Robert Rankin - The Hollow Chocolate Bunnies of the Apocalypse

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The time is now, the place is just around the corner from reality and Magic is the new Rock 'n' Roll: 21st century high-tech designer magic. It's finely tuned, personalised and very exclusive. It will cost you an arm and a leg and possibly even your soul, but it's real and it works. Robert Rankin is Britain's second most popular writer of humorous fantasy after Terry Pratchett; BIG MAGIC is the first in a trilogy written in his unique and very funny style.

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'Oh, I don't think so. He's no longer interested in this planet. The universe really is a big construction kit, given to him as a birthday present by his father. But you know what kids are. Once they've done a jigsaw or completed some puzzle or other, they're no longer interested in it. God gave mankind free will, they say. God does not interfere in the affairs of man, they say. It's because he's not interested. He's done this planet. He's moved on. Perhaps one day he will put the entire kit back in its box, but probably not. You know kids, do they ever put anything back in its box?'

'So you'll rule here?' Jack's hopelessness was now all-consuming, and the terrible emptiness he felt, with Eddie dead, left him without much in the way of a will to live — although he would have dearly loved to have wrung the life from the toymaker's evil twin. 'You'll rule this planet and no one can stop you?'

'I don't see anyone, do you?'

Jack might have shaken his head, but with the hand so tightly fixed about his throat, he was unable to do so. 'And so can you be killed?’ Jack managed to say.

Mr Sredna laughed once more. 'Of course I can be killed; I'm not immortal. I'm very much like the nursery rhyme folk in that respect; old-time craftsmanship, you see, built to last. I mean, look at me, Jack. Not bad for a man of six thousand, am I? That Adam and Eve who seeded the garden in the outer world didn't last too long. Things really are different in this world. We still have the magic. So, yes Jack. I can be killed, but not by you. You left the gun back in the chocolate factory after you shot the wrong head. There are no more twists in the tale left for you.'

And the fingers closed about Jack's throat.

And that, for all it seemed to be, was sadly that for Jack.

31

It is a fact, well known to those who know it well, that, at the moment of death, your entire life flashes right before your eyes.

In fact, this fact is known to almost everyone. Although why this should actually be is something of a mystery.

Because, let's face it, who has actually verified this fact?

Has anyone ever really come back from the dead to tell it like it is?

No, they haven't.

'Oh yes they have!' cry those who lack for a life and a girlfriend. 'Otherwise how would we know this fact?'

But, 'Oh no they haven't,' reply the knowers. 'No one has ever come back from the dead.'

Being dead is being dead. Being brought back from the dead means that you weren't really dead at all; you were only in a dead-like state. You just can't bring people back from the dead.

You can't. You really can't.

Now Jack might have taken issue with this, because as Mr Sredna squeezed him to death, Jack's life did flash right before his eyes. Very fast, but in very great detail.

Jack saw every bit of it: himself being born, and growing up in that small industrial town. And he saw himself indentured as an apprentice into the clockwork factory there and hating every minute of it. And he saw himself meeting with Jon Kelly. And then being involved in the terrible car crash. And then his lonely wanderings and the cannibal farmer and Toy City and Eddie.

And Jack realised that Eddie really had been the bestest friend that he'd ever had. And then things became a bit metaphysical and Jack felt himself moving towards other places, places of after-existence — perhaps to the realms where young God was still putting bits of his construction kit together, creating new worlds, worlds that, Jack hoped, would be a great deal better than this one.

All these things flashed right before Jack's eyes. In seconds.

And then Jack's eyes couldn't see anything any more -anything, that is, but the colour red, which, as those who know the facts well know, and the rest of us know too, is the colour of blood.

Jack was suddenly covered in blood.

Jack gasped and gagged and wiped his eyes and blurry vision returned.

And somebody stood over Jack.

And that somebody wasn't Mr Sredna.

Out of the redness Jack returned, at a jolt, and a hurry-up too. He felt water upon his face. He opened his eyes and he stared.

'Jill,' said Jack. 'Jill, it's you.'

'It's me,' said Jill. 'And you owe me money. I told you I charge double for virgins. And there's the other money, there's...'

'Eddie.’ Jack struggled back to his feet. 'Is he?'

'Sorry,' said Jill.

'No, he can't be. If I'm not, he can't be.'

'Don't think about him. I saved you, Jack. I've been following you since you got arrested. I want my money.'

'You followed me for the money? You did that?' Jack looked down at the body of Mr Sredna. Mr Sredna was well and truly dead this time. His body lacked for a head and his chest was full of holes. Jack looked at Jill.

'Well, I had to be sure,' said Jill. 'You screwed it up when you did it.'

Jack shook his head. 'And you did this all because I owe you money?'

'Well, perhaps not entirely for the money.'Jill turned her eyes down from Jack's gaze. 'There's something about you. I don't know what it is. But it makes you special.'

'Thank you.' Jack crossed the workroom, being careful as he did so not to step upon any shreddings of Eddie. Jack stooped and untied the kindly loveable white-haired old toymaker. 'Are you all right, sir?’ Jack asked as he helped the ancient into the comfy chair.

'Somewhat shaken,' said the toymaker. 'This has all been a terrible shock. I had tried my best to forget about my brother. Forget that he'd even existed. I'm a very foolish old man.'

Jack patted the toymaker on the shoulder and looked up at Jill.

'I'm sorry I didn't get here in time to save your little friend,' she said. 'When I saw what was happening, I acted as fast as I could.'

'I know,' said Jack.

'You know?’

'I saw you,' Jack said. 'I saw you creeping in through the window, which was why I asked him whether he could be killed. I thought the information might come in handy for you. I saw you had the gun from his office.'

'Smart boy,' said Jill.

'Yes,' said Jack in a toneless tone. 'Very smart. But too late for Eddie.'

'You really loved that bear, didn't you?'

Tears were once more in Jack's eyes. And he made no attempt to hide them. 'I'm not ashamed to say it, Jill. He really was my bestest friend.'

'Perhaps,' said the toymaker, 'I could make you another bear.'

'Thanks,' said Jack. 'But it wouldn't be the same. Eddie was one of a kind.'

'And I think I still am,' came a tiny voice from a disembodied growler. 'Will somebody help me, please?'

32

It was two whole days before Jack got around to releasing all the rich and famous folk from their place of incarceration. Well, he'd had other things to do, and actually, he'd quite forgotten about them.

They were very polite to Jack, though, when he opened the cell door. Very gracious. Very thankful. Very hungry.

Jack wasn't at all hungry. He'd just dined at the very finest restaurant in the City. It wasn't a Nadine's Diner.

Jack was presently dining again in that self-same restaurant. He was there with Jill, to celebrate their engagement.

True, both Jack and Jill were underage, but hey, this was Toy City; let's not let a little detail like that stand in the way of true love.

And true, Jill had said that she fancied marrying a prince. But then Jack was a prince now. An honorary prince, but a prince none the less. The toymaker had bestowed this honour upon him.

Eddie dined with Jack and Jill. And Eddie very much enjoyed the meal. He had double portions of everything. Especially those complicated things that need holding down with a fork and slicing with a knife.

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