Lauren Blakely - The Thrill of It

Before the very first party, more than a year after my parents split, she brushed my blond hair til it shined and tied a red ribbon in it. She dressed me in a red dress with spaghetti straps and a sparkly bodice. When I watched her do her makeup I asked if I could wear some. “Of course,” she said and thus began my first lesson in how to apply makeup properly. She let me wear blush and eyeshadow, even demonstrating ever so carefully in the mirror how to use a shadow brush. Then she paraded me around, introducing me to everyone the same way:

“ This is my daughter. Isn’t she pretty?”

I smiled my prettiest smile, sometimes even gave a curtsy. After the fourth or fifth party, I was a show horse, a little pony, a figurine she’d acquired from Tiffany’s. By then, we did our makeup together before a fete. I’d bring my little wooden stool into her bathroom and stand on that as we peered in the mirror and put on our faces. It was our ritual, our bond, the way we became sisters, rather than mother and daughter.

Then it was party time. The ratio of men to women always tipped in favor of the Y chromosomes. It wasn’t a party unless the pickings were plentiful. She’d bring me round and introduce me.

“ Here, honey. I have someone I want you to meet,” she’d say and I’d flash my best smile as she continued. “Isn’t she pretty, isn’t she pretty, isn’t she pretty…”

I was good at writing too. Still am. I eat stories for breakfast. I read them, I write them, I plot them, I breathe them. But somehow, I never got the “This is my daughter. She’s good at writing,” introduction.

I was pretty. That was my purpose.

Is it any surprise I became what I am? I was programmed for this.

Harley

I thumb through Trey’s drawings in a portfolio at No Regrets, stopping at an image of wings. Feathery, pillowy wings that could whisk you away to a better world. I flash back to the time he created this tattoo image, late one night at his apartment. He drew in his sketchbook and I huddled in the corner of his futon, laptop on my knees, pounding out every word Miranda wanted me to write. Chronicling my lurid stories of the twenty-four men who were my downfall. He stopped sketching, sat next to me, and swiped the tear from my cheek that I barely even realized was there. I don’t think I was even aware of how those tales Miranda demanded would be an excavation, and unearth not only memories of all those men – my mom’s and mine – but the way I felt. I’d never shed those tears when I was younger. Never when any of it was happening. Only when I revisited them, all with my gut twisting, my heart splintering, Trey by my side.

He knows everything about me.

He’s the only person I’ve ever let in.

He learned my wishes and hopes the night I met him, and he learned I had secrets the day I ran into him at SLAA.

So, really, I am an open book to him, and he to me. Add that to all the reasons we can’t ever be, because no one wants to be with someone they truly know. I glance up from the portfolio and watch him. He looks so sexy in his well-worn jeans, a t-shirt that shows off his strong arms, those tattoos snaking down his carved muscles. Black ink, tribal patterns, lines and shapes, skating over his skin, everything in threes. His shoulder is marked with three suns, his chest with a trio of silhouetted birds. Symbols of the people he never knew, he’s told me.

That’s all he says about them. He won’t tell me more.

He locks the drawers where he keeps his equipment, straightens up the portfolios that grace the wooden tables in the entryway, and then closes up.

I hand him a brownie and he takes a bite.

“It makes me crazy that your mom is such an awesome baker,” he says.

“I know. You wish she were all bad.”

“Sometimes,” he says, and I tuck the tupperware container back in my purse as he finishes the brownie.

“What did you ink tonight?” I ask as we leave the shop, and my ears are assaulted with the screeches of cabs and cars, my nostrils with a blast of exhaust from a nearby bus turning onto Christopher Street.

“Some dude came in wanting two arrows on his bicep.”

“Did it mean something?”

Trey nods. “He’s in recovery. He used to drink himself stupid. Said it means it’s the pain of the arrow coming out, not the arrow going in. ”

“I haven’t heard that one. Must not be a regular Joanne mantra.”

“Yeah, me neither. But do you think it’s true?”

I shrug as we pass a sleek bar called the Pink Zebra. It’s a magnet for cougars. My chest seizes up and I silently hope that a whole pack of them won’t spill out as we walk by. Trey’s temptation – sexy, thirtysomething women. But I have no such luck. The door opens and two gorgeous, skinny women emerge. One is wearing Jimmy Choos, the other Louboutins, both decked out in painted-on jeans and slinky tops. I want to cover his eyes so he can’t see them, but I’m too late. He’s drawn to them, moth to the flame. But they turn the other way and we keep walking. I ignore the look of hunger I saw in his beautiful green eyes as he shakes his head, as if he can shake them off.

“I guess,” he says in a low voice, then trails off. Maybe his mind is wandering back to the women. Or maybe that’s all there is to say because we both know what’s unsaid. Somedays, the arrow coming out hurts like hell. Somedays you miss your drug like you can’t even believe. Don’t let anyone tell you otherwise — withdrawal is a bitch on wheels. It feels like someone is ripping your fingernails out with pliers.

“How was dinner tonight? Did your mom try to set you up?”

“It was the usual. The way it always is.”

“Did it make you miss Cam?”

We stop at the light on Seventh Avenue, waiting to cross.

Cam.

Trey’s question pierces me because no one would ever ask it; no one else could. I can’t seem to tell my mom the truth, or my roommate Kristen, or even Joanne at SLAA. But Trey? The only guy who’s ever made me feel any sort of reckless abandon, any sort of true desire – apparently I can open up to him about taking money for not-quite-sex.

“Do I miss Cam?” I muse out loud as if I’m turning over the words, considering them from every angle.

With a vengeance.

With the blaze of a thousand suns.

With every piece of twisted DNA in my body.

Cam is the arrow. I miss being his. Being in control. Being powerful. I want the arrow back in.

Being Cam’s was the only thing that ever made me feel like my life wasn’t orchestrated by a master puppeteer.

“Maybe a little,” I admit.

“Did you call him?”

I shake my head. Not calling Cam is a daily battle, but it’s one that makes me hate myself. Because how can I want to hold hands with Trey and yet still miss Cam like a phantom limb? I am gross. I am disgusting. Miranda is right. I don’t deserve redemption.

“Have you ever gone skydiving?”

I stop and stare at Trey’s non-sequitur as an ambulance zooms down the street, its horn blaring. “What kind of segue is that?”

“I don’t know. Maybe we just need a thrill in our lives. Don’t you miss the high?”

“Every day,” I admit as we cross the street.

Miranda forced me to go to SLAA but I knew I belonged there, because I was drugged on love, on almost sex, on power. Knowing didn’t stop me from wanting my drug though. I am dependent. I still am.

Trey stops at the subway entrance.

“Maybe we just need to find the daring in the every day,” he says, then perches on the railing that leads down into the subway station. He’s seated on the edge, holding on with his hands. He leans so far that his back is nearly parallel to the sidewalk.