Nora Roberts: For The Love Of Lilah

For herself, Lilah had been doing her best to fall in love, to hear that vibrant inner click that came when you knew you'd found the one person in the world who was fated for you. So far, that particular chamber of her heart had been stubbornly silent.

There was time for that, she reminded herself. She was twenty–seven, happy enough in her work, surrounded by family. A few months before, they had nearly lost The Towers, the Calhoun's crumbling and eccentric home that stood on the cliffs overlooking the sea. If it hadn't been for Trent, Lilah might not have been able to stand in the tower room she loved so much and look out at the gathering storm.

So she had her home, her family, a job that interested her and, she reminded herself, a mystery to solve. Great–Grandmama Bianca's emeralds, she thought. Though she had never seen them, she was able to visualize them perfectly just by closing her eyes.

Two dramatic tiers of grass–green stones accented with icy diamonds. The glint of gold in the fancy filigree work. And dripping from the bottom strand, that rich and glowing teardrop emerald. More than its financial or even aesthetic value, it represented to Lilah a direct link with an ancestor who fascinated her, and the hope of eternal love.

The legend said that Bianca, determined to end a loveless marriage, had packed a few of her treasured belongings, including the necklace, into a box. Hoping to find a way to join her lover, she had hidden it. Before she had been able to take it out and start a life with Christian, she had despaired and leaped from the tower window to her death.

A tragic end to a romance, Lilah thought, yet she didn't always feel sad when she thought of it. Bianca's spirit remained in The Towers, and in that high room where Bianca had spent so many hours longing for her lover, Lilah felt close to her.

They would find the emeralds, she promised herself. They were meant to.

It was true enough that the necklace had already caused its problems. The press had learned of its existence and had played endlessly on the hidden–treasure angle. So successfully, Lilah thought now, that the annoyance had gone beyond curious tourists and amateur treasure hunters, and had brought a ruthless thief into their home.

When she thought of how Amanda might have been killed protecting the family's papers, the risk she had taken trying to keep any clue to the emeralds out of the wrong hands, Lilah shuddered. Despite Amanda's heroics, the man who had called himself William Livingston had gotten away with a sackful. Lilah sincerely hoped he found nothing but old recipes and unpaid bills.

William Livingston, alias Peter Mitchell, alias a dozen other names wasn't going to get his greedy hands on the emeralds. Not if the Calhoun women had anything to do about it. As far as Lilah was concerned, that included Bianca, who was as much a part of The Towers as the cracked plaster and creaky boards.

Restless, she moved away from the window. She couldn't say why the emeralds and the woman who had owned them preyed so heavily on her mind tonight. But Lilah was a woman who believed in instinct, in premonition, as naturally as she believed the sun rose in the east.

Tonight, something was coming.

She glanced back toward the window. The storm was rolling closer, gathering force. She felt a driving need to be outside to meet it.

Max felt his stomach lurch along with the boat. Yacht, he reminded himself. A twenty–six–foot beauty with all the comforts of home. Certainly more than his own home, which consisted of a cramped apartment, carelessly furnished, near the campus of Cornell University. The trouble was, the twenty–six–foot beauty was sitting on top of a very cranky Atlantic, and the two seasickness pills in Max's system were no match for it.

He brushed the dark lock of hair away from his brow where, as always, it fell untidily back again. The reeling of the boat sent the brass lamp above his desk dancing. Max did his best to ignore it. He really had to concentrate on his job. American history professors weren't offered fascinating and lucrative summer employment every day. And there was a very good chance he could get a book out of it.

Being hired as researcher for an eccentric millionaire was the fodder of fiction. In this case, it was fact.

As the ship pitched, Max pressed a hand to his queasy stomach and tried three deep breaths. When that didn't work, he tried concentrating on his good fortune.

The letter from Ellis Caufield had come at a perfect time, just before Max had committed himself to a summer assignment. The offer had been both irresistible and flattering.

In the day–to–day scheme of things, Max didn't consider that he had a reputation. Some well–received articles, a few awards – but that was all within the tight world of academia that Max had happily buried himself in. If he was a good teacher, he felt it was because he received such pleasure from giving both information and appreciation of the past to students so mired in the present.

It had come as a surprise that Caufield, a layman, would have heard of him and would respect him enough to offer him such interesting work.

What was even more exciting than the yacht, the salary and the idea of summering in Bar Harbor, to a man with Maxwell Quartermain's mind–set, was the history in every scrap of paper he'd been assigned to catalogue.

A receipt for a lady's hat, dated 1932. The guest list for a party from 1911. A copy of a repair bill on a 1935 Ford. The handwritten instructions for an herbal remedy for the croup. There were letters written before World War I, newspaper clippings with names like Carnegie and Kennedy, shipping receipts for Chippendale armoires, a Waterford chandelier. Old dance cards, faded recipes.

For a man who spent most of his intellectual life in the past, it was a treasure trove. He would have shifted through each scrap happily for nothing, but Ellis Caufield had contacted him, offering Max more than he made teaching two full semesters.

It was a dream come true. Instead of spending the summer struggling to interest bored students in the cultural and political status of America before the Great War, he was living it. With the money, half of which was already deposited, Max could afford to take a year off from teaching to start the book he'd been longing to write.

Max felt he owed Caufield an enormous debt. A year to indulge himself. It was more than he had ever dared to dream of. Brains had gotten him into Cornell on a scholarship. Brains and hard work had earned him a Ph.D. by the time he'd been twenty–five. For the eight years since then, he'd been slaving, teaching classes, preparing lectures, grading papers, taking the time only to write a few articles.

Now, thanks to Caufield, he would be able to take the time he had never dared to take. He would be able to begin the project he kept secret inside his head and heart.

He wanted to write a novel set in the second decade of the twentieth century. Not just a history lesson or an oratory on the cause and effect of war, but a story of people swept along by history. The kind of people he was growing to know and understand by reading through their old papers.

Caufield had given him that time, the research and the opportunity. And it was all gilded by a summer spent luxuriously on a yacht. It was a pity Max hadn't realized how much his system would resent the motion of the sea.

Particularly a stormy one, he thought, rubbing a hand over his clammy face. He struggled to concentrate, but the faded and tiny print on the papers swam then doubled in front of his eyes and added a vicious headache to the grinding nausea. What he needed was some air, he told himself. A good blast of fresh air. Though he knew Caufield preferred him to stay below with his research during the evenings. Max figured his employer would prefer him healthy rather than curled up moaning on his bed.