Guillermo Del Toro - The Complete Strain Trilogy - The Strain, The Fall, The Night Eternal

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High-concept thrillers with a supernatural edge from world-famous director, whose films include Pan’s Labyrinth and Hellboy. Now a popular Amazon TV Show.
THE STRAIN: A plane lands at JFK and mysteriously ‘goes dark’, stopping in the middle of the runway for no apparent reason, all lights off, all doors sealed. The pilots cannot be raised.
When the hatch above the wing finally clicks open, it soon becomes clear that everyone on board is dead – although there is no sign of any trauma or struggle. Ephraim Goodweather and his team from the Center for Disease Control must work quickly to establish the cause of this strange occurrence before panic spreads.
THE FALL: Humans have been displaced at the top of the food chain, and now understand – to their outright horror – what it is to be not the consumer, but the consumed.
Ephraim Goodweather, director of the New York office of the Centers for Disease control, is one of the few humans who understands what is really happening. Vampires have arrived in New York City, and their condition is contagious. If they cannot be contained, the entire world is at risk of infection…
THE NIGHT ETERNAL: After the blasts, it was all over. Nuclear Winter has settled upon the earth. Except for one hour of sunlight a day, the whole world is plunged into darkness. It is a near-perfect environment for vampires. They have won. It is their time.
Almost every single man, woman and child has been enslaved in vast camps across the globe. Like animals, they are farmed, harvested for the sick pleasure of the Master Race.
Almost, but not all. Somewhere out there, hiding for their lives, is a desperate network of free humans, continue the seemingly hopeless resistance. Everyday people, with no other options – among them Dr Ephraim Goodweather, his son Zack, the veteran exterminator Vassily, and former gangbanger Gus.
To be free, they need a miracle, they need divine intervention. But Salvation can be a twisted game – one in which they may be played like pawns in a battle of Good and Evil. And at what cost…?

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“Perhaps,” said Eph. “As it stands now, in terms of whatever might be awaiting us in there—we have containment.” He opened the rear door of the van for Nora. “We’ll suit up and see what we’ve got.”

A voice stopped him. “We have one of our own on this plane.”

Eph turned back. “One of whose?”

“A federal air marshal. Standard on international flights involving U.S. carriers.”

“Armed?” Eph said.

“That’s the general idea.”

“No phone call, no warning from him?”

“No nothing.”

“It must have overpowered them immediately.” Eph nodded, looking into these men’s worried faces. “Get me his seat assignment. We’ll start there.”

Eph and Nora ducked inside the CDC van, closing the rear double doors, shutting out the anxiety of the tarmac behind them.

They pulled Level A HAZMAT gear down off the rack. Eph stripped down to his T-shirt and shorts, Nora to a black sports bra and lavender panties, each accommodating the other’s elbows and knees inside the cramped Chevy van. Nora’s hair was thick and dark and defiantly long for a field epidemiologist, and she swept it up into a tight elastic, arms working purposefully and fast. Her body was gracefully curved, her flesh the warm tone of lightly browned toast.

After Eph’s separation from Kelly became permanent and she initiated divorce proceedings, Eph and Nora had a brief fling. It was just one night, followed by a very awkward and uncomfortable morning after, which dragged on for months and months … right up until their second fling, just a few weeks ago—which, while even more passionate than the first, and full of intention to avoid the pitfalls that had overwhelmed them the first time, had led again to another protracted and awkward détente.

In a way, he and Nora worked too closely: if they had anything resembling normal jobs, a traditional workplace, the result might have been different, might have been easier, more casual, but this was “love in the trenches,” and with each of them giving so much to Canary, they had little left for each other, or the rest of the world. A partnership so voracious that nobody asked, “How was your day?” in the downtime—mainly because there was no downtime at all.

Such as here. Getting practically naked in front of each other in the least sexual way possible. Because donning a bio-suit is the antithesis of sensuality. It is the converse of allure, it is a withdrawal into prophylaxis, into sterility.

The first layer was a white Nomex jumpsuit, emblazoned on the back with the initials CDC. It zipped from knee to chin, the collar and cuffs sealing it in snug Velcro, black jump boots lacing up to the shins.

The second layer was a disposable white suit made of papery Tyvek. Then booties pulled on over boots, and Silver Shield chemical protective gloves over nylon barriers, taped at the wrists and ankles. Then lifted on self-contained breathing apparatus gear: a SCBA harness, lightweight titanium pressure-demand tank, full-face respirator mask, and personal alert safety system (PASS) device with a firefighter’s distress alarm.

Each hesitated before pulling the mask over his or her face. Nora formed a half smile and cupped Eph’s cheek in her hand. She kissed him. “You okay?”

“Yup.”

“You sure don’t look it. How was Zack?”

“Sulky. Pissed. As he should be.”

“Not your fault.”

“So what? Bottom line is, this weekend with my son is gone, and I’ll never get it back.” He readied his mask. “You know, there came a point in my life where things came down to either my family or my job. I thought I chose family. Apparently, not enough.”

There are moments like these, which usually come at the most inconvenient of times, such as a crisis, when you look at someone and realize that it will hurt you to be without them. Eph saw how unfair he had been to Nora by clinging to Kelly—not even to Kelly, but to the past, to his dead marriage, to what once was, all for Zack’s sake. Nora liked Zack. And Zack liked her, that was obvious.

But now, right now, was not the time to get into this. Eph pulled on his respirator, checking his breathing tank. The outer layer consisted of a yellow—canary yellow—full encapsulation “space” suit, featuring a sealed hood, a 210-degree viewport, and attached gloves. This was the actual level A containment suit, the “contact suit,” twelve layers of fabric which, once sealed, absolutely insulated the wearer from the outside atmosphere.

Nora checked his seal, and he did hers. Biohazard investigators operate on a buddy system much the same as that of scuba divers. Their suits puffed a bit from the circulated air. Sealing out pathogens meant trapping sweat and body heat, and the temperature inside their suits could rise up to thirty degrees higher than room temperature.

“Looks tight,” said Eph, over the voice-actuated microphones inside his mask.

Nora nodded, catching his eye through their respective masks. The glance went on a moment too long, as if she was going to say something else, then changed her mind. “You ready?” she said.

Eph nodded. “Let’s do this.”

Outside on the tarmac, Jim switched on his wheeled command console and picked up both their mask-mounted cameras, on separate monitor feeds. He attached small, switched-on flashlights on lanyards from their pull-away shoulder straps: the thickness of the multilayered suit gloves limited the wearer’s fine-motor skills.

The TSA guys came up and tried to talk to them some more, but Eph feigned deafness, shaking his head and touching his hood.

As they approached the airplane, Jim showed Eph and Nora a laminated printout containing an overhead view of the interior seat assignments, numbers corresponding to passenger and crew manifests listed on the back. He pointed to a red dot at 18A.

“The federal air marshal,” Jim said into his microphone. “Last name Charpentier. Exit row, window seat.”

“Got it,” Eph said.

A second red dot. “TSA pointed out this other passenger of interest. A German diplomat on the flight, Rolph Hubermann, business class, second row, seat F. In town for UN Council talks on the Korean situation. Might have been carrying one of those diplomatic pouches that get a free pass at customs. Could be nothing, but there is a contingent of Germans on their way here right now, from the UN, just to retrieve it.”

“Okay.”

Jim left them at the edge of the lights, turning back to his monitors. Inside the perimeter, it was brighter than day. They moved nearly without shadow. Eph led the way up the fire engine ladder onto the wing, then along its broadening surface to the opened door.

Eph entered first. The stillness was palpable. Nora followed, standing with him shoulder to shoulder at the head of the middle cabin.

Seated corpses faced them, in row after row. Eph’s and Nora’s flashlight beams registered dully in the dead jewels of their open eyes.

No nosebleeds. No bulging eyes or bloated, mottled skin. No foaming or bloody discharge about the mouth. Everyone in his or her seat, no sign of panic or struggle. Arms hanging loose into the aisle or else sagged in laps. No evident trauma.

Mobile phones—in laps, pockets, and muffled inside carry-on bags—emitted waiting message beeps or else rang anew, the peppy tones overlapping. These were the only sounds.

They located the air marshal in the window seat just inside the open door. A man in his forties with black, receding hair, dressed in a baseball-style button-up shirt with blue and orange piping, New York Mets colors, the baseball-headed mascot Mr. Met depicted on the front, and blue jeans. His chin rested on his chest, as though he were napping with his eyes open.

Eph dropped to one knee, the wider exit row giving him room to maneuver. He touched the air marshal’s forehead, pushing back the man’s head, which moved freely on his neck. Nora, next to him, teased her flashlight beam in and out of his eyes, Charpentier’s pupils showing no response. Eph pulled down on his chin, opening his jaw and illuminating the inside of his mouth, his tongue and the top of his throat looking pink and unpoisoned.

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