Эрнст Гомбрих - История искусства

Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler (New Haven-London: Yale U.P., 1980)

K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings (2 vols., London: Thames and Hudson, 1968)

Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966)

Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962)

Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)

William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978)

John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983)

John Russell. Seurat (London: Thames and Hudson, 1965)

Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990)

Ronald Pickvance. Van Gogh in Aries (New York: Metropolitan Museum of Art, 1984)

Он же. Van Gogh in Saint Remy and Auvers (New York: Metropolitan Museum of Art, 1986)

Michel Hoog. Gauguin (London: Thames and Hudson, 1987)

Gauguin (Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)

Nicolas Watkins. Bonnard (London: Phaidon, 1994)

Gotz Adriani. Toulouse-Lautrec (London: Thames and Hudson, 1987)

Он же. Post-Impressionism: From Van Gogh to Gauguin (New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)

Robert Rosenblum. Cubism and Twentieth-Century Art (London: Thames and Hudson, 1960; переработ. изд., New York: Abrams, 1992)

John Golding. Cubism: A History and an Analysis, 1907–1914 (London: Faber, 1959; 3-е изд., 1988)

Bernard S. Myers. Expressionism (London: Thames and Hudson, 1963)

Walter Grosskamp, ed. German Art in the Twentieth Century: Painting and Sculpture 1905–1985 (London: Royal Academy, 1985)

Hans Maria Wingler. The Bauhaus (Cambridge, Mass.: MIT Press, 1969)

H. Bayer, W. Gropius, I. Gropius, Hrsg. Bauhaus 1919–1928 (Teufen: Niggli, 1959)

William J.R. Curtis. Modern Architecture since 1900 (Oxford: Phaidon, 1980; 2-е изд., 1989; переизд. London, 1994)

Robert Hughes. The Shock of the New: Art and the Century of Change (London: BBC, 1980; переработ. и расширен. изд., 1991)

William Rubin, ed. «Primitivism» in 20th Century Art: Affinity of the tribal and the Modern (2 vols., New York: Museum of Modern Art, 1984)

Reinhold Heller. Munch: His Life and Work (London: John Murray, 1984)

C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz (London: Constable; New York: Dover, 1969)

Werner Haftmann. Emil Nolde. (5 Aufl., Koln: Du Mont Schauberg, 1966)

Richard Calvocoressi, ed. Oskar Kokoschka 1886–1980 (London: Tate Gallery, 1987)

Peter Vergo. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries (London: Phaidon, 1975; 3-е изд., 1993, переизд. 1994)

Paul Overy. Kandinsky: The Language of the Eye (London: Elek, 1969)

Hans Kroethel, Joan K. Benjamin. Kandinsky: Catalogue Raisonne of the Oil Paintings (2 vol., London: Sotheby's, 1982-4)

Will Grohmann. Wassily Kandinsky: Life and Work (New York: Abrams, 1958)

Sixten Ringbom. The Sounding Cosmos (Abo: Academia, 1970)

Jack Flam. Matisse: The Man and his Art, 1869–1918 (London: Thames and Hudson, 1986)

John Elderfield, ed. Henri Matisse (New York: Museum of Modern Art, 1992)

Pablo Picasso: A Retrospective (New York: Museum of Modern Art, 1980)

Timothy Hilton. Picasso (London: Thames and Hudson, 1975)

Richard Verdi. Klee and Nature (London: Zwemmer, 1984)

Margaret Plant. Paul Klee: Figures and Faces (London: Thames and Hudson, 1978)

Ulrich Luckhardt. Lyonel Feininger (Munchen: Prextel, 1989)

Pontus Hulten, Natalia Dumitresco, Alexandre Istrati. Brancusi (London: Faber, 1988)

John Milner. Mondrian (London: Phaidon, 1992)

Norbert Lynton. Ben Nicholson (London: Phaidon, 1993)

Le Douanier Rousseau (New York: Museum of Modern Art, 1985)

Susan Compton, ed. British Art in the Twentieth Century: The Modern Movement (London: Royal Academy, 1987)

Joan M. Marter. Alexander Calder, 1898–1976 (Cambridge U.P., 1991)

Alan Bowness, ed. Henry Moore: Sculptures and Drawings (6 vols., London: Lund Humphries, 1965-7)

Susan Compton, ed. Chagall (London: Royal Academy, 1985)

David Sylvester, ed. Rene Magritte, Catalogue Raisonne (2 vols., Houston: The Menil Foundation; London: Philip Wilson, 1992–1993)

Yves Bonnefoy. Giacometti (New York: Abbeville, 1991)

Robert Descharnes. Dali de Gala: Le monde de Salvador Dali (Paris: Bibliotheque de arts, 1962); русск. перевод: Р. Дешарн, Н. Дешарн.

Сальвадор Дали . Лозанна: Эдита, 1996) Dawn Ades. Salvador Dali (London: Thames and Hudson, 1982)

John Elderfield. Kurt Schwitters (London: Thames and Hudson, 1985)

Irving Sandler. Abstract Expressionism: The Triumph of American Painting (London: Pall Mall, 1970)

Ellen G. Landau. Jackson Pollock (London: Thames and Hudson, 1989)

James Johnson Sweeney. Pierre Soulages (Neuchatel: Ides et Calendes, 1972)

Douglas Cooper. Nicolas de Stael (London: Weidenfeld and Nicolson, 1962)

Patrick Waldburg, Herbert Read, Giovanni de San Luzzaro, eds. Complete Works of Marino Marini (New York: Tudor Publishing, 1971)

Marilena Pasquali, ed. Giorgio Morandi 1890–1964 (London: Electa, 1989)

Hugh Adams. Art of the Sixties (Oxford: Phaidon, 1978)

Charles Jencks, Maggie Keswick. Architecture Today (London: Academy, 1988)

Lawrence Gowing. Lucian Freud (London: Thames and Hudson, 1982)

Naomi Rosenblum. A World History of Photography (New York: Abbeville, 1989)

Henri Cartier-Bresson, photographe (Paris: Delpire, 1980)

Hockney on Photography: Conversations with Paul Joyce (London: Jonathan Cape, 1988)

Maurice Tuchman, Stephanie Barron, eds. David Hockney: A Retrospective (Los Angeles: Los Angeles County Museum of Art; London: Thames and Hudson, 1988)

Читатель познакомился с Историей искусства Эрнста Гомбриха — книгой подлинно популярной, не только по намерениям, четко обозначенным автором в предисловии и последовательно выдержанным в тексте, но и своим огромным успехом во всем мире.

Замысел общедоступного изложения безусловно удался. Эта книга приобщила к искусству миллионы людей, надеемся, что и в нашей стране она сослужит добрую службу всем, кто, попав в музей, заинтересовался загадками разных стилей и направлений, творчеством великих мастеров.