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Lisa Jones: His Secrets

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Lisa Jones His Secrets

His Secrets: краткое содержание, описание и аннотация

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Inside Out - 3.1 An Inside Out story, Chris's POV In a world where my only escape has been my art, Sara has been the light in my darkness. And there is darkness, the kind of inky black that can bleed from my life to hers. She doesn't see it. She doesn't understand what I've shown her. And my biggest fear is that soon...she will.

Lisa Jones: другие книги автора


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“She’s alive and has a lot of living left ahead of her. You’re making sure she lives it happy.”

“I should have—”

She kisses away my words, her mouth a soft caress. “You can’t blame yourself for everything.”

“Just for her.”

“No,” she says, shaking her head. “Not just her.”

And I know she means Dylan. Or maybe my father. Hell. Maybe she means a lot of things.

The police officer exits Amber’s room, motioning me forward. “Fuck,” I murmur. “She’s going to want to talk to me.” I push to my feet.

Sara stands with me, her hand flattening on my chest, and I wonder if she can feel the way my heart is racing. “She’s in denial. Denial is dangerous, and she’s proven that when she’s doing the denying, she’s mean. It’s going to be bad, Chris, and it’s going to get to you, but at least this is it. She’s getting help.”

Denial is dangerous. I’ve done way too much of that myself, and I’m done. I pull Sara to me. “I love you,” I say, and kiss her firmly before I force myself to walk toward Amber’s room.

Sure enough, the police officer confirms that she wants to see me before she agrees to any kind of rehab. Inhaling, I push open the door and the officer silently motions for me to leave it cracked. I’m guessing that isn’t a good sign about Amber’s present state of mind.

Entering the room, I find her fully dressed in jeans and a T-shirt, her back to me as she stands at the window, staring out at nothing but a dark parking lot. “I know you’re behind this,” she accuses me without turning.

Pretended ignorance is denial, and I don’t go there. “It’s not the first time we’ve talked about counseling.”

She whirls on me, anger burning in her eyes. “This isn’t counseling. This is being committed to a place like a prisoner. And this is you trying to atone for your sins. Expensive rehab should ease the guilt, I guess. You didn’t take care of me before, so why should you now?”

“I have taken care of you. And I’ve tried—”

“What? To save me like you tried to save my family? You didn’t, though, did you? You stood there while they were shot and killed. And I hate you, Chris. I hate you so much sometimes I want to hurt you instead of me. I’ll go to the damn treatment center, but I never want to see you again. Get out. Get out! Get out!”

The craziness in her face as she shouts at me is near insanity and I back out of the room, not at all certain she won’t attack me if I turn my back. The minute I’m in the hallway, I shut the door and lean on the wall, fighting a raging blast of emotions.

“Monsieur?” the police officer queries.

I glance up and give him the details, thankful when he agrees to arrange a medical escort to the rehab facility, with him present for everyone’s safety. Once I thank him, the officer walks away to make the arrangements, and Sara is there almost immediately. Her hand settles on my arm and it’s like a soothing balm to a burning scar that runs deep and has bled far too long.

She searches my face. “Is everything okay?”

I push off the wall. “It’s handled. She’s headed to rehab.”

“And?” she prods.

“And she hates me and blames me for the death of her family. Nothing new.”

The police officer calls my name and I turn to find him holding a phone toward me. “It’s probably the rehab facility.”

“Ask about visitation,” she says. “The attorney seemed to think Amber won’t be allowed to talk to anyone outside the facility for at least a few weeks, but I’m hoping we will be back by the time she can.”

Her ability to see beyond Amber’s anger and manipulation never stops amazing me. “I will. Can you tell Tristan what’s going on while I handle this?”

She nods. “Yes. Of course.” She touches my cheek and kisses me. “It’s not your fault. It was never your fault.” And then she’s walking away, and I just want to pull her back and hold her. I don’t want to regret anything with Sara the way I do with Amber. I don’t want to hold anything back, and I damn sure don’t want to live in denial. So I’m going to make sure she understands that tonight was about how much I need her.

Part Six

No In-Between

It’s nearly dawn by the time we arrive home and pull into the garage. I’ve been on the phone to the private airline I’d put on standby, to charter a flight out of here once I knew the outcome with Amber’s treatment.

After parking, I kill the engine and close the garage. “We’ll still make the meeting with the detective back in the States if we leave this evening. That gives us a few hours to sleep.”

She nods. “That’s good.” She sits there a minute and there is a sudden tension crackling off her that tells me everything that has happened tonight has come full circle to this moment.

She reaches for the car door and I grab her arm. “What just happened?”

“This isn’t going to work, Chris. I can’t marry you.”

It doesn’t matter that she doesn’t make eye contact, and that I know she doesn’t mean it. The words still punch me in the chest. “Look at me and say that again,” I order.

“No. Let go of me.” She reaches for the door again, and when I refuse to let her go, she whirls on me. “You will always see her when you look at me—and that means you can never really let me see you.”

“Baby, that’s the whole point in us coming here. For you to see me.”

“There’s fear in your eyes, Chris. And that fear means . . . that you’ll leave again. And I’ll”—her voice cracks—“I’ll have forgotten how to be alone again. I can’t do that and survive.”

There it is. The thing that undoes her. It’s her fear, like losing her is mine. “Come here,” I order, and pull her toward me.

“What? No. I . . . What are you doing, Chris? There isn’t room.”

I lift her over the column between us. “Right here,” I instruct, shifting her legs to my sides and settling her body over my hips.

Her hands flatten on my shoulders. “I don’t fit.”

“You fit perfectly.” I frame her face with my hands, trap her with a stare. “We fit perfectly, Sara. And baby, you make me stronger. Before Dylan died, I thought I had things under control, but I didn’t. When you showed up at the club, I wanted you. I wanted you badly.”

“But you shoved me away.”

“I wasn’t myself, Sara. I didn’t know where I’d take you, or what I’d do. Not to the whip; I’d never ever take you there. I just . . . I’d never touched anyone when I was like that. That’s why I left. I didn’t want you to see some monster and hate me.”

“That’s the problem, Chris—that you can’t let me in. You won’t.”

“I will. After Dylan, I’d decided I was okay. It was one slip, but I’d be fine. It wasn’t going to happen again. Then Ava attacked you, and Sara, it happened again.”

“You went to the whip?”

“No, but I wanted it in a bad way. The idea of losing you tore me up. That’s when I knew I had to bring you here. And while I can’t predict what sets me off, every year since the shooting, I struggle on the anniversary of my mother’s death. It’s not logical, but it’s some sort of trigger. I lock myself in the castle, away from the whip, but it’s never easy. I thought we’d go through that together. And I needed to go through that and let you judge me if you would, before Amber and Tristan started planting ideas in your head.”

“But you seemed fine at the castle.”

“I was. I woke up next to you that morning and I was at peace in a way I haven’t been in years. Knowing that, I let denial kick into full gear and saw us riding off into the sunset.”

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