Victoria Schwab - The Unbound

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The Unbound: краткое содержание, описание и аннотация

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Imagine a place where the dead rest on shelves like books. Each body has a story to tell, a life seen in pictures that only Librarians can read. The dead are called Histories, and the vast realm in which they rest is the Archive. Last summer, Mackenzie Bishop, a Keeper tasked with stopping violent Histories from escaping the Archive, almost lost her life to one. Now, as she starts her junior year at Hyde School, she's struggling to get her life back. But moving on isn't easy -- not when her dreams are haunted by what happened. She knows the past is past, knows it cannot hurt her, but it feels so real, and when her nightmares begin to creep into her waking hours, she starts to wonder if she's really safe.
Meanwhile, people are vanishing without a trace, and the only thing they seem to have in common is Mackenzie. She's sure the Archive knows more than they are letting on, but before she can prove it, she becomes the prime suspect. And unless Mac can track down the real culprit, she'll lose everything, not only her role as Keeper, but her memories, and even her life. Can Mackenzie untangle the mystery before she herself unravels?
With stunning prose and a captivating mixture of action, romance, and horror, The Unbound delves into a richly imagined world where no choice is easy and love and loss feel like two sides of the same coin.

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But there is no sign of Owen. Not yet. Even with the whole school here and everyone decked out with crazy hair and strange eyes, I know I’ll spot him at a glance.

The party starts at seven. The show’s at eight.

What is he planning? A cold shiver of dread travels down my spine. What if the gamble’s too great? What if I’m making a horrible mistake?

Amber and Gavin link arms and head for the nearest food stand, and Safia grabs Wesley’s sleeve and demands a dance.

“It’s tradition,” she says. “You always dance with me.”

Wesley hesitates, clearly not wanting to leave my side. And if I’m being honest, I don’t want him to leave, either. I’m struck by the sudden fear that if he does, I won’t have a chance to… To what? Say good-bye? I won’t say that anyway.

“Go on, you two,” says Cash. “Mac and I will get along fine.”

Safia pulls Wesley into the throng, and Cash holds out his hand. “May I?”

I accept, and my head fills with his jazz and laughter and all of his thoughts, and as we dance I do my best to let them be like music instead of words and listen only to the melody. Cash is full enough of life and energy that, as we spin and twirl and smile and sing along, I almost forget. Even hearing his voice and his music and his life in my head for one whole song, I almost forget. That is the beauty of Cash. Another me in another life would have fallen for this pretty boy who looks at me and only sees a pretty girl and helps me pretend for one song that anything could be that simple.

But even if I believed in Owen’s dream of a life without secrets and lies, Cash is not the boy I’d share it with.

Soon the song trails off and a slower one picks up. A senior girl appears at Cash’s shoulder and asks for a dance. Wesley appears at my side at the same time.

“Dance with me,” he says. And before I can say anything, he wraps his arm around my waist and fills my head with his sadness and his fear and—threaded through it all—his ever present hope. I rest my ear against his shoulder and listen to his heart, his noise, his life. Every moment of it hurts, but I don’t let go or push away.

And then, near the end of the song, I see Owen hovering at the edge of the dance floor. His eyes meet mine. My pulse quickens, and I tighten my grip on Wes, gathering up the strength to pull away. I can do this. Whatever I have to do to put an end to this—to Owen—I will do it. I have to. I let him out. I’ll return him. I’ll lay him at the Archive’s feet and earn my life back with his body.

Owen turns and makes his way to the shadow beside the clock tower. The song ends, but Wesley doesn’t let go, and I look up into his dark-rimmed eyes.

“What is it?” he asks.

“You’re worth it,” I tell him.

His brow crinkles. “What do you mean?”

I smile. “Nothing,” I say gently. “I’m going to get a drink. Save me another dance, okay?”

My fingers begin to slide through his. He hesitates and starts to tighten his grip, but Amber grabs his other hand and pulls him toward her. “Where’s my dance, Ayers?” she asks. Our hands fall apart. The music starts up again and I vanish into the crowd, forcing myself not to look back.

Eric’s back is turned and Mr. Bradshaw is trying to strike up a conversation with Sako as I slip away into the dark. Owen is humming ( you are my sunshine, my only sunshine… ), and I follow the sound of it into the shadows of the clock tower, where I find him leaning against the brick side, turning his knife over between his fingers.

“Hyde School always knew how to throw a party,” he says, eyes lost in the glittering lights.

“Will you tell me now what’s going to happen here? When do we steal the page?”

“That’s the thing,” says Owen, putting away his knife. “ We don’t.”

I stiffen. “I don’t understand.”

“There’s a reason this plan requires two people, Mackenzie. One of them distracts the Archive while the other steals the page.”

“You want me to create the diversion?”

“No,” says Owen, “I want you to be the diversion.”

“What do you mean?”

“You’re already on thin ice with the Archive, right? Well, if they’re busy dragging you to your alteration, they’re less likely to notice me .”

“Why would they be doing that?” I ask slowly.

“Because you’re not going to give them a choice. You’re going to make a scene. The Archive hates scenes. I’ve already staged it for you.” He toes the grass, and even in the dark I can see wires. Fuses.

“I said I didn’t want anyone to get hurt.”

“You have to play your part, Mackenzie. Besides, they’re only fireworks. I told you, something short and bright. Flash and show. Once you’ve lit the match—a literal one this time—all you have to do is be ready to run. I’ll take care of the hard part.”

“What hard part?”

“All eyes are on you,” he continues. “Waiting for you to mess up or make a move. So that’s what you’re going to do. And then you’re going to run, and Crew will chase you. And when they catch you—and they will—you’re going to fight back , with everything you have, to the very end.”

My mind spins. This isn’t how it’s supposed to go. We are supposed to go into the Archive together. I am supposed to return him. How am I supposed to do that if I’m being executed?

“You don’t want a diversion, Owen. You want a sacrifice.”

“Don’t be dramatic.”

“I am not a martyr,” I snap.

“I won’t let them erase you.”

“Oh, well, if you won’t let them…” I say sarcastically.

“I’ll save you,” he insists. “Trust me.”

I scoff. “You want me to put my life in your hands.”

In an instant, Owen has me back against the brick wall. “Your life has been in my hands since the moment I stepped out of that void,” he growls.

A sickening realization dawns on me. He’s already set the scene. He doesn’t need my consent to make me a diversion. But the only way he’ll come for me is if he thinks I’m worth saving.

But the ledger is on the desk at the very front of the Archive. What’s to stop him from walking in and taking it and leaving without me?

“I won’t,” he says, reading the thoughts through my skin. “I will not leave you behind. I still need you. We are the bringers of change, Mackenzie. But I need you to be the voice of it.”

His hands fall away. He turns toward the festival, and the lights cast shadows across his pale skin. “Change is coming,” he says quietly. “Either the Archive will evolve or it will fall.”

And watching him in that unsteady light, it hits me.

It’s all a lie. His promise of an Archive without secrets, his dream of a world exposed—Owen doesn’t expect the Archive to survive this. He doesn’t want it to. He wants the same thing he’s always wanted: to tear it down. And he thinks he’s found a way to do that—by letting this world do the work.

He doesn’t want change.

He wants ruin.

And I will do whatever it takes to keep him from it.

My mind is spinning, but I cannot afford to let him see my panic. I take a short, steadying breath. “You should have told me sooner,” I say. “For someone who scorns secrets, you sure keep a lot of them.”

He frowns. “I didn’t want you to overthink it,” he says. “But our fates are bound in this. If you fail, I fail; and if I fail, you fail. We are like partners.”

We are nothing like partners, I think, but all I say is, “Don’t you dare leave me there, Owen.”

He smiles. “I won’t.”

And then he crouches and lifts the end of the fuse from the grass. A lighter appears in his other hand. He looks up at the clock tower beside us. Five minutes till eight p.m.

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