Marie Rutkoski - The Winner's Curse

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Winning what you want may cost you everything you love As a general’s daughter in a vast empire that revels in war and enslaves those it conquers, seventeen-year-old Kestrel has two choices: she can join the military or get married. But Kestrel has other intentions.
One day, she is startled to find a kindred spirit in a young slave up for auction. Arin’s eyes seem to defy everything and everyone. Following her instinct, Kestrel buys him—with unexpected consequences. It’s not long before she has to hide her growing love for Arin.
But he, too, has a secret, and Kestrel quickly learns that the price she paid for a fellow human is much higher than she ever could have imagined.
Set in a richly imagined new world,
by Marie Rutkoski is a story of deadly games where everything is at stake, and the gamble is whether you will keep your head or lose your heart.

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She looked at him.

Defensively, he said, “I only put him to work in the forge because he was suited to it.”

She faced the door. When she opened it, she’d see nothing but trees. There was no view from this part of the house that could unsettle her. “You made the right choice,” she said. “Do with him as you see fit.”

Kestrel stepped outside, her escort wordlessly following.

She didn’t stop by the cottage after all. She walked straight to the stables. The old Herrani groom was there, as always. There was no one else. Kestrel went to stroke the nose of her horse, a big-boned animal bred for war and chosen for her by the general.

When she heard footsteps behind her, the sound of someone new entering the stables, she turned. Two soldiers walked up to the groom and ordered that their horses be saddled. Kestrel looked beyond them and saw the Herrani slave Harman had selected as her escort waiting patiently by the door.

She had no wish to waste time finding out if he could ride. She wanted to leave now. When they reached Jess’s house she would send him to the kitchens so she wouldn’t have to see him until the return home.

“Ready my carriage first,” she told the groom, giving the soldiers a look that dared them to argue. They didn’t, but were visibly irritated. She didn’t care. She had to leave, the sooner the better.

* * *

“This one?”

Kestrel looked up from where she sat on a low divan strewn with dresses.

“Kestrel,” said Jess, “pay attention.”

Kestrel blinked. A black-haired girl, Jess’s slave, was tying a sash around her mistress’s waist, drawing in the flowery skirts so that they belled at the hips. Kestrel said to Jess, “Didn’t you already try on that dress?”

“No.” Jess snatched the sash out of the slave’s hands and threw it onto the silken pile next to Kestrel. “You hate it, don’t you?”

“No,” said Kestrel, but Jess was already struggling out of the dress while her slave anxiously tried to undo its buttons before they popped. Pink skirts landed on Kestrel’s lap.

“What are you going to wear?” Jess stood there in her slip. “Lady Faris’s picnic is the event of the summer season. You can’t look less than stunning.”

“That will pose no problem for Kestrel,” said a trim, stylishly dressed man lounging against the jamb of the door he had opened without their hearing. Jess’s brother smiled at Kestrel.

Kestrel smiled back at Ronan, but in a crooked way that showed that she knew his exaggerated brand of flirtation was all the rage among young Valorian men these days and not to be taken seriously. She also knew that this—this dress-up session, Ronan’s safe compliments—was what she had come for, in the hopes her mind would become too cluttered to think for itself.

He crossed the room, pushed dresses off the divan and onto the floor, and sat next to Kestrel. The black-haired slave, looking besieged, bent to collect the delicate fabrics.

Kestrel felt a sudden impulse to say something sharp, but wasn’t sure to whom. Then the strains of music drifting in from the corridor saved her from embarrassing everyone in the room, including herself.

“The Senest nocturne,” she said, recognizing the piece.

Ronan tilted his blond head against the ornately carved wood that edged the divan. He slunk against its soft back, stretching out his booted legs, and gazed up at Kestrel. “I told Olen to play,” he said, referring to their Herrani musician. “I know it’s one of your favorites.”

Kestrel listened. The notes were careful, but oddly paced. She tensed at the arrival of a tricky passage and wasn’t surprised to hear it flubbed.

“I could play,” she offered.

Brother and sister exchanged a look. “Another time,” Ronan said. “Our parents are home.”

“They won’t notice.”

“You’re too talented.” He rested a hand on hers. “They will.”

Kestrel slipped her hand away. Unbothered, Ronan reached for a stray ribbon between them and toyed with the strip of fabric, weaving it around his pale fingers. “So,” he said, “what’s this I hear about your extravagant purchase at the auction? Everyone’s talking about it.”

“Or they were,” said Jess, “until a duel between the Trenex cousins.”

“To the death?” said Kestrel. Duels had been banned by the emperor, but they were too entrenched a custom to be easily rooted out. They were usually overlooked by the authorities so long as there was no loss of life, and even then the only punishment was a levied fine.

“No,” said Jess excitedly, “but blood was drawn.”

“Tell me everything.”

Jess inhaled, ready to spill her gossip, but Ronan raised one ribboned finger and pointed it at Kestrel. “You,” he said, “are changing the subject. Go on. Explain the mystery that cost you fifty keystones.”

“There is no mystery.” She decided to give a sensible reason that had nothing to do with why she had bought him.

And why had she?

Pity, perhaps. That strange sense of affinity.

Or had it been nothing more than simple, shameful possession?

“The slave is a blacksmith,” Kestrel said. “My father keeps a personal guard. We needed someone to maintain weapons.”

“That’s what the auctioneer advertised,” Jess said, stepping into another dress. “The slave was a perfect fit for Kestrel’s household.”

Ronan raised his brows. “To the tune of fifty keystones?”

“What do I care?” Kestrel wanted to end this conversation. “I am wealthy enough.” She touched Ronan’s sleeve. “And how much”—she rubbed the silk between her fingers—“did this cost?”

Ronan, whose deftly embroidered shirt was easily the same price the slave had been, allowed that a point had been made.

“He will last longer than this shirt.” Kestrel let go of the cloth. “I’d say I got a bargain.”

“True enough,” said Ronan, looking disappointed, though whether because she had pulled away or because her mystery had turned out to be not so mysterious, Kestrel couldn’t say. She preferred the latter. She wanted to forget the slave, and for everyone else to do the same.

“Speaking of clothes,” said Jess, “we still haven’t settled on what I am to wear.”

“What about this?” Kestrel stood, glad for an excuse to leave the divan, and crossed the dressing room to lift out a dress whose sleeve peeked from an open wardrobe. She held it, gazing at the extremely light shade of lilac. She ran a hand under the sleeve and let it fall, admiring its shimmer. It was silvery. “The fabric is lovely.”

“Kestrel, are you mad?” Jess’s eyes were wide. Ronan laughed, and Kestrel realized it was because he thought she had made a joke.

“I don’t know why I even own that dress,” Jess said. “The color is so unfashionable. Why, it’s practically gray!”

Kestrel shot Jess a startled look, but didn’t see her friend’s face. She saw only the memory of the slave’s bitter, beautiful eyes.

6

The slave pulled a strip of red-hot metal from the fire and laid it on the anvil’s face. Still gripping the metal with tongs, he used a hammer to beat it flat and even. Quickly, before it could cool, he set the strip against the horn of the anvil and rang at it until half of it curved. He reminded himself that he needed to bend, too. He needed to take the shape that was expected of him here at the general’s house or he would never achieve what he wanted.

When he was finished, he packed the shoes into a wooden crate. He considered the last one, running a finger along the line of holes where nails would be driven into a horse’s hoof. The horseshoe was, in its own way, perfect. Resilient.

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