Та-Нехаси Коутс - The Water Dancer

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In an essay on race and memory, Toni Morrison wrote of "the stress of remembering, its inevitability, [but] the chances for liberation that lie within the process." Ta-Nehisi Coates' new novel, The Water Dancer, is an experiment in taking Morrison's "chances for liberation" literally: What if memory had the power to transport enslaved people to freedom?
Coates is best known as a writer of nonfiction, including Between the World and Me and We Were Eight Years in Power, but with a new novel and his work on the Black Panther comic series, he is straying into speculative fiction. The results are mixed. At its best, The Water Dancer is a melancholic and suspenseful novel that merges the slavery narrative with the genres of fantasy or quest novels. But moments of great lyricism are matched with clichés and odd narrative gaps, and the mechanics of plot sometimes seem to grind and stall.

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That night I dreamed that I was out in the tobacco fields again, out there with the Tasked, and we were, all of us, chained together and this chain was linked to one long chain and at the end of it stood Maynard, idling lost in his own thoughts, almost unaware that he was holding all of us in the palm of his hand. And then I looked around and I saw that we were all old, that I was an old man, and when I looked back I saw Maynard, not as the young man I knew, but as a baby crawling in a bowling green, and then I saw the Tasked slowly disappearing before me, their familiar faces and bodies fading and fading, one by one, until it was only me, an old man held and chained by a baby. Then everything fell away, the chains, Maynard, the field itself, and I was enveloped in the blackness of night. And then the black branches of a forest sprang up around me, and I was alone, and afraid and lost until looking up I saw a sliver of moon, and then the heavens blinked out from the blackness, and among them I could distinguish Ursa Minor, the mystical bear who secreted away the old gods. I knew this because Mr. Fields had shown me a star map on our last day together. And looking at the tail of the bear, I saw something else: the mark of my future days, wreathed in brilliant but ghostly blue, and the mark was the North Star.

4

I AWOKE SHAKEN AND TREMBLING at the dream. I sat up in my bed for a moment, then lay back again, but found no more sleep. I took my stone jar from the corner and walked out of the tunnel, out into the morning darkness, and down to the well, hauled up the water, filled the jar, and walked back through the crisp autumn air to the Warrens.

I thought back on the dream. All those other souls chained with me, who vanished, might one day include my own family, all in Maynard’s loose hand, to be pulled this way or that, or dropped on a whim. It pained me. I was of the age when it was natural to seek out a wife, but by then I had seen tasking women promised to tasking men, and then seen how such “promises” were kept. I remember how these young couples would hold one another, each morning before going to their separate tasks, how they would clasp hands at night, sitting on the steps of their quarters, how they would fight and draw knives, kill each other, before being without each other, kill each other, because Natchez-way was worse than death, was living death, an agony of knowing that somewhere in the vastness of America, the one whom you loved most was parted from you, never again to meet in this shackled, fallen world. That was the love the Tasked made, and it was that love that occupied my thoughts when time came to tend to Maynard—how families formed in the shadow and quick, and then turned to dust with the white wave of a hand.

Now, walking out of my quarters, then through the Warrens, I passed the doorway of Sophia, which was open, so that I saw her there knitting by the lantern-light. And stopping at the door, I saw her in profile—her small nose, the soft outcropping of her mouth, the twists of her hair peeking out from beneath the fabric wrapped around her head. She was sitting on a stool, her back straight as a stone wall, the light of the lantern casting her shadow out into the corridor, her long spider arms winding two needles back and forth, fashioning the yarn into something that had not yet taken discernible form.

“You come to say goodbye,” she asked. This startled me a bit, for she did not turn, but kept her eyes on that inscrutable whatever suspended between her two needles. I mumbled something garbled and confused. And at that she turned and I saw her sun-drop eyes alight and her soft mouth break into a warm smile. Sophia was conspicuous among the Tasked, because she seemingly did not task at all. She loved to knit, and I often saw her walking among the gardens and orchards, working her needles, so that this knitting might be taken to be her only labor. But all of Lockless knew better. She belonged to my uncle, my father’s brother, Nathaniel Walker. None needed to guess at the nature of this arrangement. But if I had had any doubts, they were quickly extinguished when I was given the task of driving her to and then retrieving her from Nathaniel’s property each weekend.

This “arrangement” was not unusual, was indeed the custom of the men of Quality. But something in Nathaniel revolted against concubinage, even as he committed himself to it. And like the dumbwaiters and secret passages that the Quality employed to mask their theft, Nathaniel too employed means to take as though not taking, and transfigure robbery into charity. So he had Sophia live down here in the Warrens of his brother’s plantation. He insisted she dress like a lady of Quality when visiting, but use the back road of his estate to enter. He kept tabs on who visited her and let it be known among the community of the Warrens that he did so, to ward off tasking men, all, as it happened, save me.

“Did you come to say goodbye, Hiram?” she said again.

“No, uhh, more like good morning,” I said, recovering myself.

“Ahh, well, good morning, Hi,” she said. Then she turned away from me and back to her knitting.

“Forgive me, I’m guessing I got it backwards,” she went on. “Funny thing is, I was thinking of you just now, just before you wandered past. I was thinking of you and the young master, and race-day. I was thinking how glad I was to not be there, and in my thinking, I had had a whole conversation with you, and it was like you was here. So when I seen you there at the door, I was thinking it was the ending of something.”

“Uh-huh,” I said. I felt myself barely able to muster words. I feared what I might say. I thought of the dream from last night—the dream in which we grew old while Maynard remained young, and held us all chained.

She exhaled hard, as though frustrated with herself, and said, “Don’t mind me none.”

Now she looked up at me again and a look of realization crossed her. She said, “All right, I am here now. How are you, Hi?”

“I’m good,” I said. “About as good as can be expected. Rough night.”

“You want to talk?” she asked. “Sit a spell. Lord knows I am always talking to you, filling you with my stories and observations on the world.”

“No,” I said. “Gotta get to the young master. I’m all right.”

“You don’t look it,” she said.

“I look fine,” I said.

“And how would you know?” she asked and then laughed.

“Don’t worry bout how I know,” I said, returning her laugh. “How bout you worry bout your own looks.”

“And how do I look this morning?” she asked.

I just stepped back into the corridor, away from the door, and said, “Not so bad. Not so bad, if I do say.”

“Thank you,” she said. “Well, since you are not in a conversing mood, what I want to say to you is, you have yourself a pleasant Saturday. And don’t let the young master trouble you none.”

I nodded, and then I walked up that back staircase of awful secrets into that house of bondage. And as I mounted each step, I felt the terrible logic of the Task, my Task, snap into place. It was not just that I would never be heir to even one inch of Lockless. And it was more than knowing I would never be a subscriber to the fruit of my own labor. It was also that my own natural wants must forever be bottled up, that I must live in fear of those wants, so that more than I must live in fear of the Quality, I must necessarily live in fear of myself.

We left late that morning in the Millennium chaise, turning out the main road of the property, and past the orchards, the workshop, and the wheat fields, out of Lockless, and turning down the West Road and driving past what remained of the old estates—Altbrook, Lowridge, Belleview, names that then still rang out across Virginia but are now, in this electric era of telegraphy and elevators, just dust in the wind. Maynard talked the whole way, and there was nothing new in this—just the usual fare of who he would show up and how. I listened for a bit, and then just let him go on while I retreated into my private thoughts.

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