Jessica Martinez - The Vow

I should be happier. After all, living with Mo is strangely nice. I guess that shouldn’t be so surprising, but I was so traumatized that day at Sam’s, I couldn’t even think about what my life would really be like once I made it through the terrible parts. Telling my parents, telling Reed—those were messy and horrific enough to suck up any thought about the afterward. And now that I’m in the afterward, I feel lost. Almost dazed. If I didn’t have this constant scraped feeling in my chest, I don’t know what I’d feel.

Coexisting is bizarre. Mo doesn’t know how new this is for me—not being alone. He had Sarina before. And as much as I dislike Mr. Hussein, I know he and Mo would sit around and talk about boring stuff for hours.

The Berniers don’t coexist. They isolate heartbeats and lock doors.

For the first week, Mo and I stay up late watching TV, talking, throwing Duchess’s cat toys at each other, painting (me), reading (him), arguing about whether Duchess is actually possessed or just a man-hater, fixing meals, doing dishes. We live in the same space and it’s simple and easy. I don’t remember the feel of living in Lena’s space, or how different my parents were before. Maybe it was like this.

If I didn’t miss Reed so much, maybe I’d be able to feel how good this all is. But I can’t feel anything.

“We need to go grocery shopping,” Mo says.

“Yeah, I know.” I put my brush down and stand up.

At first I couldn’t paint with Mo in the room. I went so far as to haul my easel into the bedroom for some artistic privacy, but the lighting in there is lousy, and when I complained about it, Mo let me in on his little secret: He doesn’t actually care what I’m painting. At all. He even admitted that unless there are large-breasted naked women somewhere on the canvas, he doesn’t enjoy art.

It’s not as insulting as it sounds. It was actually pretty considerate of him to admit, since he knows saying it makes him sound like a Neanderthal and a pig, but he was willing to anyway so I can use the natural light from the window and listen to the TV while I paint and not feel watched.

I hardly ever think about my mural.

“Let’s skateboard to Kroger,” he says.

“That is such a bad idea.”

“If by bad, you mean amazing, then I agree.”

“No, it’s really bad,” I insist. “How much stuff can we safely carry back? Two small bags each. Tops.”

“Perfect. It’ll force us to be frugal.”

“It’s more frugal to buy in bulk,” I say, but I’m already giving in.

Mo found matching skateboards at a yard sale a few days ago and decided we had to have them. A wedding present to ourselves, he called it. Neither of us had ever spent more than a few minutes on one before (though I think Bryce had one when we were twelve and thirteen and they were somewhat cool), but Mo seems to have mastered the art of getting places without bloodying up his palms. I have not. I have scraped-up knees too. I’m pretty sure we look like complete dorks, but in light of everything else, it doesn’t seem to matter.

People know. It’s not worth tracing the twisted grapevine since it was inevitable, but I imagine it went from my heartbroken mom to her best friend, to her college-aged daughter, to the entire populace of Hardin County in a single afternoon.

But being a freak-show eloper is not that different from being a murdered girl’s sister, or how it was in the beginning, at least. In the last week I’ve had about ten awkward exchanges and six hundred weird stares. I’ve had two congratulations too, but they don’t count since they were from guys Mo plays basketball with, and neither of them could stop grinning and glancing at my stomach.

There’s been a lot of glancing at my stomach. So why not ride around on a skateboard with grocery bags and really give people something to talk about?

“How’s the job search coming?” Mo asks as we carry our boards down the stairwell to the parking lot.

“How’s your love letter to Maya coming?”

“Maya is supposedly on vacation in Boston with the Dunkirks for the next three weeks, so it’s being temporarily reshelved in my brain. And you know I’d be out there looking for a job too if I had work authorization.”

“Easy to say when you don’t. Are we in trouble or something? I thought your dad was putting money in the account.”

“He is.” Mo puts his board on the pavement, steps on, and glides away from me. “He just keeps asking if you’re working yet.”

I drop my board and try to glide after Mo, but it’s more of a jerk-and-wobble. “Excuse me?”

I can’t see his face, but his words are perfectly clear. “I don’t know what his deal is. I told him you quit your old job and he’s been asking if you’ve found a new one ever since. You know how he is about work ethic and stuff, though.”

“Wait a second. He’s thinks I’m freeloading? Seriously? He’s pissed because I’m not paying half the rent?” I have to shout to be heard, and I can’t tell whether it’s the shouting that’s making me angry, or the fact that Mo sped off so quickly, or that Mo’s delivering Mr. Hussein’s insults like they’re nothing. “Slow down!” I shout.

He doesn’t hear me, though. It isn’t until we’re approaching our first corner that he slows and stops to wait for me, and by the time I’ve reached him, I know exactly why I’m mad. “Does he not understand what’s happening here?” I step off my board, breathless, shaky. “What I’m giving up—what I’m going to give up? Do you even stick up for me when he says stuff like that?”

Mo looks confused. “I didn’t realize . . .”

“That he was being a total jerk?” I can’t catch his eyes because he’s looking all around me instead of at me, and he’d better not be about to apologize because I’m not in the mood. I’d much rather fight.

“I guess I didn’t.”

I fold my arms and wait for him to go on.

“It’s not that I’m afraid to stick up for you,” he explains. “But I didn’t realize what a total douchebag thing it was of him to say until . . .” Mo stops and scratches the mosquito bite above his elbow. “Until now, I guess. I’m sorry.”

And there it is. Just when I want to kill him, he completely takes the wind out of my sails. I slap another bug off his arm. “We’ve gotta get mosquito repellent at the store. They love you.”

“It’s because I’m so delicious.” He puts one foot on his board. “You really shouldn’t get a job if you don’t want to. I mean it.”

A job. I can’t think about a job without thinking about Mr. Twister, and I can’t think about Mr. Twister without thinking about Reed, and I can’t think about Reed without wanting to crumble like chalk. I step back onto my board. This time Mo stays by my side—bold move, as I’m still a danger to myself and others. A job. Working, trying to pay at least a part of the bills is the adult thing to do, and that’s the game that Mo and I are supposed to be playing, aren’t we? But doing the adult thing is so much easier when I’m not fighting the urge to curl over and into myself, and feed all the raggedness in my heart with memories of Reed, or sit in my corner painting hundreds of small canvases to replace the massive mural space in my brain.

“Working might make me feel better,” I say, not meaning it.

Mo says nothing. He knows that I’m sad, more sad than either of us thought I would be, and he’s letting me be that way.

I’ve almost told Mo the truth about Reed at least a dozen times. He has no clue that I think about calling Reed at least once an hour, but I don’t know how to say that what I felt, no, feel , is so much more than what I let on. I’m not even sure how I got here—from being able to tell Mo everything to not being able to tell him the most important thing. It’s a cop-out to say I don’t want Mo to feel guilty about my broken heart. That’s not it. It’s something to do with how I clutch my pain, something I don’t understand about myself. It’s a magic stone or a candy in my cheek. I want it all to myself.