Evan Hunter: The Paper Dragon

There were no rats in Harlem for him, there were no street gangs, there were no rumbles, there was only a placid ghetto — terrible word — a neighborhood , a haven surrounded by relatives, you could not throw a stone without hitting a relative. If your mother wasn't home, you dropped in on Aunt Tessie, and she gave you cookies and milk, or you went around to see Grandpa in the grocery store where he worked for a man he had known in Naples, or maybe you ran into Uncle Mike driving his truck for the furniture company. It was said that Uncle Mike knew gangsters, and that the time the social club was held up and they stole Uncle Danny's ring and Uncle Sal's watch, it was Mike who got on his Neapolitan high horse and went off some place into the mysterious underworld where they talked of Petie Red Shirt and Legs Diamond and got the goddamn jewelry back the very next morning; he was a tough guy Uncle Mike, he could break your head with a glance. His sister loved Uncle Mike, she would almost wet her pants every time he stopped by. There was an argument once, Arthur couldn't even remember what it was all about, Mike taking out some girl from the bakery, and Tessie getting all upset and coming to see her sister, Arthur's mother, and her having a big argument with Mike and calling him everything under the sun while his father stood by and listened patiently and Arthur remembered how simply he had flushed the mouse down the toilet, so very simply, pull, flush, and out to sea without a whimper.

Christmases, they all got together, Christmases then , but not anymore, blame it on urban renewal, blame it on the decentralization of the family, the speedier means of communication and transportation, there were no more Christmases once his grandparents died. The family died when they died, it shriveled outward from the center, everybody just disappeared, where the hell were they all now? Dead or living in California, which is the same as being dead. He had dropped in to see Aunt Tessie and Uncle Mike when he was out in Hollywood, and Mike who had known gangsters, Mike who had threatened to break heads unless his brothers'-in-law jewelry was returned at once, immediately if not sooner, Mike was a tired old man, bald, his muscles turned to flab, this was the man who used to move furniture and mountains and fearsome gangs. They sat in the living room of the Tarzana development house and had nothing much to say to each other, how is your mother, tell her to write, did you go to Aunt Louise's funeral, and Arthur had wanted to say, "Don't you remember Christmas at Grandpa's house, don't you remember?" But Uncle Mike was an old man, you see, and Aunt Tessie limped, and there was nothing to say to either of them, there was only strong Italian coffee to sip and Italian pastry to nibble, he had not remembered it as being so sweet. Boy, what his grandfather used to buy for Christmas, boy the way that house sang, that crumby apartment on First Avenue, it must have been a crumby apartment and there probably were rats in the walls. He certainly could remember cockroaches in his own house whenever they turned on the kitchen light, an army in hurried retreat. "Step on them, Sonny," his mother would yell, "get them, get them!" a game each night, the scurrying mob, and then they would all disappear into cracks and crannies, gone like the mouse flushed out to sea, except they would return again. "Where do they go?" he once asked his father, and his father replied, "Home."

Home.

There was everybody there on Christmas and his grandfather welcomed one and all, not only the family but also everybody he knew from the grocery store, the nice old man who wore thick glasses, Alonzo, Alfonso, something like that, who had the idiot son who would come in alongside his father like a ghost and sit there quietly and perhaps sip a little red wine his grandfather poured. And the men would talk about the old country and about Mussolini and about how beautiful Rome was at Christmastime, and Arthur would listen, standing between his grandfather's knees, with his grandfather's strong hands on his shoulders, and the women would be bustling about in the kitchen, Grandma fretting and fussing, and the girls — her two daughters and later Danny's wife, and then Sal's wife — all would be busy with the preparations in the kitchen, and the Christmas gifts would be piled to the ceiling under the Christmas tree, and Grandpa would keep pouring wine for all the relatives and friends who kept dropping in from all over Harlem, all over the world it seemed, Buon Natale, Buon Natale , the wine being poured and the smell of tomato sauce in the kitchen. God, there were things to eat, things Grandpa used to get in the grocery store, all imported, great provolone and salami, and fresh macaroni and bread, and Aunt Louise would make the pimientos, she would roast the peppers over the gas jet until they turned black, he always thought she was burning them, but no then she would scrap off all the black part and reveal the sweet orange-red meat, and then she fixed them with oil and garlic, oh God. She sent him pimientos in a jar every month, once a month like clockwork, the last day of the month, until she finally died, always the pimientos in a jar because once he helped her with the grammar in one of her song lyrics, just helped her put it in order, that was all, pimientos for life, a great title.

The meal went on for hours, they would sit at the table and dip cling peaches in wine, allowing the thick golden fruit to soak there for a bit, and then bringing it dripping red to the mouth on a toothpick. His grandfather would say "Sonny, here, have some," and hold out the red-stained toothpick with the rich juicy slice of fruit on its end, tart, strong, sweet, everything. The kids would run through the length of the railroad flat, chasing each other, and his grandmother would yell for them to stop before the people downstairs banged on the ceiling with a broom handle, and they would stop for a little while, collapsing on the big bed in the front room, his head close to his sister's, all of them sweating, all the kids in the family, more kids all the time, all of them giggling and sweating on the bed with the picture of Jesus Christ over it holding his hand above his exposed heart and sunshine spikes radiating from his head. "That's God," his cousin Joey once said. "The Jews killed him," He asked his grandmother about it one time, and she said, "That's right, Sonny, the Jews killed him," and then she told a story about a Jew who went to church one day and received holy communion and then ran out of the church and took the wafer out of his mouth immediately and went home and nailed it to the wall. "And do you know what happened to that holy bread, Sonny? It began to bleed. And it never stopped bleeding. It just kept bleeding all over that Jew's floor."

"What did he do?" Arthur asked.

"What did who do?" his grandmother said.

"The Jew. What did he do about all that blood?"

His grandmother had shrugged and gone back to cooking something on the big wood stove in the kitchen, black and monstrous, always pouring heat and steam. "Wiped it up, I guess," she said. "How do I know what he did?"

But every time he looked at that picture of Jesus with the heart stuck on his chest as if he had just had surgery and they were showing how easy it was to expose a human heart these days, the drops of blood dripping down from it, and Jesus' hand just a little above it, and his head tilted back with his eyes sort of rolled up in his head like a character in an Eisenstein movie, he always thought of the Jew who nailed the communion wafer to the wall, and he always wondered first why the Jew would want to nail the thing to the wall to begin with, and second what he had done about all the blood. In high school, after he had moved to the Bronx and met Rubin, he realized his grandmother was full of shit, and he never trusted her very much after that, her and her communion nailed to the wall.