Stephanie Laurens - The Truth about Love

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When New York Times bestselling author Stephanie Laurens created the Cynsters, a phenomenon was born. Bold, passionate, and possessive, the Cynster men let nothing stand in their way when it comes to claiming the women of their hearts. Now, Stephanie Laurens has written her most romantic and powerful novel to date, one that dares tell The Truth About Love.
Gerrard Debbington is one of the chosen few – the gentlemen who've learned their social and amorous skills at the feet of the masters. Handsome and wealthy, protégé and brother-in-law of Vane Cynster, Gerrard is part of the charmed Cynster family circle. One of the most eligible gentlemen in the ton, Gerrard is constantly besieged by offers from London's most sought-after beauties, but as the ton's foremost artistic lion, there's only one offer he wants to accept – the chance to paint the fantastical but seldom-seen gardens of reclusive Lord Tregonning's Hellebore Hall.
That chance is dangled before Gerrard, but to grasp it he must fulfill Lord Tregonning's demand that he also create an open and honest portrait of the man's daughter. Gerrard loathes the idea of wasting his time and talents on some simpering miss, but with no alternative, he agrees…
Only to discover that Jacqueline Tregonning inspires him as no other lady has. Certainly she is beautiful, but Gerrard is stunned by the deep emotions she stirs and is captivated by her passionate nature and innate goodness. He is soon convinced that Jacqueline is the soul mate he needs as his wife.
But something is horribly wrong at Hellebore Hall. Evil lurks in the beautiful gardens and along the rambling pathways. And that evil reaches out to ensnare Jacqueline, trapping her in a web of insidious whispers – whispers that paint her as a double murderess.
The rumors are false, but someone is actively spreading them. Convinced that Jacqueline is innocent of all wrongdoing, Gerrard is confident his portrait will open others' eyes to the truth he sees, but when a long-dead body is discovered in the gardens, the campaign to blame Jacqueline escalates – Gerrard and she are running out of time. The days they spend together lead to nights of sweeping passion – and Gerrard vows to move heaven and earth to protect the woman who, for him, personifies the truth about love.

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There’d been considerable discussion over what to do about the Garden of Night. Jacqueline and their children would ultimately inherit the estate; she loved it and most of the gardens, but couldn’t bear to go into the Garden of Night. Quite aside from having seen her dead mother and then Millicent there, like him, she’d guessed that Jordan and Eleanor had used the bower for their frequent trysts. Hardly surprising she couldn’t stomach the garden as it was, yet it was an integral part of the whole.

Driven to slay every last dragon that plagued her, he’d unearthed the original plans for the gardens in the Hall library. He’d shown them to Wilcox, who’d agreed with his suggestions. Over the winter, the garden had been remodeled and replanted; he’d stuck with the original design, but by changing species, the new garden would be a celebration of love in the brightest and best sense, no longer steeped in the darker shades of passion.

Jacqueline’s birthday was in May. She didn’t yet know of the work on the garden; they were all planning it as a surprise gift when he and she traveled down to spend a week with her father.

And Millicent; she and Sir Godfrey had taken up residence at the Hall to keep Marcus company. The household was now relaxed, more easygoing and happy than any could have imagined it might be.

Gerrard watched as Jacqueline stooped to sniff a crimson rose. As she straightened, her hand drifted to her belly, to the slight, very slight mound there. Her face was that of a happy madonna, her expression one of wonder, of joyful anticipation.

The exact opposite of the expression he’d painted in the portrait to free her.

He stared, drank in the sight, his hand reaching for his sketch pad and pencil, as ever by his side.

Without taking his eyes from Jacqueline’s face, he started to sketch.

Poured all he saw into the lines. Let his eyes see, acknowledge, let his fingers faithfully record.

In the months since they’d wed-by ducal command at Somersham Place during the Cynster summer gathering-the connection between them had developed and evolved, until it was more than tangible, until the link was so solid it would, they both knew, withstand any test on the physical plane.

They both counted themselves blessed.

And he’d finally fully understood what Timms had meant.

Love wasn’t a happening one decided on-to indulge or not, to partake or not. To feel or not. When it came, when it struck, the only decision left to make was how to respond-whether you embraced it, took it in, and made it a part of you, or whether you turned your back and let it die.

Love was something humans experienced, not made happen. It wasn’t in anyone’s control.

Beneath his fingers, his sketch came to life. His next portrait, better, more revealing, than any he’d done before.

He already knew its title, what it would show, what he would paint into it.

The Truth About Love.

About the Author

New York Times bestselling author STEPHANIE LAURENSbegan writing as an escape - фото 3

New York Times bestselling author STEPHANIE LAURENSbegan writing as an escape from the dry world of professional science. Her hobby quickly became a career, and her series about the masterful Cynster cousins has captivated readers, making her one of the romance world’s most beloved and popular authors; she has also introduced the equally unforgettable members of the Bastion Club. She currently lives in a suburb of Melbourne, Australia, with her husband and two daughters.

Visit her website at www.stephanielaurens.com for more information on the Cynster novels.

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The Truth about Love - фото 4
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