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Anthony Everitt: The Rise of Rome

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Anthony Everitt The Rise of Rome
  • Название:
    The Rise of Rome
  • Автор:
  • Издательство:
    Random House
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  • Год:
    2012
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    978-1400066636
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    4 / 5
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The Rise of Rome: краткое содержание, описание и аннотация

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‘Everitt takes [listeners] on a remarkable journey into the creation of the great civilization's political institutions, cultural traditions, and social hierarchy…. [E]ngaging work that will captivate and inform from beginning to end.” — Booklist Starred Review From Anthony Everitt, the bestselling author of acclaimed biographies of Cicero, Augustus, and Hadrian, comes a riveting, magisterial account of Rome and its remarkable ascent from an obscure agrarian backwater to the greatest empire the world has ever known. Emerging as a market town from a cluster of hill villages in the eighth and seventh centuries B.C., Rome grew to become the ancient world’s preeminent power. Everitt fashions the story of Rome’s rise to glory into an erudite page-turner filled with lasting lessons for our time. He chronicles the clash between patricians and plebeians that defined the politics of the Republic. He shows how Rome’s shrewd strategy of offering citizenship to her defeated subjects was instrumental in expanding the reach of her burgeoning empire. And he outlines the corrosion of constitutional norms that accompanied Rome’s imperial expansion, as old habits of political compromise gave way, leading to violence and civil war. In the end, unimaginable wealth and power corrupted the traditional virtues of the Republic, and Rome was left triumphant everywhere except within its own borders. Everitt paints indelible portraits of the great Romans—and non-Romans—who left their mark on the world out of which the mighty empire grew: Cincinnatus, Rome’s George Washington, the very model of the patrician warrior/aristocrat; the brilliant general Scipio Africanus, who turned back a challenge from the Carthaginian legend Hannibal; and Alexander the Great, the invincible Macedonian conqueror who became a role model for generations of would-be Roman rulers. Here also are the intellectual and philosophical leaders whose observations on the art of government and “the good life” have inspired every Western power from antiquity to the present: Cato the Elder, the famously incorruptible statesman who spoke out against the decadence of his times, and Cicero, the consummate orator whose championing of republican institutions put him on a collision course with Julius Caesar and whose writings on justice and liberty continue to inform our political discourse today. Rome’s decline and fall have long fascinated historians, but the story of how the empire was won is every bit as compelling. With , one of our most revered chroniclers of the ancient world tells that tale in a way that will galvanize, inform, and enlighten modern readers.

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The embassy then crossed the frontier and the pater patratus repeated the formula to the first (presumably somewhat startled) person he met, and again at the state’s city gates, and one final time in the marketplace. If his demands were not conceded within thirty days, he proceeded to a formal declaration of war, calling on not only the leader of the gods but on the god of gates and doorways, of beginnings and endings: “Hear, Jupiter; hear, Janus Quirinus; hear, all you gods in heaven, on the earth and under the earth: I call you to witness that the people of So-and-So are unjust and refuse reparation. But concerning these things we will consult the elders of our country, how we may obtain our due.”

If their complaint was not accepted, the envoys returned home and discussed the position with the Senate. Each member was asked his view and, typically, replied, “I hold that these things be sought by means of just and righteous war. Thus I give my vote and my consent.” If a majority agreed, then one of the fetiales returned to the enemy frontier and formally declared war. He flung a spear across the frontier as a sign that hostilities had begun.

In later years, with the enlargement of Rome’s territory this procedure became increasingly difficult to apply. A piece of land was therefore acquired in the city which was symbolically designated as hostile soil and into which the spear could be thrown. A specially appointed senator replaced the fetiales . But the principle of ensuring that a war was just remained obligatory, at least in theory.

Ancus Marcius was also responsible for enlarging the city by bringing two hills inside its boundary, the Aventine and the Caelian. He founded the port of Ostia, at the mouth of the Tiber, a clear sign that Rome was developing trade.

The tiny settlement on the Palatine Hill was beginning to find its feet.

3

картинка 8

Expulsion

NORTH OF ROME LIVED A MYSTERIOUS AND HIGHLY cultivated race. These were the Etruscans and their homeland, Etruria, occupied, roughly speaking, modern Tuscany. They first appeared on the scene between 900 and 800 B.C. Their language used a form of Greek script, but it was not an Indo-European tongue, as in most Mediterranean and Middle Eastern societies, and has not yet been fully deciphered. To this day, its origin is unknown.

In fact, it is still not altogether clear whence the Etruscans themselves originated. Some said they came from Lydia, a kingdom on the Turkish coast (where later, in the sixth century, Croesus ruled, a byword for enormous wealth), and were led by the king’s son, Tyrrhenus. The Greek for Etruscan is Tyrrhenian. This account is perfectly plausible; for hundreds of years, the Italian peninsula was an archaic America, a new world open to successive waves of colonists. Enterprising Phoenician and Greek traders patrolled the seas looking for business. Aristocrats saw themselves as an international class and networked with one another across state borders. There is no particular reason that a force of Lydians (or, more generally, Asiatics) should not have invaded Italy—in much the same way that Duke William and his handful of Norman knights expropriated Anglo-Saxon England.

It is tempting to envisage a melting pot in which the native population was enriched by Greek and Phoenician aesthetic styles, new techniques in metalworking, and a sophisticated knowledge of town planning. However, modern scholars have been more skeptical, supposing the slow indigenous development of a community of villages into a loose federation of small city-states. Others have thrown up their hands and walked away from the debate, seeing the question as being on a par with the name of Hecuba’s mother—“neither capable of being known nor worth knowing.”

One way or another, by the eighth century the Etruscans had graduated from being simple farmers into an urban society of merchants and craftspeople. They were organized as a federation and each of their city-states was ruled by a king, or lauchme , who governed with much pomp, donning a purple robe and a gold crown. He was attended by servants, who carried fasces , bundles of rods tied around a one-headed ax. The Etruscans were militarily active and built up a sizable empire in central and northern Italy that reached Bononia (today’s Bologna) in the north and parts of Campania in the south. Rome seems to have retained its independence, however, although much influenced by Etruscan art and architecture, and, above all, by its religious practices.

According to Livy, Etruscans, “deeply learned as they were in sacred lore of all kinds, were more concerned than any other nation with religious matters.” Their doctrines were set out in a series of books much used by their disciples at Rome, called Etrusca disciplina ( The Etruscan System ); these covered such topics as the scrutiny of the entrails of animals, the interpretation of thunder and lightning, and “rules concerning the founding of cities, the consecration of altars and temples, the inviolability of ramparts, the laws relating to city gates, the division into tribes, curiae and centuriae , and all other things of this nature concerning war and peace.”

Inside every ordinary object or event lay a secret and sacred meaning. It followed that the world was a forest of symbols. The most innocent animals or plants concealed unexpected threats or promises. So, for instance, some kinds of tree were ill-wishing and flourished under the protection of the underworld powers. The eglantine, the fern, the wild pear, the black fig, and any bush that produced black fruits or berries had to be rooted out and destroyed as soon as they were seen to sprout. By contrast, the laurel brought good fortune. The dreams of pregnant women could foretell triumph or disaster, as could eccentricities in the internal organs of sacrificed animals. A model bronze liver has been found divided into forty-four areas, marked with the names of the gods, showing the place allotted to each god in the Etruscan cosmos. Celestial phenomena required particular attention. Storms, rain (especially if of an unusual color or consistency), comets, and the flights of birds and bees all called for careful study and required expert interpretation. Etruscan nobles were trained as haruspices , or diviners, and were much in demand in Rome throughout most of its history.

The Etruscans laid out their cemeteries as well as their towns in orderly grids. In their heyday, the tombs of the rich were reconstructions of the houses they lived in when alive, containing corridors and rooms. All kinds of household objects were stored in them. In the burial chamber of one great lady, archaeologists found

gold ornaments, little toilet vases for oil and perfumes, pyxides [round boxes with separate lids] imitating wooden coffers for keeping small objects in: all things which could only have been dedicated to a woman for a life beyond the tomb. But together with these objects were indispensable kitchen utensils: andirons [metal supports for fire logs] and spits, a cauldron with a tripod to support it; finally a whole dinner service, the very one which had been used for the funeral feast in honor of the deceased: jugs, amphorae [two-handled jars for storing wine or oil], vases for drawing water or for mixing liquids, drinking cups and dinner plates.

Bright-colored frescoes on tomb walls illustrate the daily life of the Etruscans. Although these sometimes depict frightening demons of the underworld, they mostly evoke with beguiling joie de vivre all manner of humane fun—banquets, young men dancing and making music, horse racing, fishing, wrestling, and other athletics.

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