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Grace Burrowes: Lady Jenny's Christmas Portrait

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Grace Burrowes Lady Jenny's Christmas Portrait

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What Lady Jenny wants for Christmas... For Christmas, soft-spoken Lady Jenny Windham craves the freedom to pursue her artistic ambitions, though it will mean scandalizing her ducal parents and abandoning all hope of a family of her own. She confides her plans to successful artist Elijah Harrison when he's commissioned to paint a portrait of her small nephews, because assisting Elijah will bring Jenny that much closer to her heart's desire—won't it? ...Will break both their hearts. Elijah Harrison finds in his unlikely assistant not only an inspiring muse and unappreciated talent, but also a lovely and passionate woman. If Elijah supports Jenny's career, his own professional interests will suffer, but more significantly, he will lose Jenny forever. Both Jenny and Elijah must choose between true love and a lifelong dream.

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To go with his beautiful body and his beautiful hands, he had a beautiful, masculine voice. She could have listened to that voice recite Scripture and still pictured him without his clothes.

“My aunt is abed on the next floor up.” She paused midreach for the teapot. “You used my title.”

His mouth didn’t shift, but something in his eyes suggested humor. “I make a habit out of attending many of the London social functions. Because I must work in all available daylight hours, I spend most of my evenings dozing in the card room. Even so, I have observed you often from a polite distance.”

Something about the way he used the word observed had Jenny fussing with the tea things. She was rattled by his disclosure, so rattled she fixed her own cup of tea first, with both sugar and cream.

Did he know she’d observed him as well, for hours, when he’d worn nothing but indolence and an offhand sensuality?

“You are prescient,” he said, lifting the full cup. “You know how I like my tea.”

The humor had found its way to his voice, which made Jenny curious to see what a smile would look like on that full, solemn mouth. For all the parts of him she had seen, she had never seen him smile.

“A lucky guess,” she said. “Just as finding your way to Kesmore’s doorstep tonight must have been good luck for you.”

“And for my horse.” He saluted with his teacup, his fingers red with returning circulation.

“Eat something.” Jenny passed him an empty plate. “Chasing the chill from your room will take some time, and you have to be hungry.”

As he filled a plate with as much buttered bread, ham, and cheddar as any one of Jenny’s brothers might have consumed at a sitting, Jenny indulged in closer study of her guest. His dark hair was damp, and around his eyes, fine lines gave him a world-weary air. He was not a boy, hadn’t been a boy for years.

She’d had particular occasion to admire his nose. The nose on Elijah Harrison’s face announced that no compromises would be made easily by its owner, no goal casually cast aside for costing too much effort. Had she not seen the entire rest of him, she would have chosen that nose as his best feature.

He paused between assembling his meal and consuming it. “You’re not eating with me, Lady Genevieve?”

He’d said her name with a little glide on the initial G —“Zhenevieve”—the way a Frenchman might have said it. He had studied in France. Somehow, despite the Corsican’s protracted nonsense, Elijah Harrison had managed to study in France. She envied him this to a point approaching bitterness. “I’ll nibble some cheese.”

“Like a starving mouse?”

“Like a woman who had a decent meal not that long ago.” Like a woman who knew it was time to have done with visually devouring her guest. “What brings you to our neighborhood, Mr. Harrison?”

“Work, of course. Some sentimental old fellow has taken it into his head—or perhaps his lady wife has taken it into her head—to have portraits done of his youngest progeny. If I’m to present myself to the world as a well-rounded portraitist, then I must add children to the subjects in my portfolio.”

He said this as if painting children was an occupational hazard, like napping in card rooms.

“Is it difficult to paint children?” Between one heartbeat and the next, Jenny realized Elijah Harrison knew a great deal that she wished she could learn from him. He’d travel on in the morning, but for as much as the next hour, she could interrogate him to her heart’s content.

He didn’t answer immediately. Instead, he put bread, cheese, and some apple slices on a plate and held it out to her. His gaze held a challenge.

Over a simple meal? Abruptly, Jenny wondered if he’d recognized her.

She took the plate and tossed her list of questions aside.

* * *

Genevieve Windham was not pretty, she was exquisite .

Pretty in present English parlance meant blond hair and blue eyes, regular features, and a willingness to spend significant sums at the modiste of the hour.

Unless a woman was emaciated or obese, her figure mattered little, there being corsets, padding, and other devices available to augment the Creator’s handiwork. Failing those artifices, one resorted to the good offices of the portraitist, who could at least render a lady’s likeness pretty even if the lady herself were not.

Lady Jenny left pretty sitting on its arse in the mud several leagues back. Her eyes were a luminous, emerald green, not blue. Her hair was gold, not blond. Her figure surpassed the willowy lines preferred by Polite Society and veered off into the realms of sirens, houris, and dreams a grown man didn’t admit aloud lest he imperil his dignity.

The itching over Elijah’s body faded in the face of the itch he felt to sketch her.

She had certainly sketched him, after all.

“Have some sustenance, my lady. For me to eat alone would be rude, and I intend to consume a deal of food.”

Lady Jenny took the plate, and though he was ravenous, he wanted to watch her eat more than he wanted to fill his belly. “My thanks, sir.”

So… small talk. His livelihood depended as much on his ability to make small talk as it did on his talent for slapping paint onto canvas. “How fare my lord and lady Kesmore?”

“When did you first know you wanted to paint portraits?”

They’d spoken at the same time, though he’d put his question to her, and she’d directed hers to the plate of gingerbread on the tray. Elijah added a slice to her meal and waited.

“Lord and Lady Kesmore are in good health and wonderful spirits. They look forward to the holidays, as do their children.”

Not an answer, but rather, a recitation.

He offered reciprocal superficiality. “I was born with an interest in the arts.”

She glanced over at him, her expression suggesting he was a plate of holiday treats she must not be caught snitching from. “An interest in the arts? A general interest only?”

His answer was the one he gave whenever members of the Royal Academy asked the question Lady Jenny had. The Academy boasted sculptors as well as painters, and one was elevated to membership by vote of the Royal Academicians. A general interest had struck him as the more politic reply.

Lady Jenny was not considering him for membership in the Royal Academy, and would never be in a position to do so.

“Painting has been my preoccupation for as long as I can remember,” he said. “When the other lads were clamoring for a pony or playing Robinson Crusoe or longing to explore darkest Africa, all I wanted to do was paint.”

In some regards, he would have been better off in darkest Africa. Rather than ponder that unhappy truth, he popped a bite of gingerbread in his mouth.

“And where did you study, Mr. Harrison?”

This mattered to her, or mattered more than ham, cheese, gingerbread, apples, and hot tea. “Might I prevail upon you to pour again, my lady?” Because he’d downed his tea in one hot, indecorous gulp.

“Of course.”

“I studied here and there. I have French cousins on my mother’s side, and while Paris was no fit destination for an Englishman for quite some time, my cousins sought refuge in Italy, Denmark, and Switzerland. I made a royal progress of visiting them and their drawing masters. My mother spoke French to me from the cradle, so France was not as risky for me as it would have been for others.”

Her Exquisite Ladyship fixed his second cup of tea, while he forgot his meal and instead focused on how firelight reflected off the tea service and off her hair. Lady Jenny was not a woman of angles; she was a woman of curves—an elegant curve to her spine in particular suggesting she’d eschewed stays due to the lateness of the hour, or perhaps—being in the country—she had settled for stays without boning.

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