Jessica Sorensen - The Destiny of Violet and Luke

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Luke Price's life has always been about order, control, and acting tough on the outside. For Luke, meaningless relationships are a distraction-a way to tune out the twisted memories of his childhood. He desperately wishes he could forget his past, but it haunts him no matter what he does.
Violet Hayes has had a rough life. When she was young, she was left with no family and the memory of her parents' unsolved murders. She grew up in foster homes, living with irresponsible parents, drugs, and neglect, and trying to fight the painful memories of the night her parents were taken from her. But it's hard to forget when she never got closure-and she can't stop dreaming about what happened that tragic night. To make it through life, she keeps her distance from everyone and never allows herself to feel anything.
Then Violet meets Luke. The two clash instantly, yet they can't seem to stay away from each other. Although they fight it, they both start to open up and feel things they've never felt before. They discover just how similar they are. But they also discover something else: The past always catches up with you . . .

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How the hell am I not supposed to ask her? Her parents were murdered? There’s so many questions. I want to understand her life, her, and worst of all I just want to hold her and tell her it’ll be okay, like I wish someone would have done for me after Amy died. But that’s what I wanted and I have no clue if that’s what she wants. The only thing I know is that she asked me not to ask her anything and if that’s what she wants I’ll give it to her.

“I’m going to go get something to eat,” I tell her, gripping onto the door frame as I smother the urge to bombard her with questions. “Do you want to come with me?”

She shakes her head as she gazes up at the ceiling; her arms flopped to the side. “No thanks.”

“Do you want me to pick you something up?”

“If you want.”

“Okay, I’ll bring you something back,” I say, letting go of the door frame. “Or if you want I can just stick around and hang out.”

“I want to be alone,” she whispers. “Please just go. I need to be alone right now.” She reaches for a purple teddy bear on the bed, hugging it as she rolls over. It takes a lot of strength not to lie down in bed and wrap my arms around her, but I don’t because she asked me not to.

Chapter 13

Violet

Today is turning into the shittiest day of all days in the shitty history that makes up my life. It was going fine. I got up for the twelfth morning in a row at my new apartment in my new bed and for the first time I wasn’t disoriented. Good start. Then I read a book, which was relaxing, and I didn’t think about my parents or their death the entire time. As an added bonus, I hadn’t seen Luke all morning. I’ve been avoiding him ever since he found out about my parents because I don’t want him looking at me with pity in his eyes. I don’t want him asking questions. I don’t want him learning all the details, like how I found my parents. At least the news kept that much quiet.

I’ve been focusing on moving forward and getting myself back to the place I was before all this happened, before the case was reopened, before Luke came along and it wasn’t just me in my life anymore. I need to get my head back to where it was before, become the independent unaffected Violet again.

He hasn’t even moved into our room yet, probably because I scared him off. He did stack some boxes in the closet but I think he keeps his clothes in a duffel bag in the living room. He hasn’t said anything about it either and I’m not sure how I feel about it. I keep telling myself that it’s a good thing—that space is a good thing—but I find myself questioning my true feelings.

After I spend most of the afternoon reading, I go to work and it isn’t that crowded because it’s raining and for some reason rain keeps the crowd away. Everything is simple. Until everyone suddenly decides they’re going to take their chances out in the rain. Then things get a little chaotic and I’m running around seating everyone and waiting on them the best that I can. The doorbell keeps dinging as more people file in, tracking water and mud in with them. There’s this one guy who comes in by himself, which sometimes happens—random people wander in and eat alone. He’s wearing a red T-shirt, tan pants, and has a creeper mustache, but, hey, to each their own.

“You want to sit at the bar?” I ask, hopeful, otherwise he’s going to take up an entire table.

He shakes his head, closing his umbrella and brushing the water off his arm. “I’ll take a booth.”

I mentally roll my eyes at him, seat him in a corner booth, then leave him to read over the menu while I go behind the counter to get him some water. Then I hurry and tend to the register, before I head over to his table, hoping he’s ready to order and not ready to waste my time.

“You’re Violet Hayes, right?” he says as I press the tip of the pen to the order book and suddenly I recognize his voice. I glance up from the order book as he says, “The Violet Hayes whose parents were murdered in Cheyenne thirteen years ago?”

A suffocating wave rushes through me and I clutch at the pen in my hand. “Are you the asshole who’s been calling me?”

He notices my trembling hands. “I am.” This stupid grin stretches across his face as he reaches for the water.

Fury thunders through me, along with the stifling heat of panic. My hand takes on a life of its own and I throw my pen at him.

It hits him in the face and he flinches, dropping his water on the table and spilling ice everywhere. “What the hell?” He gapes up at me like I was the crazy one, and then raises his hands in front of him. “Okay, calm down. My name’s Stan Walice. I’m a reporter for Chanel 8 News at 8 and I’d liked to ask you a few questions about what you saw that night. I’m doing a piece about it.”

“You can go to hell. Calling me up like some kind of psycho. Seriously. You think I’m going to talk to you?” I toss the order book at him and it lands in the water and ice and the pages are instantly soaked. I spin on my heels and weave around the tables, with people sitting around them, some staring at me. In ten seconds I’ve managed to go from stressed waitress, to about-to-lose-her-shit Violet. I can feel the anger in the center of my chest, a widening hole, being torn open more.

Stan follows me as I storm to the counter. “So you saw them that night?” he asks. “The ones who broke into your house?”

I don’t answer, begging myself to remain calm. That I have to. That there is a restaurant full of people, enjoying their dinners and family time and I’ll be in some serious trouble if I make a scene.

“Did you find them?” he asks. “Your parents? I thought I read somewhere that you did? And that you stayed in the house for twenty-four hours before you called the cops. Why did you do that?”

I slam to a halt at the counter in front of the register where Sherry, a middle-aged waitress with a gray bob is tallying up bills. I turn around. “Go fuck yourself, Stan.”

At the exact moment I say it, my boss and owner of the restaurant, Benny, walks out. “Violet,” Benny hisses, glancing around at the tables and booths. His face reddens as his voice lowers. “Go in the back right now .”

Things kind of escalate from there. Reporter guy takes off out the front door, bailing on what he started. I trudge into the back kitchen area and Benny enters seconds later. He’s also the cook and wears this stained white apron that ties around his round belly. I can’t stop staring at the stains as he stands in front of the oven and chews me out. The stains are red, probably ketchup, but they look like blood. Blood. Death. Blood. I start to visualize things, not just about my parents, but about me. My death. How it’s going to happen. Horrible. Tragic. I picture myself on the floor, dying with my parents. For a second, I feel okay.

“Violet, I think I’m going to have to fire you,” Benny says and all I do is stare at his bald head, shiny in the fluorescent light.

I probably would have just let him fire me but then Greyson walks in. He’s wearing his bartending outfit, a white shirt and black pants, and has a glass in his hand. “Hey, Benny, cut her some slack. She’s having a bad day.”

“I don’t give a damn if she’s having a bad day,” he replies, lifting a lid off a stainless-steel pot. “She dropped the f-bomb in my restaurant. There’s kids out there for crying out loud.”

“Yeah, but the guy grabbed her ass,” Greyson lies, glancing at me quickly. “You have to cut her some slack. That’s sexual harassment.”

Benny peers up from the pot as he reaches over to grab a large spoon from the stainless-steel shelf. “Is that true Violet?”

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