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Theresa Romain: It Takes Two to Tangle

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Wooing the Wrong Woman… Henry Middlebrook is back from fighting Napoleon, ready to re-enter London society where he left it. Wounded and battle weary, he decides that the right wife is all he needs. Selecting the most desirable lady in the ton, Henry turns to her best friend and companion to help him with his suit… Is a Terrible Mistake… Young and beautiful, war widow Frances Whittier is no stranger to social intrigue. She finds Henry Middlebrook courageous and manly, unlike the foppish aristocrats she is used to, and is inspired to exercise her considerable wit on his behalf. But she may be too clever for her own good, and Frances discovers that she has set in motion a complicated train of events that’s only going to break her own heart…

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Copyright 2013 by Theresa StRomain Cover and internal design 2013 by - фото 1

Copyright © 2013 by Theresa St.Romain

Cover and internal design © 2013 by Sourcebooks, Inc.

Cover design by Nicole Komasinski/Sourcebooks, Inc.

Cover illustration by Robert Papp

Cover model: Danielle Day

Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

The characters and events portrayed in this book are fictitious and used fictitiously. Apart from well-known historical figures, any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

Published by Sourcebooks Casablanca, an imprint of Sourcebooks, Inc.

P. O. Box 4410, Naperville, Illinois 60567-4410

(630) 961-3900

Fax: (630) 961-2168

www.sourcebooks.com

One

July 1815

Tallant House, London

It was no good. The canvas still looked as though a chicken had been killed on it.

Henry Middlebrook grimaced and stepped back, casting his eye over his work. In the cooling light of early evening, his vermilion paint looked ghastly.

He dragged his brush over one corner of the canvas and regarded it again. A slight improvement. Now it looked as if someone had killed a chicken on it, then tried to clean up the evidence.

No matter. He could fix it later somehow. Or hide it in an attic.

As he stepped forward again, ready for another artistic attack, Henry’s foot bumped the fussy baroque table on which he’d set his palette. The palette rattled perilously close to the edge of the table, and Henry swooped for it before it tipped. He lost his grip on his paintbrush and could only watch, dismayed, as the wide brush flipped end over end and landed with a faint thump on the carpet.

Well, damn.

“How lovely!” came a cry behind him, and Henry turned.

His sister-in-law Emily, the Countess of Tallant, was standing in the morning room doorway smiling at him. She wore a gown the watery, fragile pink of rose madder, with some part of it pinstriped and some other part of it beaded, and her auburn hair arranged with a quantity of pink-headed pins.

Henry did not understand all the details of women’s fashion, having spent the past three years learning the significance of shoulder epaulets, forage caps, and stovepipe shakos. Still, the effect of Emily’s ensemble was pleasing to anyone with the slightest eye for color—which Henry had, though no one looking at his canvas would possibly think so.

“Good evening, Emily,” he said, shifting his foot to hide the fallen paintbrush. “I might say the same to you. You look very well.”

“Nonsense, Hal,” she said. “This gown is a full year out of fashion and is suitable for nothing but lolling around the house. I must go change for the ball, as must you. What I meant was that it’s lovely to see you painting again.”

She craned her neck to look behind him. “And it’s even lovelier to see you resting your palette on that dreadful table. Jemmy’s Aunt Matilda gave it to us as a wedding gift. I can only conclude she must have hated me.”

Emily walked over to Henry and held out her hand for the paintbrush, which he sheepishly retrieved from the floor. She scrutinized it, then began to daub the gilded table at Henry’s side with red curlicues.

“I’m not the expert you are, of course, but the texture of this red seems a bit off.”

“Yes, it’s too oily. I’m out of practice.”

“Well, that’s easily enough fixed by time. I’m glad we still had some of your supplies left from… well, before.” Emily signed her name with fat, bold brushstrokes to the ruined tabletop. “There, that’s the best this table has ever looked. If you can stand the sight of the beastly thing, then you must have it for your own use while you paint. Surely we can find a studio for you somewhere in the house. You could even keep painting here in the morning room if you don’t mind rolling back the Axminster, of which I’m rather fond.”

Henry looked at the heavy carpet guiltily. A splotch of warm red paint marred the fine sepia pattern of scrolls and bouquets. “I should have done that first thing. I’m sorry, Em.”

She waved a hand. “I understand artists are remarkably forgetful creatures. Once the creative mood seizes you, you cannot be responsible for your actions.”

“Are you giving me an excuse to be an aggravating guest? This could be entertaining.”

Emily’s mouth curled into the cunning smile that meant she was plotting something. “You’re much more than a guest, as you know. But you’re right. I should demand that you pay me a favor for spilling paint all over my possessions.”

Henry took the brush from her and laid it carefully across the palette, atop the newly adorned table. “Let me guess. You already have a favor in mind, and you are delighted I have ruined your carpet, since now you can be sure I’ll agree to whatever you ask.”

Emily looked prouder than ever. “Excellent! We shall slip you back into polite society more easily than I could ever have hoped. Already you are speaking its secret language again, for you are correct in every particular of your guess.”

“I’m overjoyed to be such a prodigy. What, precisely, have I guessed?”

“Tonight, I am going to introduce you to your future wife. What do you think?” She beamed at him, as though she expected him to jump up and start applauding. Which was, of course, impossible.

Henry gripped the edge of the fussy little table tightly. It was difficult to imagine feeling comfortable amidst the ton again—as difficult as it had seemed to leave it three years ago.

But he was just as determined on the former as he’d once been on the latter. Choosing the right wife could be exactly the key he needed to unlock London.

Emily passed a hand in front of his face. “You didn’t answer me, Hal.”

Henry blinked; stalled. “Don’t call me Hal, please.”

She raised her eyes to heaven. “You know perfectly well that I shall never be able to stop calling you Hal in my lifetime, just as you cannot stop calling your brother Jem. We are all far too set in our ways. But that’s not the answer I wanted. What do you think of my idea about finding you a wife? Actually, it was Jemmy’s suggestion, but if you like it, I shall claim it for my own.”

Fortunately, Henry’s elder brother Jeremy, the Earl of Tallant, poked his dark head into the doorway at that moment, saving Henry from a reply. “Em? Aren’t you ready yet? I’ve already had the carriage brought around.”

In his sleek black tailcoat, mathematical-tied linens, and waistcoat of bronze silk, Jem looked every inch the earl. Every inch, that is, except the one between his forehead and nose. His eyes—a bright lapis-blue, the only feature the brothers had in common—held an ignoble amount of doubt just now. “Hal? Are you sure you’re ready for this?”

Henry decided on deliberate obtuseness. “For Lady Applewood’s ball? No, I still have to change my clothing.”

“I’ll send my man up to help you,” Jem replied too quickly.

Emily crossed her arms and regarded her husband slowly, up and down. “You look very elegant, Jemmy. But why are you ready? We aren’t leaving for an hour.”

Jem’s expression turned puzzled. “An hour? But I thought—”

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