George MacDonald: Malcolm

That night he slept but little, and as the day went on grew more and more excited. Scarcely had he swallowed his twelve o'clock dinner of sowens and oatcake, when he wanted to go and dress himself for his approaching visit. Malcolm persuaded him however to lie down a while and hear him play, and succeeded, strange as it may seem with such an instrument, in lulling him to sleep. But he had not slept more than five minutes when he sprung from the bed, wide awake, crying—"My poy, Malcolm! my son! you haf let her sleep in; and ta creat peoples will be impatient for her music, and cursing her in teir hearts!"

Nothing would quiet him but the immediate commencement of the process of dressing, the result of which was, as I have said, even pathetic, from its intermixture of shabbiness and finery. The dangling brass capped tails of his sporran in front, the silver mounted dirk on one side, with its hilt of black oak carved into an eagle's head, and the steel basket of his broadsword gleaming at the other; his great shoulder brooch of rudely chased brass; the pipes with their withered bag and gaudy streamers; the faded kilt, oiled and soiled; the stockings darned in twenty places by the hands of the termagant Meg Partan; the brogues patched and patched until it would have been hard to tell a spot of the original leather; the round blue bonnet grown gray with wind and weather: the belts that looked like old harness ready to yield at a pull; his skene dhu sticking out grim and black beside a knee like a lean knuckle:—all combined to form a picture ludicrous to a vulgar nature, but gently pitiful to the lover of his kind, he looked like a half mouldered warrior, waked from beneath an ancient cairn, to walk about in a world other than he took it to be. Malcolm, in his commonplace Sunday suit, served as a foil to his picturesque grandfather; to whose oft reiterated desire that he would wear the highland dress, he had hitherto returned no other answer than a humorous representation of the different remarks with which the neighbours would encounter such a solecism.

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Lord Stair, the prime mover in the Massacre of Glenco.

What added to the likelihood of Mr Graham's conjecture was the fact, well enough known to him, though to few lowlanders besides, that revenge is not a characteristic of the Gael. Whatever instances of it may have appeared, and however strikingly they may have been worked up in fiction, such belong to the individual and not to the race. A remarkable proof of this occurs in the history of the family of Glenco itself. What remained of it after the massacre in 1689, rose in 1745, and joined the forces of Prince Charles Edward. Arriving in the neighbourhood of the residence of Lord Stair, whose grandfather had been one of the chief instigators of the massacre, the prince took special precautions lest the people of Glenco should wreak inherited vengeance on the earl. But they were so indignant at being supposed capable of visiting on the innocent the guilt of their ancestors, that it was with much difficulty they were prevented from forsaking the standard of the prince, and returning at once to their homes. Perhaps a yet stronger proof is the fact, fully asserted by one Gaelic scholar at least, that their literature contains nothing to foster feelings of revenge.