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Лорен Уиллиг: The Orchid Affair

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Лорен Уиллиг The Orchid Affair

The Orchid Affair: краткое содержание, описание и аннотация

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Hot on the heels of The Mischief of the Mistletoe (2010), Willig’s engaging spy series continues with an adventure set in Napoleonic France. Fresh out of spy school, Laura Grey has been dubbed the Silver Orchid and sent to France to be a governess to the children of Andre Jaouen, the deputy minister of police. It is up to Laura to discover if Jaouen and the sinister inspector Gaston Delaroche are about to thwart a Royalist plot to put a prince of royal blood back on the throne. Working with the legendary spy known as the Pink Carnation, Laura is surprised to uncover where Jaouen’s loyalties truly lie when a respected artist, Antoine Daubier, is arrested by the dastardly Delaroche. After rescuing Daubier and being forced to flee France with him and the royal heir, Laura and Andre pose as a married couple in a troupe of actors and find themselves battling their powerful feelings for each other. Another delightfully delectable adventure from Willig, who expands her rich, appealing stable of characters with each entry.

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I looked out the window at the stone houses with their iron balconies, at the striped awnings, brightly colored even in the gloom, at the narrow streets with their ineffectual metal posts, at the garbage truck backing up in front of us, blocking off traffic for a good three blocks down.

Yes, definitely Paris.

I leaned back into the crook of Colin’s arm, resting my head against his shoulder. “Can you believe it?” I murmured. “We’re in Paris.”

“It would be strange if we were elsewhere,” Colin pointed out. “Given the direction of our flight.”

I dealt him a halfhearted swat. “You know what I mean.”

For a moment, I felt his arm tighten around me. “Yes.” Colin’s lips fleetingly brushed my hair. Then he relaxed his grip, leaning back against the seat. “My mother doesn’t want us until nine. What do you want to do before then?”

“I should get some research done.” I wiggled my way upright, resting an elbow against the faux-leather backing. “I have a whole list of documents I want to look at in the archive of the Musée de la Préfecture de Police.”

“So you really are planning to work?” It was part of the excuse we’d given Jeremy for changing hotels; the Prefecture and its archives were on the Left Bank, much closer to the Minerve.

“Yep. I want to look at the French operations of the League of the Pink Carnation. According to reports, the Pink Carnation was in operation in Paris from May of 1803 through the summer of 1804. What was she doing there?”

“Spying?” Colin suggested.

“Yes, but why, how, and on whom?”

“I suppose you have an idea?”

“Okay,” I said, wiggling around on the seat to face Colin. “You know the Selwick spy school?”

“I am familiar with the concept,” said Colin, straight-faced.

Of course, he was. It was his family. And the spy school had been run out of his home, albeit two hundred years before he got there. Colin’s ancestor, the Purple Gentian, had founded the spy school when his marriage put him out of active service in early 1803.

“Well, anyway,” I said, brushing that aside, “the Pink Carnation came back home for Christmas in 1803. Thanks to your archives, I have full documentation on that. While she was there, she solicited the services of a graduate of the Selwick spy school, a Miss Grey.”

“A good name for an agent,” commented Colin. He should know; not only was he descended from spies, he was writing a novel about them—although his novel, or so he claimed, was more of the James Bond variety, complete with extraneous gadgetry and hot and cold running women.

“They dubbed her the Silver Orchid. I suppose they couldn’t very well go around referring to her as Miss Grey in correspondence.”

“Why not just 24601?”

“You don’t think Victor Hugo would have objected?”

“He wasn’t born yet,” Colin pointed out.

“Details, details.”

Colin raised a brow. “And you, a historian.”

“Even historians go on”—the shuttle came to an abrupt halt, sending me lurching forward—“holiday,” I finished breathlessly.

Okay, I got it; the shuttle driver wasn’t a fan of academic history. Or of Hugo.

“Minerve!” he called back. With a long drag on his cigarette, he settled comfortably back into his seat, pausing only to exchange obscenities with a passing driver who had taken umbrage with his stopping in the middle of the street.

Colin went to check us in while I loafed around the inevitable leaflet rack. There were advertisements for various museums and attractions, some of which I had heard, others more obscure.

My attention was caught by one for a special exhibition at a museum I had never heard of. It was a single sheet, on glossy paper, with a diagonal band across the middle that read, in bold letters, Artistes en 1789: Marguerite Gérard et Julie Beniet . It was a little early for my time period, but close enough to pique my interest.

A large key dangled in front of my nose. “All set,” said Colin. “Ready?”

“Ready.” I shoved the leaflet into my pocket and took the key from him. As the one with a large shoulder bag, I automatically assumed the role of Keeper of Movable Objects, including, but not limited to, keys, tissues, cough drops, and airline tickets.

The elevator was a tiny thing, barely large enough for the two of us to squeeze in together, our luggage jammed in at our feet and my shoulder bag wedged between us like a modern chastity belt. The wooden tag attached to the key, worn smooth with time and use, read 403. Room 403 turned out to be all the way in the corner. After two tries, during which I accidentally relocked the door while Colin tried to reach around me to help and managed to bang an elbow on the door frame, the lock finally gave and we both all but fell into the room.

It was certainly cute. There was pink-striped paper on the walls, pink fleurs-de-lis ringing the green carpet, and a mural on the ceiling, featuring an idyllic image of fluffy white clouds, blue sky, and green foliage, with a few birds winging their way peacefully along. It was also about three feet square, the entire center of the room taken up by a double bed sporting a pink quilt and four suspiciously flat pillows. The ceiling sloped down at an acute angle behind the bed. On one wall, long windows opened out onto a view of an air shaft. On the other side, a narrow sofa covered in a pink and green print stretched across one wall. A desk had been jammed in the corner across from the door, with just enough space for the door to clear.

The room looked absurdly small—and absurdly pink—with Colin standing in the middle of it. His big leather folding bag took up the better part of the bed.

“It’s cozy,” I said, dumping my own overnight bag on the sofa. “Cute.”

My bag was about an eighth the size of Colin’s. Fortunately, cocktail dresses pack small. So does the aspirational lingerie that one buys in the hopes of things like romantic weekends in Paris, that then generally sits in the back of the drawer, gently yellowing.

That, I had to admit, had been a big part of the draw of this weekend’s Paris jaunt, the chance to finally take out the That Weekend lingerie. I might not have the guts to wear it, but at least it was getting an outing.

Colin pointed at the painting on the ceiling. “Nice touch. Ouch.” He’d banged his head on the slope.

Wincing in sympathy, I put a hand to his temple, sliding my fingers through his hair. It was beginning to get long on top, like the floppy-haired teen idols of my 1980s youth. “There?”

Colin angled his head for better access. “You can keep rubbing,” he said hopefully. “A little to the left. . . .”

“I think you’ll live.” I patted him briskly on the shoulder and stepped back. “All right, BooBoo, let’s go.”

“BooBoo?” Colin looked at me quizzically as I jettisoned my in-flight reading from my bag. Because everyone needs three heavy research tomes and two novels for a forty-minute flight.

“You know. As in ‘Sit, BooBoo, sit.’” Every now and then I forget that we’re divided by a common language. I’d never felt quite so glaringly American until I started dating an Englishman. I decided to leave off the “good dog” bit. Even the most laid-back of boyfriends might take that the wrong way. “It was a commercial.”

Colin decided to let it go. He twisted the door handle, conducting an elaborate shuffle in order to open the door without trapping himself behind it or impaling himself on the side of the desk. He managed it, but only just. “Shall we get a coffee before I lose you to the archives?”

“I’d love a coffee.” I scooped up the key and gestured to him to move along so I could lock up. There wasn’t room for both of us. “And maybe one of those marzipan pigs.”

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