other expenses he racked up in his ascent to Internet infamy. So in a desperate attempt to try and raise money he joined Patreon, but was immediately denied access.

In some cases it’s not necessarily Patreon that wants to ban someone, but Visa or MasterCard, who demands Patreon shut down people’s accounts, or threatens to stop processing payments for Patreon all together which would completely put them out of business overnight. 865

The Future of YouTube

For the first ten years of YouTube’s existence it was an even playing field where anyone could upload videos and if people watched them and shared them, their message could be seen by millions of people. The search results were fair, and if you were looking something up the videos you would find were relevant to what you had hoped to find. The only videos that would be deleted were things any reasonable person could agree on, like pornography, animal abuse, calls to violence, etc.

People found themselves having great careers when their passion unexpectedly opened the door to huge audiences who shared their views. But the corporate conglomerates didn’t realize how many people would use YouTube to counteract the mainstream media and nobody expected how popular conservative channels would become. So YouTube is scrambling to put the genie back in the bottle, and don’t really care how obvious their liberal bias is, or even how much money they lose doing it. Conservative content must be reigned in or stamped out at any cost.

In the early years of YouTube only a few carefully chosen channels were monetized, but in 2012 they opened up the “Partner Program” as it’s called, to anyone, allowing them to monetize their videos no matter how many (or few) subscribers or total views they had. You could start a channel, and immediately begin earning ad revenue from your videos if people watched them, but that has all changed.

Now they manually review every channel before it’s allowed in the Partner Program, so their moderators look through the videos and see what kind of content someone is producing, and if they don’t like it, none of the videos on the channel will ever be monetized no matter how popular they are.

Some wonder if YouTube is harming themselves financially with all these new restrictions and the mass demonetization crusade they’ve engaged in, but the fact is there are plenty of other “brand friendly” or pro-liberal agenda channels that they can get revenue from. After all, being a YouTuber is the number one dream job for most kids today. It’s not being an astronaut, football player, or a movie star; it’s literally being a YouTuber. 866

They’ve also been moving away from the monetized view business model entirely. In 2017 they began offering television packages similar to a cable provider but through an Internet connection, calling it YouTubeTV. It started off in just five U.S. markets, but then in January 2019 they massively expanded to 195 markets, making their service available to 98 percent of U.S. households. 867

They have also been slowly morphing into another Netflix by producing original content like the popular Cobra Kai series which is a spinoff from the 1980s Karate Kid movies and stars Daniel LaRusso (Ralph Macchio) and Johnny Lawrence (William Zabka). They rent a large library of popular movies and TV shows on-demand too, for just a few dollars per stream.

As one online media outlet put it, “The golden age of YouTube is over,” and it will never be the same. 868“The platform was built on the backs of independent creators, but now YouTube is abandoning them for more traditional content.” 869Countless videos once regularly discovered by curious minds are now lost in limbo. Voices opposing certain aspects of the liberal agenda have been systematically silenced. And Leftist propaganda has been artificially amplified to give the impression that their view is the correct one.

For those of us who have seen the changes made in recent years, as we look back on what YouTube once was, it’s like returning to the location of your favorite dive bar to find that it’s been bulldozed and replaced by a strip mall filled with a bunch of trendy stores you would never step foot in.

Author’s Note: Once you finish this book, please take a moment to rate and review it on Amazon.com, or wherever you purchased it from if you’re reading the e-book, to let others know what you think. This also helps to offset the trolls who keep giving my books fake one-star reviews when they haven’t even read them.

Almost all of the one-star reviews on Amazon for my last two books “The True Story of Fake News” and “Liberalism: Find a Cure” are from NON-verified purchases which is a clear indication they are fraudulent hence me adding this note.

It’s just more proof that liberals are losers and can’t play fair, so if you could help me combat them once you’re finished with this book since you actually bought and read it, I would appreciate it very much!

Thank you!

The Future of Fake News

Once “fake news” consisted primarily of made-up stories posted on cheap websites nobody had ever heard of, or websites with similar URLs to brand name outlets publishing completely fake articles hoping they’ll go viral through social media and generate a bunch of ad revenue from all the clicks. I’m sure you’re familiar with people making fake screenshots on Photoshop and posting them on social media claiming they came from news articles, text messages, DMs, or someone’s “deleted” tweet, but we’re far beyond those primitive forms of fake news and are approaching something that was once only found in science fiction films.

In Arnold Schwarzenegger’s 1987 film The Running Man , he was an innocent police helicopter pilot who was framed for the massacre of civilians looting a grocery store after an economic collapse, and with the help of some doctored video that aired on national television, the general public thought that he had been caught red handed murdering the people, when in fact he had refused orders to open fire on them. His face was also digitally placed onto the body of someone else at another point in the film to further sell the lie to the public.

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