Laura Gilman - Soul of Fire

If this new magic the preters were using to open the portals was based on tech, or somehow influenced by it, they needed to understand how in order to stop it. And this morning’s meeting had once again established that they didn’t and couldn’t. Maybe it was a thing only preters could see, could understand. At this point, Jan wasn’t ruling anything out.

The portals were the means, but they weren’t the cause. Preters had always stolen humans, had always meddled, but they’d never hated before, not like this. Jan remembered her contest of wills back Under the Hill, in the other realm, and shivered a little. The preter queen had used knowledge of the portals to flee into this world and disappear, leaving her court and consort behind. That had been what had triggered this new behavior, their anger at this realm—their anger at humans.

The portals were the means, but the queen was the missing piece, the trigger and the solution.

“We need to find her,” Jan said. “And we need to find her now. ”

Martin rolled over onto his back, looking up at the sky, but his hand reached out and gathered hers, fingers folding together. “So we will,” he said, his confidence unshakeable. “You just have to come up with a clever plan.”

Despite herself, despite or maybe because of the tension stretching her almost too tight to breathe, Jan laughed. And that was why she loved him, because he said things like that and meant them. “Right. I’ll get right on that, then.”

The Lady Nalith, once queen of the Court Under the Hill and now in chosen exile, was satisfied—finally—with the workman’s efforts. She ran her fingers over the tangle of cords, then along the gleaming rim of the screen, careful not to touch the screen itself; she had no desire to interfere with the display, and even the faintest ghost of her fingertips could do that, she had been told.

“Remarkable,” she said, her voice almost a satisfied purr. “Not even in my old court was there magic of this quality.”

“It’s a plasma display, millions of these tiny cells between the glass,” the human began to say before being cut off by a sharp gesture with her other hand. She did not care what means the creature used. Her concern was not with the conveyance, but what it conveyed.

She stepped away from the screen and seated herself on the love seat, reclining back as though it were a throne, if one far more comfortable than any she had occupied before. On the newly installed screen in front of her, the figures moved and spoke, breaking into music and dance in seemingly random and yet perfect moments.

Opera, one of her new courtiers had told her. This was called opera. She did not understand the things the figures said, the clothes they wore, or the story that was being told, even after all these months of watching, but it did not matter. She could sit and watch and be enthralled by the display on the screen.

It amazed her, still, that in a world where so many were unaware of magic, unable to touch it, they could still create such things, almost carelessly, without notion of what they did. To pull wonder from nothing, beauty from despair, agony from mere thought...

Her consort would have scoffed to call this magic. Her former consort, she amended, eyes narrowing. Unworthy of her. He—all of them, those she’d left behind—had been blind, trapped. Only she could see. This new world, the wonders it provided. All hers now. And she would not share.

She rested her hand, fingers splayed across her chest, feeling the odd flare within. She had been cold for so long, she had almost not recognized the change when it came, had not understood what it was. Had not realized how much she longed for it, she who had longed for nothing before.

Her hold on this world was slight for now, still, but it would grow. Slowly, carefully, her presence a beacon for those who would fill her court, serve her whims. And the fire within her would grow, until it warmed her entirely.

“This is connected to the internetting?” she asked, tilting her head to follow the wires that disappeared into a hole drilled in the wall and from there she knew not where.

“It is.” The human opened his mouth to say something else and then reconsidered, properly gauging her mood. He was enthralled but no fool.

Two human-creatures had come to install this internetting the first day she’d taken possession of the house. She had thought this one amusing and useful, and cast a glamour that he would return. Once he did, she had tightened her hold, binding him to her. He was old but strong, and his eyes were a pale, pale blue that made his skin seem ever paler. His graying hair and lined face should have repelled her, but this, too, in this world, instead fascinated her. Age and weakness...humans accepted them so casually, fought them so fiercely. It fascinated her as much as their creativity did.

In the old days Under the Hill, creative humans had been prized slaves, gems jealously hoarded. They were so fragile, their brilliance so brief, wasted on such short-lived, shortsighted creatures. Still, they were useful, then and now.

“You may sit,” she told the human, noticing that he was still standing by the screen, awaiting her next comment. He nodded, arranging himself on the low cushions by her feet, still tense from her reprimand. Nalith sighed. Fragile and far too sensitive. She let one hand rest on his shoulder to tell him that she was pleased with his work and there was no need to be afraid.

When she was displeased, there would be no question in the matter.

The display on the screen continued, the characters moving about the stage. Their garb was elaborate, even by her standards, their motions large, their voices exquisite. Nalith did not know the story they told but felt herself caught up in their passion to tell it, something inside her twisting and shifting as the action twisted and shifted.

The sensation of being at the whim and control of another disturbed her, even as she craved it, and a frown touched her perfect features. Why was such ability to create given to humans, this power over her moods? How dare they think to move her, to manipulate her in such a way, against her will?

She had come to this world because she thought the skill would come to her here, away from that barren hill. But even here, in this fecund place, the final spark eluded her still, and that fact kindled her irritation once again.

“My lady?”

The hesitant, piping voice came from the doorway. The slight, rough-skinned figure kowtowed from where it lingered in the doorway, attempting to gain her attention but put off by her frown. She did not even bother to glare, trusting that someone else would remove it, and went back to contemplating the screen.

A faint noise confirmed her trust as another of the creatures came by, grabbing the brownie by the elbow and hauling him off down the hallway, their bare feet scuffing on the burgundy-and-blue rug. This time, her morning time, her observation of the gifts this world had to offer, was not to be interrupted. The court knew this.

Once distracted, however, her attention could not quite return to the performance, the beauty in front of her marred by her thoughts.

Perhaps she was surrounding herself with the wrong sorts. The thought occurred to her, glistening like a diamond. She called this a court, yes, but it was still a paltry shadow of what she once commanded; how could it expect to inspire? How could she burn brightly without the proper fuel?

Nalith considered that, the faint lines of her face easing. Yes. Of course. She had called the miserable little gnomes to her first, playing on their sense of dissatisfaction, the rumble of rebellion in their bellies, but while she used them, she did not trust them—they were too similar to the courtiers she had known, miserable, conniving creatures, too eager to consider their needs rather than her own.