М Стедман - The Light Between Oceans - A Novel

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AFTER FOUR HARROWING YEARS ON THE WESTERN Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby’s cries on the wind. A boat has washed up onshore carrying a dead man and a living baby.
Tom, who keeps meticulous records and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel insists the baby is a “gift from God,” and against Tom’s judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them.
### Amazon.com Review
**Amazon Best Books of the Month, August 2012** : Tom Sherbourne is a lighthouse keeper on Janus Rock, a tiny island a half day’s boat journey from the coast of Western Australia. When a baby washes up in a rowboat, he and his young wife Isabel decide to raise the child as their own. The baby seems like a gift from God, and the couple’s reasoning for keeping her seduces the reader into entering the waters of treacherous morality even as Tom--whose moral code withstood the horrors of World War I--begins to waver. M. L. Stedman’s vivid characters and gorgeous descriptions of the solitude of Janus Rock and of the unpredictable Australian frontier create a perfect backdrop for the tale of longing, loss, and the overwhelming love for a child that is *The Light Between Oceans*. -- *Malissa Kent*
### Review
“An extraordinary and heart-rending book about good people, tragic decisions and the beauty found in each of them.” **—Markus Zusak, author of *The Book Thief** *
“M.L. Stedman’s *The Light Between Oceans* is a beautiful novel about isolation and courage in the face of enormous loss. It gets into your heart stealthily, until you stop hoping the characters will make different choices and find you can only watch, transfixed, as every conceivable choice becomes an impossible one. I couldn’t look away from the page and then I couldn’t see it, through tears. It’s a stunning debut.” **—Maile Meloy, author of *Both Ways Is the Only Way I Want It** **
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*“M.L. Stedman, a spectacularly sure storyteller, swept me to a remote island nearly a century ago, where a lighthouse keeper and his wife make a choice that shatters many lives, including their own. This is a novel in which justice for one character means another’s tragic loss, and we care desperately for both. Reading *The Light Between Oceans* is a total-immersion experience, extraordinarily moving.” **—Monica Ali, author of *Brick Lane* and* Untold Story***
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*"Irresistible...seductive...a high concept plot that keeps you riveted from the first page." **—Sara Nelson, *O* , the Oprah magazine**
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*“Haunting...Stedman draws the reader into her emotionally complex story right from the beginning, with lush descriptions of this savage **** and beautiful landscape, and vivid characters with whom we can readily empathize. Hers is a stunning and memorable debut.” **— *Booklist* , starred review** *
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* *“[Stedman sets] the stage beautifully to allow for a heart-wrenching moral dilemma to play out... Most impressive is the subtle yet profound maturation of Isabel and Tom as characters.” **— *Publishers Weekly* , starred review**
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* *“The miraculous arrival of a child in the life of a barren couple delivers profound love but also the seeds of destruction. Moral dilemmas don’t come more exquisite than the one around which Australian novelist Stedman constructs her debut.” **— *Kirkus Reviews* , starred review**
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* *“This heartbreaking debut from M L Stedman is a gem of a book that you'll have trouble putting down” **—*Good Housekeeping** *
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* *“This fine, suspenseful debut explores desperation, morality, and loss, and considers the damaging ways in which we store our private sorrows, and the consequences of such terrible secrets.” **—*Martha Stewart Whole Living** *
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* *“As time passes the harder the decision becomes to undo and the more towering is its impact. This is the story of its terrible consequences. But it is also a description of the extraordinary, sustaining power of a marriage to bind two people together in love, through the most emotionally harrowing circumstances.” **—Victoria Moore, *The Daily Mail** ***

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Tom kept his eyes on the water. Bluey looked crestfallen, then embarrassed. ‘I mean, I’m real proud to be able to say I’ve shaken the hand of a hero.’

‘A bit of brass doesn’t make anyone a hero,’ Tom said. Most of the blokes who really deserve the medals aren’t around any more. Wouldn’t get too worked up about it if I were you, mate,’ he said, and turned to pore over the chart.

‘There she is!’ exclaimed Bluey, and handed the binoculars to Tom.

‘Home, sweet home, for the next six months,’ Ralph chuckled.

Tom looked through the lenses at the landmass which seemed to be emerging from the water like a sea monster. The cliff on one side marked the highest point, from which the island sloped down gently until it reached the opposite shore.

‘Old Neville’ll be glad to see us,’ Ralph said. ‘He didn’t take kindly to being dragged out of retirement for Trimble’s emergency, I can tell you. Still. Once a keeper … There’s not a man in the Service’d leave a light go unattended, however much he carried on about it. I warn you, though, he’s not the happiest corpse in the morgue. Not much of a talker, Neville Whittnish.’

The jetty stretched a good hundred feet out from the shoreline, where it had been built up tall, to withstand the highest of tides and fiercest of storms. The block and tackle was rigged, ready to hoist the supplies up the steep ascent to the outbuildings. A dour, craggy man of sixty-odd was waiting for them as they docked.

‘Ralph. Bluey,’ he said with a perfunctory nod. ‘You’re the replacement,’ was his greeting to Tom.

‘Tom Sherbourne. Pleased to meet you,’ Tom replied, putting out his hand.

The older man looked at it absently for a moment before remembering what the gesture meant, and gave it a peremptory tug, as if testing whether the arm might come off. ‘This way,’ he said, and without waiting for Tom to gather his things, started the trudge up to the light station. It was early afternoon, and after so many hours on the swell, it took Tom a moment to get the feel of land again as he grabbed his kitbag and staggered after the keeper, while Ralph and Bluey prepared to unload the supplies.

‘Keeper’s cottage,’ said Whittnish as they approached a low building with a corrugated-iron roof. A trio of large rainwater tanks ranged behind it, beside a string of outbuildings housing stores for the cottage and the light. ‘You can leave your kitbag in the hallway,’ he said, as he opened the front door. ‘Got a lot to get through.’ He turned on his heel and headed straight to the tower. He might be long in the tooth, but he could move like a whippet.

Later, when the old man spoke about the light, his voice changed, as though he were talking about a faithful dog or a favourite rose. ‘She’s a beauty, still, after all these years,’ he said. The white stone light tower rested against the slate sky like a stick of chalk. It stood a hundred and thirty feet high, near the cliff at the island’s apex, and Tom was struck not only by how much taller it was than the lights he had worked on, but also by its slender elegance.

Walking through its green door, it was more or less what he expected. The space could be crossed in a couple of strides, and the sound of their footsteps ricocheted like stray bullets off the green-gloss-painted floors and curved, whitewashed walls. The few pieces of furniture – two store cupboards, a small table – were curved at the back to fit the roundness of the structure, so that they huddled against the walls like hunchbacks. In the very centre stood the thick iron cylinder which ran all the way up to the lantern room, and housed the weights for the clockwork which had originally rotated the light.

A set of stairs no more than two feet wide began a spiral across one side of the wall and disappeared into the solid metal of the landing above. Tom followed the old man up to the next, narrower level, where the helix continued from the opposite wall up to the next floor, and on again until they arrived at the fifth one, just below the lantern room – the administrative heart of the lighthouse. Here in the watch room was the desk with the logbooks, the Morse equipment, the binoculars. Of course, it was forbidden to have a bed or any furniture in the light tower on which one could recline, but there was at least a straight-backed wooden chair, its arms worn smooth by generations of craggy palms.

The barometer could do with a polish, Tom noted, before his eye was caught by something sitting beside the marine charts. It was a ball of wool with knitting needles stuck through it, and what looked like the beginnings of a scarf.

‘Old Docherty’s,’ said Whittnish with a nod.

Tom knew the variety of activities the keepers used to while away any quiet moments on duty: carving scrimshaw or shells; making chess pieces. Knitting was common enough.

Whittnish ran through the logbook and the weather observations, then led Tom to the light itself, on the next level up. The glazing of the light room was interrupted only by the criss-crossing of astragals that kept the panes in place. Outside, the metal gallery circled the tower, and a perilous ladder arched against the dome, up to the thin catwalk just below the weather vane that swung in the wind.

‘She’s a beauty all right,’ said Tom, taking in the giant lens, far taller than himself, atop the rotating pedestal: a palace of prisms like a beehive made from glass. It was the very heart of Janus, all light and clarity and silence.

A barely perceptible smile passed over the old keeper’s lips as he said, ‘I’ve known her since I was barely a boy. Ah yes, a beauty.’

The following morning, Ralph stood on the jetty. ‘Nearly ready for the off, then. Want us to bring out all the newspapers you’ve missed next trip?’

‘It’s hardly news if it’s months old. I’d rather save my money and buy a good book,’ replied Tom.

Ralph looked about him, checking everything was in order. ‘Well, that’s that then. No changing your mind now, son.’

Tom gave a rueful laugh. ‘Reckon you’re right on that score, Ralph.’

‘We’ll be back before you know it. Three months is nothing as long as you’re not trying to hold your breath!’

‘You treat the light right and she won’t give you any trouble,’ said Whittnish. ‘All you need is patience and a bit of nous.’

‘I’ll see what I can do,’ said Tom. Then he turned to Bluey, who was getting ready to cast off. ‘See you in three months then, Blue?’

‘You bet.’

The boat pulled away, churning the water behind it and battling the wind with a smoky roar. The distance pressed it further and further into the grey horizon like a thumb pushing it into putty, until it was subsumed completely.

Then, a moment’s stillness. Not silence: the waves still shattered on the rocks, the wind screeched around his ears, and a loose door on one of the storage sheds banged a disgruntled drumbeat. But something inside Tom was still for the first time in years.

He walked up to the cliff top and stood. A goat’s bell clanged; two chickens squabbled. Suddenly these pinpricks of sound took on a new importance: sounds from living things. Tom climbed the 184 stairs to the lantern room and opened the door to the gallery. The wind pounced on him like a predator, slamming him back into the doorway until he gathered the strength to launch himself outward and grip the iron handrail.

For the first time he took in the scale of the view. Hundreds of feet above sea level, he was mesmerised by the drop to the ocean crashing against the cliffs directly below. The water sloshed like white paint, milky-thick, the foam occasionally scraped off long enough to reveal a deep blue undercoat. At the other end of the island, a row of immense boulders created a break against the surf and left the water inside it as calm as a bath. He had the impression he was hanging from the sky, not rising from the earth. Very slowly, he turned a full circle, taking in the nothingness of it all. It seemed his lungs could never be large enough to breathe in this much air, his eyes could never see this much space, nor could he hear the full extent of the rolling, roaring ocean. For the briefest moment, he had no edges.

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