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Joanna Trollope: A Village Affair

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Alice Jordan looks forward to moving into The Grey House, an 18th-century residence in a village full of friendly eccentrics. But the change of scenery leads to even greater changes, as she forms a sudden, fierce friendship with an independent young woman named Clodagh-a friendship that will take her husband, the villagers, and Alice herself by complete surprise.

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'Father-'

'Leave the room.'

Anthony turned to his mother.

'Go on,' she said.

'This is barbaric-'

'Leave the room,' Richard Jordan said, and suddenly there was a bull-like threatening look on his face. Anthony got up.

'What will Alice-' He stopped. They were all watching him. He left.

Cecily seemed quite unmoved.

'I believe a Frenchwoman has written a book describing how she finally got rid of her five sons. I must buy a copy.'

Martin did not try to come to Alice's room that night. She had thought he might and had rather hoped he wouldn't. She had been to bed twice with men before, once when she was seventeen to see what it was like and get the first time over with, and once six months before, driven by a simple physical longing to be made love to. She had, somewhat inevitably, preferred the second time, but neither had been what she was hoping for, which she put down to not being in love with either man. She was quite clear that she wasn't in love with Martin either, and so didn't want sex with him to become some litmus paper test. But she thought, lying there in linen sheets in her charming room while a disgracefully theatrical copper harvest moon hung outside, that she would very much like some good sex. She would like to be taken over by some huge physical force inside herself and feel every atom of her body as a body. One of the lecturers at the art school - rather a creep, in fact - had said that good sex made you a better painter. Alice had thought about this and finally had dismissed it as a very sixties view. What about Toulouse Lautrec and Van Gogh for starters? What Alice really wanted to know, she decided, her hands flat on her cotton nightie-clad belly, was what an orgasm really felt like, what it did to you. Then she could stop wondering.

She turned on her side, and slid both hands between her thighs. This was the most wonderful place she had ever been to. If Martin asked her to marry him tomorrow, standing perhaps in the creeper-clad stableyard while the white pigeons flew erratically about in the blue air above them, she would say yes. Then she could always come here and, best of all, Cecily would be her mother-in-law. She began to giggle, helplessly, out of happiness and excitement, and Martin, standing in the dark passage outside her door, was very nearly, but not quite, brave enough to come in and ask her what she was up to.

He knew he wanted to marry her. He knew it the moment her brother Josh had pushed open the back bedroom door in that grim house in Reading, and there was Alice in black and red striped tights and a vast blue smock smeared all over with paint and her hair screwed up on top with a paintbrush thrust through it, painting away in a terrible temper. He didn't even look at what she was painting, he was so busy looking at her. He had never seen anyone who looked so - so vital. She flung herself at Josh, who seemed equally pleased to see her. And then they had carried her off to Oxford and Martin had felt that his little Mini was absolutely pulsing with interest and life even though Alice didn't say much. She just sat in the back and existed, and occasionally he glanced in the driving mirror at her and felt his guts melt. This was something.

He found she gave him courage. He could dare with her, conversation with her was a kind of game. He realized, leaving a pub with her ten days later, that he didn't even feel dull or conventional, he felt brilliant. He grew afraid that if he didn't make her his, for ever, that brilliance would go, he would go back to being the dear, ordinary old Martin who fussed about train times and driving conditions and made his mother - however she strove to conceal it - visibly sigh. Asking Alice down to Dummeridge was a brainwave, an absolute corker of an idea, and now here was Alice adoring the house and getting on with his mother like a house on fire. And even his father... Anthony had once said, in a rage, that living with their father was like living in a house where the biggest and best room was always locked, and though Martin, by nature both conventional and loyal, was distressed by the image, he recognized the truth of it. His father wasn't exactly dull, he was just ruthlessly private, but he was watching Alice, Martin could see that, and what was more, he liked her. Being Alice - Martin felt himself dissolve at the thought - she didn't appear to notice that Richard was withdrawn. She talked to him, and so he talked back. He smiled at her. The only person she ignored was Anthony and that was Anthony's own stupid fault, all that capering and showing off to attract her attention, trying to impress her by bitching the parents. It was the first time, the first glorious time in Martin's life, that he had scored over Anthony, that he had something Anthony wanted that he couldn't have, that he had found something of real stupendous quality that his father and his mother applauded him for. He was ten feet tall. He was a new, a different man. If he could keep Alice, everything would fall into place from now on, there would be a goal, a future, he would work for her.

With stupendous self-control, and guided by a subtlety of instinct he had never experienced before but which he entirely trusted to, he did not propose to Alice for three months. They saw each other every week, and two weekends a month he arrived in Reading with russet or mauve chrysanthemums for Mrs Meadows ('Only get her hideous flowers,' Alice said. 'She despises pretty ones.') and drove Alice down to Dummeridge. He had a half-gun in a local shoot, and sometimes Alice went with him, to beat, and sometimes she stayed at Dummeridge and painted and talked to Cecily. Cecily admired her paintings a good deal and persuaded her into both watercolours and painting pictures of corners of the house. Alice painted a cobwebby window at a turn of the cellar stairs, and a scattering of hens on the old stone mounting block and a corner of the drawing room where a battered little alabaster bust stood on a table shrouded in an Indian shawl against a faded, striped wall covered in miniatures.

At lunchtime they ate eggs and salad and home-made brown bread by the Aga, and Cecily always gave Alice wine - at home there was beer and whisky for her father and sherry for her mother which of course she wouldn't touch for fear of feeling better, but never wine - and they talked as Alice had never talked before. Cecily even and it was thirty years since she had mentioned it to anyone - talked about Vienna. The story fired Alice with a yearning passion, not just the love story but the foreignness, and the powerful romance of the voice that blossomed and was then locked away in a box for ever when all the circumstances that had awakened it were wrenched away. Alice had never travelled, except on a school trip to Paris which was chiefly distinguished by interminable and sick-making hours shut up in a bus. The Jordans had all travelled; they took it as a matter of course. Richard travelled constantly, on business; the boys went skiing and both had been on safari in Kenya; Cecily went on her lecture tours and on her own to France and to Italy to look at things, she said, and to eat and drink both literally and metaphorically.

'You should go,' she said to Alice. 'It's criminal that you haven't been to Italy.'

Alice began to think that indeed it was. As the autumn wore on, she became privately very angry when Sunday night came and she had to leave Dummeridge, glimmering away in the firelight in its wealth of old stuffs and books. Lynford Road looked worse on each return, the scuffed carpet tiles in the hall, the uncompromising, harshly shaded ceiling lights, the black and green tiles in the bathroom, the mean proportions that confronted her everywhere, too high, too narrow. She began to long for Martin's Monday call, regular as clockwork, telling her when he was coming down to take her out. His arrivals, invariably punctual, became events of real excitement. Every time she found him standing on the tiled doorstep in Lynford Road, in a tweed jacket she had last seen him wear in the drawing room at Dummeridge and the brogues she could still hear striking the stone flags of the kitchen passage, her feeling of being rescued grew greater and more glamorous.

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