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Платон: Phaedo

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Платон Phaedo

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The Phaedo is acknowledged to be one of Plato’s masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a document crucial to the understanding of many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato’s thought.

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But besides differences of theological opinion which must ever prevail about things unseen, the hope of immortality is weaker or stronger in men at one time of life than at another; it even varies from day to day. It comes and goes; the mind, like the sky, is apt to be overclouded. Other generations of men may have sometimes lived under an 'eclipse of faith,' to us the total disappearance of it might be compared to the 'sun falling from heaven.' And we may sometimes have to begin again and acquire the belief for ourselves; or to win it back again when it is lost. It is really weakest in the hour of death. For Nature, like a kind mother or nurse, lays us to sleep without frightening us; physicians, who are the witnesses of such scenes, say that under ordinary circumstances there is no fear of the future. Often, as Plato tells us, death is accompanied 'with pleasure.' (Tim.) When the end is still uncertain, the cry of many a one has been, 'Pray, that I may be taken.' The last thoughts even of the best men depend chiefly on the accidents of their bodily state. Pain soon overpowers the desire of life; old age, like the child, is laid to sleep almost in a moment. The long experience of life will often destroy the interest which mankind have in it. So various are the feelings with which different persons draw near to death; and still more various the forms in which imagination clothes it. For this alternation of feeling compare the Old Testament,—Psalm vi.; Isaiah; Eccles.

12. When we think of God and of man in his relation to God; of the imperfection of our present state and yet of the progress which is observable in the history of the world and of the human mind; of the depth and power of our moral ideas which seem to partake of the very nature of God Himself; when we consider the contrast between the physical laws to which we are subject and the higher law which raises us above them and is yet a part of them; when we reflect on our capacity of becoming the 'spectators of all time and all existence,' and of framing in our own minds the ideal of a perfect Being; when we see how the human mind in all the higher religions of the world, including Buddhism, notwithstanding some aberrations, has tended towards such a belief—we have reason to think that our destiny is different from that of animals; and though we cannot altogether shut out the childish fear that the soul upon leaving the body may 'vanish into thin air,' we have still, so far as the nature of the subject admits, a hope of immortality with which we comfort ourselves on sufficient grounds. The denial of the belief takes the heart out of human life; it lowers men to the level of the material. As Goethe also says, 'He is dead even in this world who has no belief in another.'

13. It is well also that we should sometimes think of the forms of thought under which the idea of immortality is most naturally presented to us. It is clear that to our minds the risen soul can no longer be described, as in a picture, by the symbol of a creature half–bird, half–human, nor in any other form of sense. The multitude of angels, as in Milton, singing the Almighty's praises, are a noble image, and may furnish a theme for the poet or the painter, but they are no longer an adequate expression of the kingdom of God which is within us. Neither is there any mansion, in this world or another, in which the departed can be imagined to dwell and carry on their occupations. When this earthly tabernacle is dissolved, no other habitation or building can take them in: it is in the language of ideas only that we speak of them.

First of all there is the thought of rest and freedom from pain; they have gone home, as the common saying is, and the cares of this world touch them no more. Secondly, we may imagine them as they were at their best and brightest, humbly fulfilling their daily round of duties—selfless, childlike, unaffected by the world; when the eye was single and the whole body seemed to be full of light; when the mind was clear and saw into the purposes of God. Thirdly, we may think of them as possessed by a great love of God and man, working out His will at a further stage in the heavenly pilgrimage. And yet we acknowledge that these are the things which eye hath not seen nor ear heard and therefore it hath not entered into the heart of man in any sensible manner to conceive them. Fourthly, there may have been some moments in our own lives when we have risen above ourselves, or been conscious of our truer selves, in which the will of God has superseded our wills, and we have entered into communion with Him, and been partakers for a brief season of the Divine truth and love, in which like Christ we have been inspired to utter the prayer, 'I in them, and thou in me, that we may be all made perfect in one.' These precious moments, if we have ever known them, are the nearest approach which we can make to the idea of immortality.

14. Returning now to the earlier stage of human thought which is represented by the writings of Plato, we find that many of the same questions have already arisen: there is the same tendency to materialism; the same inconsistency in the application of the idea of mind; the same doubt whether the soul is to be regarded as a cause or as an effect; the same falling back on moral convictions. In the Phaedo the soul is conscious of her divine nature, and the separation from the body which has been commenced in this life is perfected in another. Beginning in mystery, Socrates, in the intermediate part of the Dialogue, attempts to bring the doctrine of a future life into connection with his theory of knowledge. In proportion as he succeeds in this, the individual seems to disappear in a more general notion of the soul; the contemplation of ideas 'under the form of eternity' takes the place of past and future states of existence. His language may be compared to that of some modern philosophers, who speak of eternity, not in the sense of perpetual duration of time, but as an ever–present quality of the soul. Yet at the conclusion of the Dialogue, having 'arrived at the end of the intellectual world' (Republic), he replaces the veil of mythology, and describes the soul and her attendant genius in the language of the mysteries or of a disciple of Zoroaster. Nor can we fairly demand of Plato a consistency which is wanting among ourselves, who acknowledge that another world is beyond the range of human thought, and yet are always seeking to represent the mansions of heaven or hell in the colours of the painter, or in the descriptions of the poet or rhetorician.

15. The doctrine of the immortality of the soul was not new to the Greeks in the age of Socrates, but, like the unity of God, had a foundation in the popular belief. The old Homeric notion of a gibbering ghost flitting away to Hades; or of a few illustrious heroes enjoying the isles of the blest; or of an existence divided between the two; or the Hesiodic, of righteous spirits, who become guardian angels,—had given place in the mysteries and the Orphic poets to representations, partly fanciful, of a future state of rewards and punishments. (Laws.) The reticence of the Greeks on public occasions and in some part of their literature respecting this 'underground' religion, is not to be taken as a measure of the diffusion of such beliefs. If Pericles in the funeral oration is silent on the consolations of immortality, the poet Pindar and the tragedians on the other hand constantly assume the continued existence of the dead in an upper or under world. Darius and Laius are still alive; Antigone will be dear to her brethren after death; the way to the palace of Cronos is found by those who 'have thrice departed from evil.' The tragedy of the Greeks is not 'rounded' by this life, but is deeply set in decrees of fate and mysterious workings of powers beneath the earth. In the caricature of Aristophanes there is also a witness to the common sentiment. The Ionian and Pythagorean philosophies arose, and some new elements were added to the popular belief. The individual must find an expression as well as the world. Either the soul was supposed to exist in the form of a magnet, or of a particle of fire, or of light, or air, or water; or of a number or of a harmony of number; or to be or have, like the stars, a principle of motion (Arist. de Anim.). At length Anaxagoras, hardly distinguishing between life and mind, or between mind human and divine, attained the pure abstraction; and this, like the other abstractions of Greek philosophy, sank deep into the human intelligence. The opposition of the intelligible and the sensible, and of God to the world, supplied an analogy which assisted in the separation of soul and body. If ideas were separable from phenomena, mind was also separable from matter; if the ideas were eternal, the mind that conceived them was eternal too. As the unity of God was more distinctly acknowledged, the conception of the human soul became more developed. The succession, or alternation of life and death, had occurred to Heracleitus. The Eleatic Parmenides had stumbled upon the modern thesis, that 'thought and being are the same.' The Eastern belief in transmigration defined the sense of individuality; and some, like Empedocles, fancied that the blood which they had shed in another state of being was crying against them, and that for thirty thousand years they were to be 'fugitives and vagabonds upon the earth.' The desire of recognizing a lost mother or love or friend in the world below (Phaedo) was a natural feeling which, in that age as well as in every other, has given distinctness to the hope of immortality. Nor were ethical considerations wanting, partly derived from the necessity of punishing the greater sort of criminals, whom no avenging power of this world could reach. The voice of conscience, too, was heard reminding the good man that he was not altogether innocent. (Republic.) To these indistinct longings and fears an expression was given in the mysteries and Orphic poets: a 'heap of books' (Republic), passing under the names of Musaeus and Orpheus in Plato's time, were filled with notions of an under–world.

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