Amelia Atwater-Rhodes - Promises to Keep

Beyond clothes, skin had in many cases been used as a canvas. Many bloodbonds had been painted, some with elaborate masquerade-style face paint, but others with body art that complemented their attire. One glittering creature wore a dress with an open back that revealed shining painted butterfly wings.

After letting out a squeak of disappointment when the mural he had been admiring moved away to mingle with the other guests, Jay reminded himself that he needed to pay attention to the people around him and not just the minds and art.

Kendra alone had been overwhelming. Now Jay was surrounded by such powerful, brilliant minds that it was hard to even see the faces associated with them. In this kind of daze, if someone came at him with a blade, he might just smile at the way the light sparkled on it.

Where am I? He had been wandering, paying no attention, but now found himself surrounded by music and movement.

Colors blended as couples danced in a way Jay had only ever seen in movies, formal patterns responding to the arcing melodies of a string quartet. Standing among them was like standing in a surf, feeling the rhythm. He ducked out of the way when a pair nearly spun into him, and he ran into—

Static. White noise.

The mind he faced made Jay feel as though he’d been dunked in an icy lake. Dressed in immaculate black and white, the human before him was apparently one of the help, not a guest. His mind was oddly sterile, still, devoid of emotion or wanting.

“Refreshment, sir?” the servant offered, nodding to the silver tray he carried, which was heavy with glasses of champagne and some unrecognizable finger food—probably caviar, or something equally vile. Jay doubted anyone here cared about underage drinking, but the last thing he needed was alcohol … or fish eggs.

“Is there somewhere I could sit for a while?” he asked.

“Yes, sir. This way.”

The servant led, and Jay followed with a shiver. It was like walking behind a ghost, something not altogether there .

As they entered a quiet parlor, an unsettling thought nudged into his mind: maybe this man wasn’t a servant at all. After all, Kendra’s line was allied with Midnight, the heart of a lucrative slave trade. Though humankind in this country had stopped trading people more than a century before, many immortals had a different sensibility about the uses to which a life could be put.

Midnight’s trainers had employed a bevy of methods designed to strip free will and any other vestiges of a soul from those they’d claimed to own, including many of Jay’s ancestors. Witches who went to Midnight intending to kill the trainers reappeared like zombies, intent only on obeying their new masters’ commands to murder their former kin. Was the static darkness in this servant’s mind the result of that same process?

Except for the late Lord Daryl, the trainers were exclusively from one line—all immediately descended from the so-called Mistress Jeshickah herself. Jay dared to hope they didn’t share Kendra’s line’s love of art and so might not choose to attend Kendra’s soiree. Even so, the glow of his initial fascination had dimmed, putting him on edge.

Jay found sharks, lions, polar bears, and crocodiles beautiful, each in their own way, but any one of them could turn into a man-eater given the wrong circumstances, so he tended to give them a wide berth. Beauty aside, why had he now put himself in a situation where some of the creatures around him might want just his blood, but some of them might actually want his soul ?

JAY WAS FOOLISH and impulsive at times, but even he wouldn’t have come into this crowd alone as a hunter. He also wouldn’t have come just to see Sarah—he could see his cousin easily enough in a safer environment. But he might never have another chance to see this , the awesome whirl that was thousands of years of artistic talent.

Now that he had tasted the rotten pit in the center of this sweet fruit, however, he needed to move on, before he stumbled across something he couldn’t stand to ignore.

He was on his way to the door when his plan was hijacked by a set of paintings.

According to the plaques that accompanied the series, the woman depicted was the Norse goddess Freyja, “a lover, a mother, a witch, and a warrior,” who rode at the front of the Valkyries as they collected the souls of the bravest fighters.

Momentarily alone in the room, Jay took in the dramatic, sweeping paintings, some depicting scenes of battle and others explicit enough to make him blush. His drive to leave eroded. He had never known that oil on canvas could be so powerful. As he stared at a depiction of Freyja near her slain husband, it took him several moments to realize that the sorrow he was feeling wasn’t coming from paint.

He turned to discover that a woman now occupied the couch he had abandoned. Her elaborate gown was rumpled and stained with paint. Her feet were tucked up next to her, and she laid her head on the armrest. Jay could see bare toes peeking out from her torn skirt hem.

“Are you all right?” he asked, kneeling down to retrieve an ivory hair comb that had fallen next to her. Like the gown and the dark ringlets falling around her shoulders, the comb was streaked with dried paint.

“I’m fine,” she lied. She took the comb from him but made no move to place it back in her hair. “I thought no one was in here.”

“I was admiring the paintings,” he said, “but I’ll leave if …” He trailed off; his reference to the paintings had triggered a trickle of something other than bone-deep sorrow. “Are these yours?” he asked.

She nodded, and the pinprick of light inside her flared briefly.

“They’re …” He wanted to bring that light back, but he didn’t have the words he needed to express the way the art around him made him feel.

“They’re trash,” she interrupted, the spark snuffed. She stood and brushed past him to critically examine her own work. “Tripe hung to please Kendra, or Kaleo, but certainly not me.” She lifted a hand to touch the face of Freyja’s dead husband before snapping, “Go. Go away.”

At a loss, Jay obeyed, though guilt nagged at him for walking away when she so obviously needed somebody . If he had known how to comfort her, he would have.

The adjacent room was occupied by a small but rowdy group engaged in an intense debate. There were no servant-slaves among them, though someone had left two plates of appetizers on what was probably a priceless antique table.

Jay leaned against the wall, taking a moment to soak up the friendly atmosphere. This group’s energy and enthusiasm felt cleansing after the artist’s melancholy.

“I’m only saying,” a human man protested as he leaned over the table to swipe a snack from the tray, “that working with Rikai is like working with some kind of venomous animal. She’s perfectly lovely right until she tries to eat me. I know you two are close, but I must express concern on behalf of your actors —myself included.”

“Concern noted,” the vampire in the middle of the group answered.

Rikai! Jay tuned into the conversation with interest when he heard the name. Rikai was a Triste, a creature who had studied and trained beneath another of her kind and had gained a vampire’s near-immortality and a witch’s ability to manipulate raw power. She was supposed to be an expert in the study of power of all kinds but was also said to be vicious in her quest for knowledge, willing to exploit anyone who gave her opportunity—except, perhaps, the two others in her elite group.

Given the context, the vampire discussing Rikai had to be Xeke. They were both part of a group called the Wild Cards, a trio of artists whose irreverent works ranged from mildly irritating to frighteningly infuriating. Their third compatriot had once been a witch, like Jay, but had broken those ties long before his birth. Now she was a writer, telling the stories no one wanted her to share. Xeke was supposed to be the most cautious and polite of the three, the one who maintained the greatest number of political and social ties. Jay had never met him but had followed his exploits from a distance.