Robert Rankin - Nostradamus Ate My Hamster

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Robert wants to be a star in the movies. Using his computer he has invented a system that could put the old stars back on the screen, alongside him. He has the script and the money, but Hollywood isn't keen. Could the perfect partnership lie with Ernest Fudgepacker of Fudgepacker's Emporium?

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Me?”

Bobby Boy made the face that says, “Go along with this, I’ll explain everything later,” without actually saying it.

“Oh,” said Russell. “ That invention.”

That invention, yes. And how we discussed its applications and who we should get to direct this movie that is going to be the biggest blockbusting movie ever made. Apart from the sequel, of course. And how you suggested Mr Fudgepacker as the director.”

“Oh,” said Russell. And it was a low “Oh,” a kind of low groaning kind of an “Oh”. He hadn’t suggested any such thing. Although he did recall going on at Bobby Boy about how he wanted to help out Mr Fudgepacker.

“So we’re all celebrating.”

“Yes,” said Russell. “So you are.”

“And I really want to thank you,” said the blonde beauty behind the bar.

You do?” Russell tried to focus his eyes upon her and succeeded with next to no effort at all.

“Giving me a lead role, I’ve always wanted to be in the movies.”

Russell glanced towards Bobby Boy, who raised his eyebrows and his glass. “Cheers,” said Bobby Boy.

“Do you want some champagne, Russell?” asked the barmaid.

“No,” said Russell. “Just a Perrier water. And a sandwich.”

“Coming right up.” The beautiful barmaid gave Russell such a smile that he began to tingle all over. Most pleasantly.

Bobby Boy stuck his tricky little mouth close by Russell’s ear. “Don’t thank me now,” he said.

“So,” smiled Frank, giving Russell a pat on the back. “Prop man, brilliant.”

“Prop man?” Russell asked.

“Thank you very much,” said Frank. “Making me a prop man again. It will be just like the old days at Pinewood. These holograms of yours, do they smoke? Because I’d really like to light Marilyn Monroe’s cigarette.”

“I’m sure that could be arranged.”

“You’re a gent,” said Morgan, patting Russell on the parts that Frank wasn’t patting. The “back” parts, nothing more personal. “Promotion.”

“Promotion?”

“Well, I’m in charge of the Emporium now, manager. Now Frank’s going to be the prop man for the movie.”

“Oh, yes, right.”

“Perrier and sandwiches, Russell.” Julie placed a glass in Russell’s hand and pushed a splendid plate of sandwiches towards him. “If there’s anything else you want, all you have to do is whistle. Whistle, eh? Like thingy in that film.”

To Have and Have Not,” said Frank. “Lauren Bacall, I hailed a cab for her once.”

“Sure you didn’t drive it?” asked old Ernest. “You talk like a bleeding cabbie.”

Russell sipped at his Perrier water. “Hang about,” he said suddenly. “Mr Fudgepacker is directing, Morgan is running the company, Frank is prop man, Bobby Boy is –”

“Starring,” said Bobby Boy. “What else?”

“What else, right. So what am I doing in all this?”

“You’re producing,” said Bobby Boy. “You’re the producer.”

“Oh,” said Russell. “The producer. That’s really important, isn’t it?”

“About as important as it can be.”

“Apart from the director,” said Ernest. “But then the director could never direct if the producer didn’t produce.”

“Well,” said Russell. “That is pretty good and important, isn’t it?”

“You’re right,” said Ernest. “You’re so right. You genius.”

Glasses were raised once more and another verse of “For He’s a Jolly Good Fellow” was sung. It was the same verse as the first verse. As “For He’s a Jolly Good Fellow” only has the one verse. And the chorus, of course, which is “And so say all of us”.

“Thank you,” said Russell. “Thank you all very much.”

“No, thank you ,” said the “all of us”.

“Er, Bobby Boy?” said Russell, sipping Perrier and munching on a sandwich that contained fresh ham. “What exactly does a producer do?”

“He raises the money to make the picture.”

“Oh,” said Russell. “That’s what he does.”

“That’s what he does.”

“And how does he do that ? Exactly ?”

“He finds backers to invest in the picture. Sort of buy shares. They get a percentage of the take afterwards. Should be an absolute piece of cake, considering what we have to offer. What about last night, eh? You and Elvis, eh? What a duet.”

“Oh yes, I’d forgotten about Elvis.”

“So that’s what you do. You’re a hero, Russell.” Bobby Boy now spoke in a confidential tone, which is to say, a whisper. “I’ve let you take all the credit. Well, I couldn’t tell them the truth, could I? They’d never have believed it, but this way it will work, I showed Ernest the videos and he went for it. It’ll save his company and everyone’s jobs. And we’ll get rich in the process. You are a hero.”

“A hero.” Russell grinned. “Thanks a lot. A hero, well. My goodness.”

“There you go,” said Bobby Boy. “You deserve it, you’ve got it.”

“Thanks a big lot.”

“No problem.”

“Right. Here, Bobby Boy. One thing. As producer it is all my responsibility, right? I mean the movie can’t be made unless I get the money, right?”

“Right.”

“So how much money do I need to raise?”

Bobby Boy stroked his long thin chin. “About forty million pounds should cover it,” he said.

The crowd sort of parted as Russell fell down. But they gathered about him and they looked all concerned. They looked very concerned, after all, he was the producer.

“Are you all right, Russell?” they went. “Speak to us, are you all right?”

11

Money Makes The World Go Around. Take 2

Russell’s bank manager eyed him through the long-distance section of his bi-focals. “Forty million pounds, you say?” said he.

“Give or take,” said Russell. “We haven’t worked out all the details yet.”

“I see.” The bank manager took up a sheet of paper, which is called in the trade, a “statement”, and ran his eyes up and down it. “You have one thousand one hundred and one pounds and one penny in your account,” said he. “Quite a memorable sort of sum really.”

“My life savings,” said Russell. “To buy my mum a stair lift. I’ve almost enough.”

“And according to the records, you’ve never had an overdraft.”

“I wouldn’t dream of such a thing.”

“Dream of such a thing, no, I suppose you wouldn’t.”

“Not me,” said Russell.

“Not you, no. But …” The bank manager made “ahem” noises. “You wish me to advance you a loan of forty million pounds?”

“We’ve tried elsewhere. My associate, Bobby Boy, called Hollywood. He tried to speak to Mr Spielberg. But Mr Spielberg didn’t phone back. And Walt Disney’s dead, apparently. Although ‘Walt Disney’ continues to produce films. I don’t quite understand that.”

“I don’t think you quite understand about finance at all, do you?”

“Not a lot,” said Russell. “But you have seen the videos. You can surely see the potential.”

“Ah, the videos, yes. The ones with you beating Arnold Schwarzenegger at the arm wrestling contest.”

“That was a good one, wasn’t it?”

“Very inspired, yes. You seemed a bit –”

“Drunk,” said Russell. “Yes I was drunk, I admit it. But you’d have been drunk, if you’d been there, realized the potential and everything.”

“I don’t drink,” said the bank manager. “I am Plymouth Brethren. We do not drink. Neither do we loan out forty million pounds to drunkards.”

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