Lisa Jones - Being Me

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Being Me: краткое содержание, описание и аннотация

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The sexy second installment in the Inside Out erotic romance trilogy, following
—in the seductive tradition of
. Fascinated by the dark fantasies in the journals she’s discovered, and the two men who have now found a place in her life, Sara McMillan finds herself torn between her new life and her past. Now, more than ever, Sara identifies with the lost journal writer, Rebecca, and is certain that something sinister has happened.
In the arms of the sexy, tormented artist Chris Merit, Sara seeks answers about Rebecca and ends up discovering things about herself she never knew existed. Chris forces Sara to reconsider who she is and what she truly wants from life, but not before his dark desires threaten to tear them apart. Her boss, Mark Compton, offers her the shelter to understand just what those needs mean to her, and what they might have meant to Rebecca, but can she trust him to lead her to a final conclusion to Rebecca’s story?

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His words hit me hard. I am still raw from him shutting me out of the funeral and his life. Suddenly, I realize this ache inside me isn’t so much about Rebecca as it is about the realization that Chris is still keeping me at an emotional distance, never really letting me inside his life. I am here with him but I am never fully present the way I want to be.

I try to move past him. He blocks me. “Let me pass, Chris.”

“Sara—”

“I need to think, Chris. I need space.” And I do. I don’t understand what I feel, but it hurts. I hurt and I’ve hurt for weeks on end. I’m tired of feeling this way.

He hesitates and then backs into the bedroom. I walk past him and snatch up my purse. “Where are you going?” he demands.

“I told you: I need some space.”

“No. You need to stay here and we’ll talk this out.”

“I can only assume you’ve told me everything there is to say now. Unless there’s more I don’t know?”

He visibly flinches. “No. There’s nothing else. That’s it.”

“Then we’re done talking. I need to take a drive and think.”

“I didn’t want you to know about the club, Sara. Right or wrong, that’s my honest answer,” he pleads.

“I know. The problem is that everything you tell me is because you’re forced to tell me—not because you choose to tell me. You never fully trust me.”

“That’s not true.” He runs a rough hand through his hair and he looks as tormented as I feel. “It’s not true.”

“It’s how I feel. It’s what I feel right now.” He’s been all about secrets from day one, and I chose to ignore the danger they might present. I chose to look the other way because I’m so damn in love with him. I walk toward the door and he steps in front of me. “Stay.”

“Keeping me here right now is the worst thing you can do, Chris. It’ll make me feel trapped. I’ve felt that way too much in my life. Don’t do that to me.”

He steps aside.

I start walking, part of me wanting him to stop me, even though I’ll be furious if he does. And part of me thinks his not stopping me is so out of character that it scares me. He let me go before, after I found him begging for a beating. No, that’s not right. He’d downright pushed me away. I haven’t fully healed from that and right now, I’m afraid of what I don’t know and how it will tear us apart, like the club discovery almost had. I’m afraid it’s going to happen again. I can’t help it. I need him to fight for me now, no matter how wrong of me that might be.

He can’t win by letting me go or keeping me here—and neither can I. Maybe we never could win together. We were destined to shred each other inside and out. Destined to end up right here, where we are tonight.

At the front of the building, I order my car brought up to me. Once I’m inside it I sit behind the wheel, unsure of where to go. I want to be with Chris, but the secrets he keeps, on top of the rawness of his withdrawal this past week, eats away at me.

He didn’t trust me to go through the loss of Dylan with him. He didn’t trust me to tell me about Rebecca. No, about the club. He hid that from me for as long as he possibly could. What else is he hiding and unwilling to share because he still thinks I can’t handle it? I’ve poured my heart out to this man, and now I’ve given up my job for him. I had put all fear aside and gambled on us. When will he fully gamble on us? Will he ever?

My phone rings and it’s Chris. I decline the call. The doorman knocks on my window and I jump. He mouths, “Are you okay?” and I wave and pull onto the road. I don’t know where I’m going; I just drive.

* * *

An hour later, I end up at Mark’s white mansion in the same Cow Hollow neighborhood as his club. I have no idea why I am here. Honestly, I have nowhere else to go. And Mark really is my one real connection to both Chris and Rebecca, who have both become a huge part of my life. Both of whom I now feel like I am losing.

Besides, Mark is all about facts, not the emotions I am letting control me right now. Just hearing him tell the same story Chris has told me about Rebecca might give me new perspective about why Chris’s silence on the subject bothers me so much.

I grab my purse and shove open the door. Motion detectors flicker to life and doors identical to the ones at the club become visible, sending a frisson of unease through me. I press past it and ring the bell. I shiver, telling myself it’s because I’ve hastily forgotten a jacket, not because of my location. It doesn’t work. Nerves flutter through me and the frisson becomes full-blown doubt. I’m about to make a mad dash for the car when the door opens and Mark appears, looking like a Mark I’ve never seen. He’s barefooted and his normal, finely groomed blond hair is rumpled. The perfectly fitted suit I’ve become accustomed to him wearing has been replaced by a white T-shirt and faded jeans.

His gaze sweeps my jeans and T-shirt, clearly finding my attire as striking as I do his. One blond brow lifts. “Ms. McMillan. What a surprise.”

“Isn’t it?” I ask, sounding as awkward as I feel. “Am I interrupting anything?”

“Nothing that can’t wait.”

He motions me forward and I hesitate, remembering the room called the Lion’s Den at the club, and that caged feeling I’d had in the demo unit. But I want answers. I need answers. I draw a breath and step onto the pale ivory hardwood floor and into a narrow hallway, too close to Mark for comfort.

“Is everything okay?” he asks.

“Yes. No. I just need to ask you a few questions about . . . Chris.”

His eyes narrow. “Chris?

“And Rebecca.”

“And Rebecca,” he repeats, and I catch a flash of consternation in his gaze that quickly fades. “I’m not sure how they connect but I’m intrigued enough to see where this is going.” His chin lifts to urge me forward. I just stand there, frozen in place, his gray eyes sharp as he watches me. Oh yes, I feel like I am in the lion’s den and want out. “Staying or going, Ms. McMillan?”

Answers, Sara. You want answers . “Staying. I’m staying.” My feet move. That’s progress. One step into the den is closer to one step out.

The massive living room I bring into focus a few feet down the hallway is exactly what I expect of Mark. Rich, rich, and rich in every way. An obviously expensive chocolate brown leather couch is framed by two oversized matching chairs. A fireplace is to the left, and above it a painting I recognize as a Motif. Two sculptures are to either side of the fireplace, and I have no doubt they were done by famous artists, though I am not knowledgeable enough to be certain.

Mark steps to my side, intimidatingly tall and close. “Let’s sit.”

I walk forward and choose the solitariness the overstuffed chairs allows me and perch on the edge of one, setting my purse beside me. Mark sits on the arm of the couch facing me, automatically assuming the position of dominance.

My throat is ridiculously parched and my pulse starts thrumming wildly, afraid of what may be another Pandora’s box.

“Yes, Ms. McMillan?” he asks when I’ve apparently let too much time pass.

A heavy breath escapes my lungs. “I need to know what caused you and Chris to come to bad terms.”

He considers me a moment. “What did he tell you?”

“I’d rather hear it from you.”

“Why is this important?” His voice is crisp.

“It just is.”

“That’s not a good enough answer.”

Of course not. That would be too simple. “Was it over Rebecca?”

“Is this about the police investigation?”

“No, it’s not that. I . . .” I almost tell him about the storage unit but think better of it. “She’s just become very personal to me and I came across some of Rebecca’s items, and there were keepsakes from a charity event that she and Chris—”

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