Кейси Майклс - The Butler Did It

“Using wit and romance with a master’s skill, Kasey Michaels aims for the heart and never misses.”

—New York Times bestselling author Nora Roberts

“Kasey Michaels creates characters who stick with you long after her wonderful stories are told.”

—New York Times bestselling author Kay Hooper

“If you want emotion, humor and characters you can love, you want a story by Kasey Michaels.”

—national bestselling author Joan Hohl

“Sparkling with Michaels’s characteristically droll repartee and lovable lead characters, this Regency-set romance enchants with its skillful treatment of a familiar formula.”

—Publishers Weekly on Someone To Love

“Michaels demonstrates her flair for creating likable protagonists who possess chemistry, charm and a penchant for getting into trouble. In addition, her dialogue and descriptions are full of humor….”

—Publishers Weekly on This Must Be Love

To Michelle Van Norman Tirpak.

Always missed, forever loved.

One, Two, Three, Etcetera…

They Gather Here Together…

An Evening at Almack’s

Mayfair Madness

At The Ball…

And Now, Good Night…

As I was going to St. Ives,

I met a man with seven wives,

Each wife had seven sacks,

Each sack had seven cats,

Each cat had seven kits:

Kits, cats, sacks, and wives,

How many were there going to St. Ives?

—Anonymous

TO BEGIN WITH ONCE UPON A TIME would be, perhaps, a tad facetious. Rather to simply begin at the beginning, or at least as nearly as possible to that part of the beginning where it becomes interesting.

Picture England during the Regency. Such a time, such a varied generation. War, civil upheaval, opulence, indulgence, genius and cruelty. Great literature, great inventions, great deeds, great injustices. The English Regency has all of that.

Those who live there, happily, also manage to squeeze in a little silliness, a little fun. There are a few, in particular, who might be mentioned now.

Who are these people?

Why not commence with Morgan Drummond, Marquis of Westham, a gentleman who has been blessed with fine good looks, great wealth and high intelligence…and cursed with a quick temper that, five years earlier, ended in a duel that nearly cost another man his life.

Shameful.

And Morgan was ashamed, devastated by his actions. What was the matter with him? he asked himself. Did an insult to his latest light-o’-love (what was her name again?) really necessitate a trip to Lincolns Inn Fields and dueling foils drawn at dawn?

Was he that mad? Hadn’t he learned anything through his father’s death at the hands of another duelist when he, Morgan, had been only a toddler in leading strings? What had that fight been about anyway? If Morgan couldn’t recall the story, and he was the son of “Mad Harry,” obviously the reason had been insufficient to the result—his mother a widow, his father’s body moldering in the family mausoleum at Westham.

What he did know was that he did not wish his epitaph to read: “Mad Morgan, laid low by his own wretched temper.”

So the chastened and repentant Morgan swore to shun his former hey-go-mad ways and had fled London, retreating to his estate in Westham, to lick his own wounds and examine his life.

And he had been exceedingly boring.

He had drunk deep and long, then thought, hard and long, and finally decided that he could control his temper. He worked diligently during those five years of self-imposed isolation, remaking himself less in his father’s image and more in what he believed to be his own. He did not, however, metamorphose into Mellow Morgan, as he never quite overcame his inborn arrogance, his penchant for sarcasm, or his most definite disdain for fools.

Alas, ho-hum, he was still boring.

But at last Morgan, having just passed his thirtieth birthday, and admittedly weary of his reclusive life, believes himself equipped to rejoin civilization once more. Sure of himself, confident in his self-control, he even feels prepared to bear the silliness of a London Season, because yes, indeed, it is time Morgan marries and sets up his nursery, begets himself an heir to carry on the line.

He has thought long and hard (and boringly) about this as well. What he needs is a complacent wife, a calm and never ruffled wife, a woman of breeding and some wit, but with a temper as sweet as a May morning—for the sake of their unborn children, naturally.

So off he goes, to London.

NEXT UP, WE HAVE ONE Miss Emma Clifford who, as it happens, is also on her way to London.

Dear Emma. Was there ever a more beautiful female?

Poor Emma. Was there ever a more beleaguered female?

Emma Clifford is the older child and keeper of the Clifford family, which explains the beleaguered portion of her description.

Emma’s mother is lovable, but a bit of a twit. Her brother is a complete loss. Her irascible grandmother is forever reliving her not quite proper past. And they’re all constantly in need of funds.

The Cliffords do have one hope. Actually, they harbor quite a few hopes. Emma, however, has just one. She is not a silly girl; she knows she is quite beautiful. And, in London, beautiful is often the key that opens the door to an advantageous marriage.

In other words, a good marriage equaled solvency for the entire family. Ah, a financially comfortable existence; always considered A Good Thing To Have, and eternally prized as a cure-all to any woe by Those Who Don’t Have.

Although her grandmother keeps telling Emma that, ideally, marriage shouldn’t have anything to do with lining one’s pocket at the expense of being stuck with a belching, scratching buffoon who probably ingests cabbage for breakfast.

Her grandmother’s advice to one side, the determined Emma has sold her mother’s diamonds, hocked the family portraits, and traded the services of a fairly good stud horse for the use of an ancient traveling coach and some showy if not quite prime carriage horses.

So the Cliffords, like Morgan Drummond, are off to London for the Season. In the Cliffords’ case, it is to cut a dash, to shop the marriage mart (already the marquis and the questing young miss have something in common), to trade on Mama’s grasstime friendship with Lady Sally Jersey in order to secure vouchers to Almack’s, and be introduced to the Very Cream of Society.

Daphne Clifford, Emma’s mother, can barely contain herself. Daphne, never to be spoken of as The Widow Clifford, is a faded beauty, yet still quite attractive. The years have brought a few lines, a few extra pounds…and not a whit more intelligence than when, a quarter century earlier, she’d tossed herself away on the handsome spendthrift, Samuel Clifford.

She agrees that dearest Emma should find herself a wealthy husband. She sees no reason why such a beautiful girl should have the least trouble in Snatching Up the Catch of the Season. Daphne certainly doesn’t expect any difficulties in her own quest for—ta-da!—True Love.

Daphne does quite a bit of her thinking in capitals.

Fanny Clifford scoffs at her daughter-in-law’s hopes, which she considers as likely to be fulfilled as Daphne’s wish to have Mother Clifford retire to Bath with her elderly cousin Maude, and For Goodness’ Sakes Leave Everyone Alone.

Fanny is a trifle…well, it could be said that she is very much her own woman. She lived a different London life than debutantes coming to town during the namby-pamby and oh, so proper Regency. A product of a freer, bawdier age, Fanny speaks frankly, behaves just as she wishes, and believes missish girls and milksop gentlemen should be locked up somewhere so that the world shouldn’t have to wince as they mince.