Mary Braddon - Aurora Floyd. Volume 1

She had been a factory-girl, and the silly old banker had seen her in the streets of Manchester, with a coloured handkerchief on her head, a coral necklace round her throat, and shoeless and stockingless feet tramping in the mud: he had seen her thus, and had fallen incontinently in love with her, and offered to marry her there and then. She was an actress, and he had seen her on the Manchester stage; nay, lower still, she was some poor performer, decked in dirty white muslin, red-cotton velvet, and spangles, who acted in a canvas booth, with a pitiful set of wandering vagabonds and a learned pig. Sometimes they said she was an equestrian, and it was at Astley's, and not in the manufacturing districts, that the banker had first seen her; nay, some there were, ready to swear that they themselves had beheld her leaping through gilded hoops, and dancing the cachuca upon six bare-backed steeds, in that sawdust-strewn arena. There were whispered rumours that were more cruel than these; rumours which I dare not even set down here, for the busy tongues that dealt so mercilessly with the name and fame of Eliza Floyd were not unbarbed by malice. It may be that some of the ladies had personal reasons for their spite against the bride, and that many a waning beauty, in those pleasant Kentish mansions, had speculated upon the banker's income, and the advantages attendant upon a union with the owner of Felden Woods.

The daring, disreputable creature, with not even beauty to recommend her, – for the Kentish damsels scrupulously ignored Eliza's wonderful eyes, and were sternly critical with her low forehead, doubtful nose, and rather wide mouth, – the artful, designing minx, at the mature age of nine-and-twenty, with her hair growing nearly down to her eye-brows, had contrived to secure to herself the hand and fortune of the richest man in Kent – the man who had been hitherto so impregnable to every assault from bright eyes and rosy lips, that the most indefatigable of manoeuvring mothers had given him up in despair, and ceased to make visionary and Alnaschar-like arrangements of the furniture in Mr. Floyd's great red-brick palace.

The female portion of the community wondered indignantly at the supineness of the two Scotch nephews, and the old bachelor brother, George Floyd. Why did not these people show a little spirit – institute a commission of lunacy, and shut their crazy relative in a madhouse? He deserved it.

The ruined noblesse of the Faubourg St. – Germain could not have abused a wealthy Bonapartist with more vigorous rancour than these people employed in their ceaseless babble about the banker's wife. Whatever she did was a new subject for criticism; even at that first dinner-party, though Eliza had no more ventured to interfere with the arrangements of the man-cook and housekeeper than if she had been a visitor at Buckingham Palace, the angry guests found that everything had degenerated since "that woman" had entered the house. They hated the successful adventuress, – hated her for her beautiful eyes and her gorgeous jewels, the extravagant gifts of an adoring husband, – hated her for her stately figure and graceful movements, which never betrayed the rumoured obscurity of her origin, – hated her, above all, for her insolence in not appearing in the least afraid of the lofty members of that new circle in which she found herself.

If she had meekly eaten the ample dish of humble-pie which these county families were prepared to set before her, – if she had licked the dust from their aristocratic shoes, courted their patronage, and submitted to be "taken up" by them, – they might perhaps in time have forgiven her. But she did none of this. If they called upon her, well and good; she was frankly and cheerfully glad to see them. They might find her in her gardening-gloves, with rumpled hair and a watering-pot in her hands, busy amongst her conservatories; and she would receive them as serenely as if she had been born in a palace, and accustomed to homage from her very babyhood. Let them be as frigidly polite as they pleased, she was always easy, candid, gay, and good-natured. She would rattle away about her "dear old Archy," as she presumed to call her benefactor and husband; or she would show her guests some new picture he had bought, and would dare – the impudent, ignorant, pretentious creature! – to talk about Art, as if all the high-sounding jargon with which they tried to crush her was as familiar to her as to a Royal Academician. When etiquette demanded her returning these stately visits, she would drive boldly up to her neighbours' doors in a tiny basket-carriage, drawn by one rough pony; for it was a whim of this designing woman to affect simplicity in her tastes, and to abjure all display. She would take all the grandeur she met with as a thing of course, and chatter and laugh, with her flaunting theatrical animation, much to the admiration of misguided young men, who could not see the high-bred charms of her detractors, but who were never tired of talking of Mrs. Floyd's jolly manner and glorious eyes.

I wonder whether poor Eliza Floyd knew all or half the cruel things that were said of her! I shrewdly suspect that she contrived somehow or other to hear them all, and that she rather enjoyed the fun. She had been used to a life of excitement, and Felden Woods might have seemed dull to her but for these ever fresh scandals. She took a malicious delight in the discomfiture of her enemies.

"How badly they must have wanted you for a husband, Archy," she said, "when they hate me so ferociously! Poor portionless old maids, to think that I should snatch their prey from them! I know they think it a hard thing that they can't have me hanged, for marrying a rich man."

But the banker was so deeply wounded when his adored wife repeated to him the gossip which she had heard from her maid, who was a stanch adherent to a kind, easy mistress, that Eliza ever afterwards withheld these reports from him. They amused her; but they stung him to the quick. Proud and sensitive, like almost all very honest and conscientious men, he could not endure that any creature should dare to befoul the name of the woman he loved so tenderly. What was the obscurity from which he had taken her to him? Is a star less bright because it shines on a gutter as well as upon the purple bosom of the midnight sea? Is a virtuous and generous-hearted woman less worthy because you find her making a scanty living out of the only industry she can exercise; and acting Juliet to an audience of factory-hands, who give threepence apiece for the privilege of admiring and applauding her?

Yes, the murder must out; the malicious were not altogether wrong in their conjectures: Eliza Prodder was an actress; and it was on the dirty boards of a second-rate theatre in Lancashire that the wealthy banker had first beheld her. Archibald Floyd nourished a traditional, passive, but sincere admiration for the British Drama. Yes, the British Drama; for he had lived in a day when the drama was British, and when 'George Barnwell' and 'Jane Shore' were amongst the favourite works of art of a play-going public. How sad that we should have degenerated since those classic days, and that the graceful story of Milwood and her apprentice-admirer is now so rarely set before us! Imbued, therefore, with this admiration for the drama, Mr. Floyd, stopping for a night at this second-rate Lancashire town, dropped into the dusty boxes of the theatre to witness the performance of 'Romeo and Juliet;' the heiress of the Capulets being represented by Miss Eliza Percival, alias Prodder.

I do not believe that Miss Percival was a good actress, or that she would ever have become distinguished in her profession; but she had a deep melodious voice, which rolled out the words of her author in a certain rich though rather monotonous music, pleasant to hear; and upon the stage she was very beautiful to look at, for her face lighted up the little theatre better than all the gas that the manager grudged to his scanty audiences.

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