Guillermo Del Toro - The Complete Strain Trilogy - The Strain, The Fall, The Night Eternal

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High-concept thrillers with a supernatural edge from world-famous director, whose films include Pan’s Labyrinth and Hellboy. Now a popular Amazon TV Show.
THE STRAIN: A plane lands at JFK and mysteriously ‘goes dark’, stopping in the middle of the runway for no apparent reason, all lights off, all doors sealed. The pilots cannot be raised.
When the hatch above the wing finally clicks open, it soon becomes clear that everyone on board is dead – although there is no sign of any trauma or struggle. Ephraim Goodweather and his team from the Center for Disease Control must work quickly to establish the cause of this strange occurrence before panic spreads.
THE FALL: Humans have been displaced at the top of the food chain, and now understand – to their outright horror – what it is to be not the consumer, but the consumed.
Ephraim Goodweather, director of the New York office of the Centers for Disease control, is one of the few humans who understands what is really happening. Vampires have arrived in New York City, and their condition is contagious. If they cannot be contained, the entire world is at risk of infection…
THE NIGHT ETERNAL: After the blasts, it was all over. Nuclear Winter has settled upon the earth. Except for one hour of sunlight a day, the whole world is plunged into darkness. It is a near-perfect environment for vampires. They have won. It is their time.
Almost every single man, woman and child has been enslaved in vast camps across the globe. Like animals, they are farmed, harvested for the sick pleasure of the Master Race.
Almost, but not all. Somewhere out there, hiding for their lives, is a desperate network of free humans, continue the seemingly hopeless resistance. Everyday people, with no other options – among them Dr Ephraim Goodweather, his son Zack, the veteran exterminator Vassily, and former gangbanger Gus.
To be free, they need a miracle, they need divine intervention. But Salvation can be a twisted game – one in which they may be played like pawns in a battle of Good and Evil. And at what cost…?

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He ran hard from the Nazis, hearing a pick-pick-pick all the time at his back …

And evil followed closely behind.

THE BEGINNING

N323RG Cockpit Voice Recorder

Excerpts, NTSB transcription, Flight 753, Berlin (TXL) to New York (JFK), 9/24/10:

2049:31 [Public-address microphone is switched ON.]

CAPT. PETER J. MOLDES: “Ah, folks, this is Captain Moldes up in the flight deck. We should be touching down on the ground in a few minutes for an on-time arrival. Just wanted to take a moment and let you know we certainly ’preciate you choosing Regis Airlines, and that, on behalf of First Officer Nash and myself and your cabin crew, hope you come back and travel with us again real soon …”

2049:44 [Public-address microphone is switched OFF.]

CAPT. PETER J. MOLDES: “… so we can all keep our jobs.” [cockpit laughter]

2050:01 Air-traffic control New York (JFK): “Regis 7-5-3 heavy, approaching left, heading 1-0-0. Clear to land on 13R.”

CAPT. PETER J. MOLDES: “Regis 7-5-3 heavy, approaching left, 1-0-0, landing on runway 13R, we have it.”

2050:15 [Public-address microphone is switched ON.]

CAPT. PETER J. MOLDES: “Flight attendants, prepare for landing.”

2050:18 [Public-address microphone is switched OFF.]

FIRST OFFICER RONALD W. NASH IV: “Landing gear clear.”

CAPT. PETER J. MOLDES: “Always nice coming home …”

2050:41 [Banging noise. Static. High-pitched noise.]

END OF TRANSMISSION

THE LANDING

JFK International Control Tower

The dish, they called it. Glowing green monochrome (JFK had been waiting for new color screens for more than two years now), like a bowl of pea soup supplemented with clusters of alphabet letters tagged to coded blips. Each blip represented hundreds of human lives, or, in the old nautical parlance that endured in air travel to this day, souls.

Hundreds of souls.

Perhaps that was why all the other air-traffic controllers called Jimmy Mendes “Jimmy the Bishop.” The Bishop was the only ATC who spent his entire eight-hour shift standing rather than sitting, wielding a number 2 pencil in his hand and pacing back and forth, talking commercial jets into New York from the busy tower cab 321 feet above John F. Kennedy International Airport like a shepherd tending his flock. He used the pink pencil eraser to visualize the aircraft under his command, their positions relative to one another, rather than relying exclusively upon his two-dimensional radar screen.

Where hundreds of souls beeped every second.

“United 6-4-2, turn right heading 1-0-0, climb to five thousand.”

But you couldn’t think like that when you were on the dish. You couldn’t dwell on all those souls whose fates rested under your command: human beings packed inside winged missiles rocketing miles above the earth. You couldn’t big-picture it: all the planes on your dish, and then all the other controllers muttering coded headset conversations around you, and then all of the planes on their dishes, and then the ATC tower over at neighboring LaGuardia … and then all the ATC towers of every airport in every city in the United States … and then all across the world …

Calvin Buss, the air-traffic-control area manager and Jimmy the Bishop’s immediate supervisor, appeared at his shoulder. He was back early from a break, in fact, still chewing his food. “Where are you with Regis 7-5-3?”

“Regis 7-5-3 is home.” Jimmy the Bishop took a quick, hot look at his dish to confirm. “Proceeding to gate.” He scrolled back his gate-assignment roster, looking for 7-5-3. “Why?”

“Ground radar says we have an aircraft stalled on Foxtrot.”

“The taxiway?” Jimmy checked his dish again, making sure all his bugs were good, then reopened his channel to DL753. “Regis 7-5-3, this is JFK tower, over.”

Nothing. He tried again.

“Regis 7-5-3, this is JFK tower, come in, over.”

He waited. Nothing, not even a radio click.

“Regis 7-5-3, this is JFK tower, are you reading me, over.”

A traffic assistant materialized behind Calvin Buss’s shoulder. “Comm problem?” he suggested.

Calvin Buss said, “Gross mechanical failure, more likely. Somebody said the plane’s gone dark.”

“Dark?” said Jimmy the Bishop, marveling at what a near miss that would be, the aircraft’s gross mechanicals shitting the bed just minutes after landing. He made a mental note to stop off on the way home and play 753 for tomorrow’s numbers.

Calvin plugged his own earphone into Jimmy’s b-comm audio jack. “Regis 7-5-3, this is JFK tower, please respond. Regis 7-5-3, this is the tower, over.”

Waiting, listening.

Nothing.

Jimmy the Bishop eyed his pending blips on the dish—no conflict alerts, all his aircraft okay. “Better advise on a reroute around Foxtrot,” he said.

Calvin unplugged and stepped back. He got a middle-distance look in his eyes, staring past Jimmy’s console to the windows of the tower cab, out in the general direction of the taxiway. His look showed as much confusion as concern. “We need to get Foxtrot cleared.” He turned to the traffic assistant. “Dispatch somebody for a visual.”

Jimmy the Bishop clutched his belly, wishing he could reach inside and somehow massage the sickness roiling at its pit. His profession, essentially, was midwifery. He assisted pilots in delivering planes full of souls safely out of the womb of the void and unto the earth. What he felt now were pangs of fear, like those of a young doctor having delivered his very first stillborn.

Terminal 3 Tarmac

LORENZA RUIZ was on her way out to the gate, driving a baggage conveyor, basically a hydraulic ramp on wheels. When 753 didn’t show around the corner as expected, Lo rolled out farther for a little peek, as she was due her break soon. She wore protective headphones, a Mets hoodie underneath her reflective vest, goggles—that runway grit was a bitch—with her orange marshaling batons lying next to her hip, on the seat.

What in the hell?

She pulled off her goggles as though needing to see it with her bare eyes. There it was, a Regis 777, a big boy, one of the new ones on the fleet, sitting out on Foxtrot in darkness. Total darkness, even the nav lights on the wings. All she saw was the smooth, tubular surface of the fuselage and wings glowing faintly under the landing lights of approaching planes. One of them, Lufthansa 1567, missing a collision with its landing gear by a mere foot.

“Jesus Santisimo!”

She called it in.

“We’re already on our way,” said her supervisor. “Crow’s nest wants you to roll out and take a look.”

“Me?” Lo said.

She frowned. That’s what you get for curiosity. So she went, following the service lane out from the passenger terminal, crossing the taxiway lines painted onto the apron. She was a little nervous, and very watchful, having never driven out this far before. The FAA had strict rules about how far out the conveyors and baggage trailers were supposed to go.

She turned past the blue guide lamps edging the taxiway. The plane appeared to have been shut down completely, stem to stern. No beacon light, no anticollision light, no lights in the cabin windows. Usually, even from the ground, thirty feet below, through the tiny windshield like eyes slanting over the characteristic Boeing nose, you could see up and inside the cockpit, the overhead switch panel and the instrument lights glowing darkroom red. But there were no lights at all.

Lo idled ten yards back from the tip of the long left wing. You work the tarmac long enough—Lo had eight years in now, longer than both of her marriages put together—you pick up a few things. The trailing edge flaps and the ailerons—the spoiler panels on the back sides of the wings—were all straight up like Paula Abdul, which is how pilots set them after runway touchdown. The turbojets were quiet and still, and they usually took a while to stop chewing air even after switch off, sucking in grit and bugs like great ravenous vacuums. So this big baby had come in clean and set down all nice and easy and gotten this far before—lights out.

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