Margaret Oliphant - The House on the Moor. Volume 1

Behind him, hung by the side of the window, in the worst light of the room, is a portrait, a very common work, done by a mediocre painter, but in all probability very like its original, for the face looks down through the gloom with a real smile, which paint cannot give – a sweet, home-like, domestic woman, such another as Susan will be when the years and the hours have carried her into her own life. There can be no doubt it is Susan’s mother and this man’s wife. There is no other picture in the house, and he cares so little for anyone seeing this, that he has hung it in the shadows of the red moreen curtains, where nobody can distinguish the features. Most likely he knows the features well enough to penetrate that darkness; for though he sits with his back to it most usually, it is for his pleasure it is here.

Nobody knows anything about this man; he has not any family connection whatever with the house or locality. Nobody can understand why of all places in the world he should come here to the tumble-down old house on the edge of the moor, which nobody else would live in. When he came, ten years ago, the country people paid him visits – half in curiosity, half in kindness – which were never returned, till at last society dropped off entirely, even from the attempt to break upon his seclusion. To account for his ungraciousness, rumours of great crimes and great misfortunes were whispered about him; but as the novelty failed, these sunk into abeyance; and it was tacitly understood or believed now that the loss of a great lawsuit, which materially lessened his means, was the cause of his withdrawal from the world. He was then but a young man, scarcely forty; and if neither sport nor society had attractions for him then, it was not to be supposed that his heart had expanded now. He lived in a severe, rectangular, mathematical poverty, which calculated every item, and left room for no irregularity. He kept his children rigidly within the same bounds which confined himself. If they formed acquaintances, it must needs have been at “kirk or market,” in the roads or the fields, for he strictly forbade them from either receiving or accepting invitations; while for his own part he gave a certain cold attention to their education as a duty, but spent as little time as possible in their society. It is not surprising, under these circumstances, that this gloomy and brooding man should have roused the kindred temper of his son to a slight degree of desperation, or succeeded in making the thraldom of his life very irksome to a youth who was neither amiable nor submissive, to begin with. Mr. Scarsdale did not even pretend a fatherly regard for Horace; all his life he had treated the lad with a cutting and desperate civility, which would have pierced a more sensitive child to the heart; and from his boyhood had given him a certain position of equality and rivalship, totally contrary to the relationship they really held, and which at once stimulated the pride and raised the passions of the solitary youth. This unhappy state of things had never come to a climax by any outburst of passion. Horace might be as disrespectful, as sullen, as defiant as he pleased. His father extorted a certain hard lineal obedience, but neither expected nor seemed to wish for, reverence, love, or any filial sentiment; and this aspect of affairs had become so habitual, that even Susan did not observe it. Most likely she thought all fathers were more or less the same; her whole heart of tenderness went back to her little recollection of her mother – and Mr. Scarsdale was still human so far as Susan was concerned. He was not kind certainly, but at least he seemed conscious that he was her father and she his child.

Notwithstanding his seclusion, his limited means, and morose habits, he still bore the appearance, and something of the manners, of a gentleman – something which even those neighbours whose kindnesses he had repulsed acknowledged by an involuntary respect. When the half-hour chimed from his clock on the mantel-piece – almost the only article of luxury visible in the house – he closed his book as a labourer gives up his work, pausing only to place a mark in the page, and, taking up his candle, went solemnly upstairs. He was scarcely of middle size, but so spare and erect that he seemed tall; thin almost to the point of emaciation, with marked and prominent features, unlike either of his children. Yet, strangely enough, though Horace’s face resembled that of his mother, the expression – the spiritual resemblance – was like this dark and brooding face: possibly, the very pang and keenness of opposition between the father and the son lay in their likeness. Mr. Scarsdale carried his candle up the gloomy staircase, leaving his study in darkness, to exchange his easy dressing-gown for a coat, and prepare himself for dinner. Dinner for ten years, at least, had been to him a solitary meal: during all that time his doors had never opened to admit a stranger; but he never once failed in the customary punctilio, or neglected to close his book when the timepiece chimed the half-hour.

Meanwhile, the preparations of the kitchen were coming to a climax. This was the only cheerful place in the house. It had a large old-fashioned chimney, with a settle in its warm corner, and the warmth centered in that recess as in a chamber of light. Bundles of herbs were hung up to dry over the mantel-shelf, where was a little oil-lamp attached to the wall, but rarely lighted – so that the apartment itself, with its broad but high window, its great wooden presses and tables, was but half seen in the wavering light. There stood Peggy, putting on her “dinner cap.” Peggy was, at least, as tall as her master, and very little younger. She was his foster-sister, attached all her life to his family, and knew the secret of his retirement, if anybody did; but Peggy was of the faithful type of ancient servants, and gave no sign. She had been comely in her youth, and was still fresh-coloured and neat when she pleased – and she did please at dinner-time. She had on a dark stuff gown, with a white soft muslin handkerchief covering her neck under it, as is the fashion with elderly women in the north country; a great white apron, and the before-mentioned cap, which had pink ribbons in it. Peggy had rather a large face, and features big and strong. Had she been born a lady, with nothing to do, she would have been a strong-minded woman; but Providence had been kinder to Peggy. As it was, she had her own opinions about most things, and hesitated not at all to express her approbation and disapprobation. She was, in short, very much what old servants were, as we have said, a generation or two ago. But one thing was the pride of Peggy’s life: to have everything in perfect order for her master’s dinner, which was the event of the day to her; to feel convinced that her cookery was as careful and delicate as if she had been attended by a score of scullions; to do everything indeed, as far as it lay in one pair of active hands and one vigorous brain to do, as perfectly as if a whole establishment of servants waited on the comforts of “the family” – was the ambition of Mr. Scarsdale’s solitary waiting-woman. If no one else felt the compliment, Peggy was continually flattered and inspirited by her master’s evening-coat.

And it was she, though nearly fifty, who did everything in the house, it was she alone who knew the former history of “the family” which she tended so carefully. If ever Mr. Scarsdale unbended his reserved soul for a moment, it was Peggy who received the rare confidence. It was she who had helped the inherent woman to come to feminine life in poor little Susan’s neglected education; and it was she, the only busy, cheerful living inhabitant of the house, who now carried those slender silver candlesticks into the dark dining-room, and disturbed Master Horace in his reverie with the gleam of the unexpected light.