Mel Gordon - Voluptuous Panic - The Erotic World of Weimar Berlin

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is simultaneously appalling and thrilling, repellent and seductive, grotesque and gorgeous—not a typical coffee table book. It would go better with absinthe drunk from a human skull.”
—Gary Meyer,
When
first appeared in the fall of 2000, it inspired wide acclaim and multiple printings. Anticipating the expanded edition, Feral House placed
out of print, and for the past year buyers paid as much as $460 to online dealers for a used copy.
This sourcebook of hundreds of rare visual delights from pre-Nazi,
-period “Babylon on the Spree” has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip clubgoers, filmmakers, gay historians, graphic designers, and musicians like the Dresden Dolls and Marilyn Manson.
Voluptuous Panic Mel Gordon
Erik Jan Hanussen: Hitler’s Jewish Clairvoyant
The Grand Guignol: Theatre of Fear and Terror
An intriguing cache of recently discovered erotica from 1920s Berlin (photographs, theater programs, guidebooks and pictorial magazines) is on display in
. U.C. Berkeley theater professor Mel Gordon (
) enhances the compelling visual images with snippets of personal memoirs, interviews and other sociological accounts that describe a sexually charged city brimming with prolific prostitution, homosexuality and drugs in the heady days before the Nazis came into full power.
Copyright 2001 Cahners Business Information, Inc. From

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Schlichter My Domina Arnim Horowitz The Trained Poodles Amateur drawing - фото 235
Schlichter, My Domina
Arnim Horowitz The Trained Poodles Amateur drawing 1930 The Strange - фото 236
Arnim Horowitz, The Trained Poodles
Amateur drawing 1930 The Strange Professor You Must Also Be Beaten - фото 237
Amateur drawing, 1930
The Strange Professor You Must Also Be Beaten The Raised Buttocks In - фото 238
The Strange Professor
You Must Also Be Beaten The Raised Buttocks In the Galante monthlies - фото 239
“You Must Also Be Beaten”

The Raised Buttocks

In the Galante monthlies, Sittengeschichten , sex encyclopedias, and private pornographic serials, one visual theme dominated and seemed to appeal to all sectors of Berlin’s Algolagnic community. This was artistic enactment of a sadistic teacher administering a bare-buttocks punishment to a hapless student. The standard instruments of discipline could be as simple as a cane or whipping crop but more inventive fantasies involved flagellation machines and paddles with cutout numerals in the center, which left an outline of the number of whacks on the child’s reddened derrière.

Hegemann Weekly Punishment The forced application of an enema to the - фото 240
Hegemann, Weekly Punishment

The forced application of an enema to the recalcitrant pupil was still another ubiquitous image. The characters and settings for these schoolroom whippings and anal torments were drawn or photographed in infinite permutations and weird variations: a shocked principal watches from the hallway as a comely Gymnasium instructor canes a cross-dressed boy while his classmates secure the boy’s naked rump to a desktop; a loving schoolmistress inserts an enema into the rectum of a hysterical 15-year-old girl as a grotesquely ugly nurse kisses the teenager’s contorted face; an excited schoolboy, no more than eight, is taught to wield a cat-o’-nine-tails on the elevated posterior of his naughty little friend; and so forth.

Why fecal and buttocks fetishism prevailed in Weimar Germany is a question that was weakly addressed in the literature of the time. Some apologists wrote that spanking stimulated the blood flow to the constricted muscles of the gluteus maximus and outward to the sensation-deadened genitals. Ernst Schertel, a prolific pornographer from Munich and historian of the erotic, expounded on ritual flagellation as an ancient ecstatic technique and possibly the origin of religious experience. Others claimed the centrality of the anus as the source of infantile eroticism.

The Symphony of Corporal Pain A Womanly Hand But not answered in these - фото 241
The Symphony of Corporal Pain
A Womanly Hand But not answered in these perverse treatises was the - фото 242
A Womanly Hand

But not answered in these perverse treatises was the geographical issue. Scatological scenes and exposed lower torsos abounded in Central Europe’s straight, gay, lesbian, transvestite, and Nacktkultur publications. They appeared in non-German erotica but with maybe a fifth or a tenth the regularity. Presumably the heavy use of colonic irrigation to fight childhood diseases, specific pedagogical forms of punishment, and unexplored cultural symbolism shaped the strange fixation.

Photos and a letter from a structural engineer to a fellow spanking enthusiast - фото 243
Photos and a letter from a structural engineer to a fellow spanking enthusiast

“Morbid” Fetishism

Other sexual fetishes in Weimar Berlin were shared obsessions of the Jazz Age. Heinz Schmeidler in The Moral History of the Present (Berlin, 1932) listed what he thought were the most prevalent objects of sexual compulsion in the city: Nose Fetishism, Mouth Fetishism, Ear Fetishism, Hand Fetishism, Leg Fetishism, Shoe and Stocking Fetishism, Breast Fetishism, Buttocks Fetishism, Hair Fetishism, Purse Fetishism, Music Fetishism, Clothes Fetishism, Underwear Fetishism, Bed Fetishism, Fabric Fetishism, and Flower Fetishism. To these, Losa in Sexual Derangements added Cold Fetishism and Voice Fetishism. (Cold fetishists found their jollies at ice rinks and in the back of speeding cabooses.)

Amateur photo from a buttocks fetishist Fantasy drawings of a hairpulling - фото 244
Amateur photo from a buttocks fetishist
Fantasy drawings of a hairpulling fetishist The BellBoys Last Duty Bode - фото 245
Fantasy drawings of a hair-pulling fetishist
The BellBoys Last Duty Bode Dance Hour Sadistic Teacher - фото 246
The Bell-Boy’s Last Duty
Bode Dance Hour Sadistic Teacher Rumpelstilzchen felt the subject of - фото 247
Bode, Dance Hour
Sadistic Teacher Rumpelstilzchen felt the subject of sexual fetishes was of - фото 248
Sadistic Teacher

Rumpelstilzchen felt the subject of sexual fetishes was of paramount interest to his provincial readers. Fashion among Berlin’s Beinls was always related to fetishistic novelty. They needed to offer or emphasize some item or body part not readily available at home. Between 1919 and 1924, Rumpelstilzchen provided detailed descriptions of exotic hosiery styles and high-heeled shoes, largely French imports. His gaze moved upward after that to powdered necks, shoulder lines, earlobes, hairbobs, glossy eyeshadow, revealing blouses, men’s leather ties, perfume, and, in 1929, to iridescent lipstick shades, to which he devoted four weekly columns.

Fighting for Love 1928 Sweet Punishment When the Nazis came to power in - фото 249
Fighting for Love , 1928
Sweet Punishment When the Nazis came to power in 1933 Rumpelstilzchen again - фото 250
Sweet Punishment

When the Nazis came to power in 1933, Rumpelstilzchen again focused on street fashion. Hitler, who preferred the wholesome scrubbed peasant look, detested facial makeup on women. The Kontroll-Girls of Berlin responded accordingly. They appeared in the Friedrichstadt wearing long leather coats, opaque stockings, mannish hats, and freshly washed faces. Rumpelstilzchen waxed enthusiastic over that season’s whore fashion. During the same April month, he also assured his readership that Berlin was more welcoming and less crowded now that the Jews were vacating their apartments for extended holidays in Paris and Vienna.

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