Платон - Philebus

V. Thus far we have only attained to the vestibule or ante-chamber of the good; for there is a good exceeding knowledge, exceeding essence, which, like Glaucon in the Republic, we find a difficulty in apprehending. This good is now to be exhibited to us under various aspects and gradations. The relative dignity of pleasure and knowledge has been determined; but they have not yet received their exact position in the scale of goods. Some difficulties occur to us in the enumeration: First, how are we to distinguish the first from the second class of goods, or the second from the third? Secondly, why is there no mention of the supreme mind? Thirdly, the nature of the fourth class. Fourthly, the meaning of the allusion to a sixth class, which is not further investigated.

(I) Plato seems to proceed in his table of goods, from the more abstract to the less abstract; from the subjective to the objective; until at the lower end of the scale we fairly descend into the region of human action and feeling. To him, the greater the abstraction the greater the truth, and he is always tending to see abstractions within abstractions; which, like the ideas in the Parmenides, are always appearing one behind another. Hence we find a difficulty in following him into the sphere of thought which he is seeking to attain. First in his scale of goods he places measure, in which he finds the eternal nature: this would be more naturally expressed in modern language as eternal law, and seems to be akin both to the finite and to the mind or cause, which were two of the elements in the former table. Like the supreme nature in the Timaeus, like the ideal beauty in the Symposium or the Phaedrus, or like the ideal good in the Republic, this is the absolute and unapproachable being. But this being is manifested in symmetry and beauty everywhere, in the order of nature and of mind, in the relations of men to one another. For the word 'measure' he now substitutes the word 'symmetry,' as if intending to express measure conceived as relation. He then proceeds to regard the good no longer in an objective form, but as the human reason seeking to attain truth by the aid of dialectic; such at least we naturally infer to be his meaning, when we consider that both here and in the Republic the sphere of nous or mind is assigned to dialectic. (2) It is remarkable (see above) that this personal conception of mind is confined to the human mind, and not extended to the divine. (3) If we may be allowed to interpret one dialogue of Plato by another, the sciences of figure and number are probably classed with the arts and true opinions, because they proceed from hypotheses (compare Republic). (4) The sixth class, if a sixth class is to be added, is playfully set aside by a quotation from Orpheus: Plato means to say that a sixth class, if there be such a class, is not worth considering, because pleasure, having only gained the fifth place in the scale of goods, is already out of the running.

VI. We may now endeavour to ascertain the relation of the Philebus to the other dialogues. Here Plato shows the same indifference to his own doctrine of Ideas which he has already manifested in the Parmenides and the Sophist. The principle of the one and many of which he here speaks, is illustrated by examples in the Sophist and Statesman. Notwithstanding the differences of style, many resemblances may be noticed between the Philebus and Gorgias. The theory of the simultaneousness of pleasure and pain is common to both of them (Phil. Gorg.); there is also a common tendency in them to take up arms against pleasure, although the view of the Philebus, which is probably the later of the two dialogues, is the more moderate. There seems to be an allusion to the passage in the Gorgias, in which Socrates dilates on the pleasures of itching and scratching. Nor is there any real discrepancy in the manner in which Gorgias and his art are spoken of in the two dialogues. For Socrates is far from implying that the art of rhetoric has a real sphere of practical usefulness: he only means that the refutation of the claims of Gorgias is not necessary for his present purpose. He is saying in effect: 'Admit, if you please, that rhetoric is the greatest and usefullest of sciences: – this does not prove that dialectic is not the purest and most exact.' From the Sophist and Statesman we know that his hostility towards the sophists and rhetoricians was not mitigated in later life; although both in the Statesman and Laws he admits of a higher use of rhetoric.

Reasons have been already given for assigning a late date to the Philebus. That the date is probably later than that of the Republic, may be further argued on the following grounds: – 1. The general resemblance to the later dialogues and to the Laws: 2. The more complete account of the nature of good and pleasure: 3. The distinction between perception, memory, recollection, and opinion which indicates a great progress in psychology; also between understanding and imagination, which is described under the figure of the scribe and the painter. A superficial notion may arise that Plato probably wrote shorter dialogues, such as the Philebus, the Sophist, and the Statesman, as studies or preparations for longer ones. This view may be natural; but on further reflection is seen to be fallacious, because these three dialogues are found to make an advance upon the metaphysical conceptions of the Republic. And we can more easily suppose that Plato composed shorter writings after longer ones, than suppose that he lost hold of further points of view which he had once attained.

It is more easy to find traces of the Pythagoreans, Eleatics, Megarians, Cynics, Cyrenaics and of the ideas of Anaxagoras, in the Philebus, than to say how much is due to each of them. Had we fuller records of those old philosophers, we should probably find Plato in the midst of the fray attempting to combine Eleatic and Pythagorean doctrines, and seeking to find a truth beyond either Being or number; setting up his own concrete conception of good against the abstract practical good of the Cynics, or the abstract intellectual good of the Megarians, and his own idea of classification against the denial of plurality in unity which is also attributed to them; warring against the Eristics as destructive of truth, as he had formerly fought against the Sophists; taking up a middle position between the Cynics and Cyrenaics in his doctrine of pleasure; asserting with more consistency than Anaxagoras the existence of an intelligent mind and cause. Of the Heracliteans, whom he is said by Aristotle to have cultivated in his youth, he speaks in the Philebus, as in the Theaetetus and Cratylus, with irony and contempt. But we have not the knowledge which would enable us to pursue further the line of reflection here indicated; nor can we expect to find perfect clearness or order in the first efforts of mankind to understand the working of their own minds. The ideas which they are attempting to analyse, they are also in process of creating; the abstract universals of which they are seeking to adjust the relations have been already excluded by them from the category of relation.

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The Philebus, like the Cratylus, is supposed to be the continuation of a previous discussion. An argument respecting the comparative claims of pleasure and wisdom to rank as the chief good has been already carried on between Philebus and Socrates. The argument is now transferred to Protarchus, the son of Callias, a noble Athenian youth, sprung from a family which had spent 'a world of money' on the Sophists (compare Apol.; Crat.; Protag.). Philebus, who appears to be the teacher, or elder friend, and perhaps the lover, of Protarchus, takes no further part in the discussion beyond asserting in the strongest manner his adherence, under all circumstances, to the cause of pleasure.

Socrates suggests that they shall have a first and second palm of victory. For there may be a good higher than either pleasure or wisdom, and then neither of them will gain the first prize, but whichever of the two is more akin to this higher good will have a right to the second. They agree, and Socrates opens the game by enlarging on the diversity and opposition which exists among pleasures. For there are pleasures of all kinds, good and bad, wise and foolish – pleasures of the temperate as well as of the intemperate. Protarchus replies that although pleasures may be opposed in so far as they spring from opposite sources, nevertheless as pleasures they are alike. Yes, retorts Socrates, pleasure is like pleasure, as figure is like figure and colour like colour; yet we all know that there is great variety among figures and colours. Protarchus does not see the drift of this remark; and Socrates proceeds to ask how he can have a right to attribute a new predicate (i.e. 'good') to pleasures in general, when he cannot deny that they are different? What common property in all of them does he mean to indicate by the term 'good'? If he continues to assert that there is some trivial sense in which pleasure is one, Socrates may retort by saying that knowledge is one, but the result will be that such merely verbal and trivial conceptions, whether of knowledge or pleasure, will spoil the discussion, and will prove the incapacity of the two disputants. In order to avoid this danger, he proposes that they shall beat a retreat, and, before they proceed, come to an understanding about the 'high argument' of the one and the many.