Lauren Blakely - The Thrill of It

Then, as if Kristen has snapped out of her shock, she nods quickly many times. “I get it. I understand. I’m just kind of reconfiguring my hard drive now,” she says, tapping her skull. “And finding room for this new data point about you.”

“Do you think I’m gross?” I ask, worrying away at the cuticle on my thumb.

She shakes her head. Vigorously. “No.”

“Are you sure?”

“Positive.”

“Why not?

“Because you’re not. You’re you. Yeah, I really wish you’d told me sooner,” she says in that direct and honest way Kristen has. “But I also understand that it’s not something you wanted to share. And if you do want to share, I’ll listen.”

We sit down on the linoleum floor and I tell her more. I tell her about Morris, about Cam, about Miranda, about the book she’s making me write. I don’t tell her everything. I don’t offer up every sordid detail. Being truthful doesn’t mean you have no boundaries. Sharing a secret doesn’t mean you have to overshare. But I tell her enough and her eyes go wider with every detail. It’s like stripping bare in front of someone and asking do I look fat, when you know you are fat, when your skin is rippling with cellulite waves.

And now I want to know if everything has changed. Worry lodges deep in my belly, and my throat catches as I ask the inevitable. “Do you still want to be friends with me?”

She rolls her eyes. “Don’t be silly. Of course. And I might want you to tell me tawdry tales from time to time so I have fodder for a screenplay someday. Could you do that?” she asks with a wink.

I laugh once. “I’d much rather give you my stories than Miranda.”

She smiles sympathetically. “That really does suck that you had to do that.”

“It was pretty much the worst homework assignment ever.”

Kristen leans forward, pats my knee. “Hey. I know that was hard to tell me. All of that. But I also think it’s kind of cool that you trusted me enough to tell me. And now I want to ask you something, and I want you to be honest, okay?”

I brace myself, my instinct, my fear zooming back. I try to remind myself it’s okay to let people in. “Okay. Hit me.”

“You are in love with Trey, aren’t you?”

My breath stops. I don’t even know what love is, I want to say. Instead, I borrow a phrase from her playbook. Because it’s the truth she asked for. “It’s complicated.”

“Or maybe it’s not. Why haven’t you seen him much in the last few days? Just busy? Or is he suffering from some tattoo-induced stupor?”

“What do you mean?”

“Jordan said Trey got himself a new tattoo today. I figured that’s why you guys weren’t together. That he was busy getting inked.”

My stomach contorts with fear and worry. With Trey, a tattoo is never just a tattoo. It’s a symbol, it’s a message, it’s the way he expresses the things he won’t say.

A tattoo is a cry for help.

I need to find him. Even if he won’t call me back.

Trey

I have my armor on. My earbuds are in and Over the Edge blasts in my head, the music a shield. I make it through the lobby, feeling like a character in a video game darting and dodging cars and trucks to cross a crowded street.

I press the button for the elevator, and it’s empty when it arrives. I step inside, then seconds later, I hear a voice. A sexy, sultry voice.

It’s like I’m being tested, but then that’s the point. I want the test. I’m here to prove to myself I can do this. I can make it across the alligator-strewn waters of my parent’s apartment building.

A gorgeous blond with impossibly long legs and a red dress that looks as if it’s been painted on waggles her fingers at me. “Hold the elevator.”

I swallow, my throat dry. I push the open button.

She walks inside. “Hello there.” The words are a purr from her cherry lips.

I grab the brass bar behind me, holding on for dear fucking life as the elevator shoots up.

Her stop is before mine, and she casts a quick glance before she leaves. I heave a sigh as the doors close.

I passed the first test. I picture some army dude, a colonel maybe, in a room with one-way glass, barking out orders. “Cue the cougar in the elevator. Next, roll out the MILF.”

But seconds later, I’m at my parent’s floor. This is the real test. The assault rifles, the grenades–-the army commander is preparing to launch them all at me as I head to Antarctica.

I take out the earbuds and turn off the music. I know this hallway in the dark, without a flashlight. I could find my way in and out of this building blindfolded. This is where I grew up, became fucked up, and then was told to shut up.

I stop at the door, then take a beat. Gritting my teeth, drawing a breath, steeling myself.

I knock.

My mother answers, and even though it’s late, she’s up because she rarely sleeps. She’s still dressed too. She’s wearing jeans and a button-down blouse. Her hair is in a neat ponytail. She holds a medical journal in her hand.

“Trey, is everything okay? What are you doing here at midnight? Come in.” She gestures to the apartment, every surface perfectly and pristinely cleaned.

I shake my head. I don’t want to go in. I don’t even want to be here. This place is a vacuum seal on feelings. I’d enter and they’d duct tape my mouth and tell me not to say a word.

“That’s okay. I don’t need to come in.”

“Did you want to talk more about school? Your studies?” she asks, because these are the only acceptable topics.

“No, I don’t want to talk about school. I wanted to show you something,” I say, and this is when I see if I can do what Michele has been urging me to do all along. To say it. Because if I can say something to my mom, I can say it to Harley. I’m at the edge of a cliff, I’m jumping off without a parachute, and I’m hoping for a soft landing, even though I know I could crash and break every bone in my body.

I turn to my side, pull up my shirt, and show her my new ink. The bandage has been removed.

“These are three trees. And they’re for Will, Jake and Drew,” I say, and she stumbles when I breathe their names aloud for the first time in years. Like she’s been punched in the gut and is winded. “And you might not ever say their names or acknowledge they existed, but I have and I will. Because I don’t want to forget them. I want to remember.”

And that’s all. I don’t wait for a response. I don’t need a response, and I don’t warrant a response. Because even after I turn around and wait endless minutes for the elevator to arrive, she doesn’t call after me, she doesn’t try to tell me she remembers too. She’s stuck to her guns, to her orders from when I was fifteen. Don’t talk about it.

The doors open and I’m inside now. I’d like to say I feel like a new man, like my life is unfurling before me. But that would be bullshit. Instead, my heart is frantic, and my skin is crawling, and I want to go jump into the ocean and swim out into the night, the stars my only companions. But there’s no ocean nearby, there’s only this claustrophobic, sticky, sweaty, smelly, muggy city that I want to escape from, that I’ve lived in my whole life, that’s made everything I’ve done possible.

But I am also buzzing with adrenaline, because I can’t fucking believe I did that. And if I can do that, I can do something that’s more important. I can tear down the fucking walls I have built with this girl I am crazy for.

I’m ready to find her. Ready to tell her. Ready to let her know everything. Damn the consequences. Screw the costs. Telling her everything is like inking my body. I have to go into it with no regrets.