Jonathan Howard - Johannes Cabal the Detective

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Johannes Cabal, necromancer of some little infamy, returns in this riotously clever and terrifically twisted tale of murder and international intrigue. In this genre-twisting novel, infamous necromancer Johannes Cabal, after beating the Devil and being reunited with his soul, leads us on another raucous journey in a little-known corner of the world. This time he's on the run from the local government.
Stealing the identity of a minor bureaucrat, Cabal takes passage on the
, a passenger aeroship that is leaving the country. The deception seems perfect, and Cabal looks forward to a quiet trip and a clean escape, until he comes face-to-face with Leonie Barrow, an enemy from the old days who could blow his cover. But when a fellow passenger throws himself to his death, or at least that is how it appears, Cabal begins to investigate out of curiosity. His minor efforts result in a vicious attempt on his own life — and then the gloves come off.
Cabal and Leonie — the only woman to ever match wits with him — reluctantly team up to discover the murderer. Before they are done, there will be more narrow escapes, involving sword fighting and newfangled flying machines. There will be massive destruction, not to mention resurrected dead.
Steampunk meets the classic Sherlockian mystery in this rip-roaring adventure where anything could happen… and does.

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Jonathan L Howard Johannes Cabal the Detective For Louise Other sins - фото 1

Jonathan L. Howard

Johannes Cabal the Detective

For Louise

Other sins only speak; murder shrieks out.

The element of water moistens the earth,

But blood flies upwards and bedews the heavens.

— John Webster

CHAPTER 1

in which death awaits and a plot is hatched

The condemned cell stank of cats.

There were no rats and no cockroaches, for which Johannes Cabal — a necromancer of some little infamy — was grateful. But the cost of vermin control was an army of cats who crept in and out of his cell and wandered throughout the dungeons of the Harslaus Castle with complete impunity. Even the cell doors had cat flaps cut into them. It was no secret that the warders had a much higher opinion of the animals than they did of the inmates. When Cabal was given his introductory tour — which took the form of being thrown down the stairs and shouted at — he had been left in no doubt that any harm that he might cause the cats would be returned to him, plus interest.

So now he sat and waited for the authorities to find a window in their very busy schedules to execute him, and he did so covered in cat hair in a cell that countless generations of toms had proudly and extravagantly claimed as their own. Things could probably be worse but, despite some careful thought, Cabal couldn’t put his finger on how. So, instead, he considered how he had come to be in such a circumstance. Strictly, necromancy was the telling of the future by summoning up the spirits of the dead and asking them searching questions. This, Cabal believed, was a singularly poor way of finding out anything. The dead were moderately strong on history, weak on current events, and entirely useless for discerning what was to come. They were, after all, dead. Still, that was the dictionary definition of necromancy .

Over the years, however, it became apparent that necromancy, necromancer , and necromantic were fine words wasted on useless definitions, and the lexicological group consciousness gently slid them over a few notches so that they now pertained to something interesting — i.e., magic involving the dead. This was far more satisfying: summoning up the ghost of Aunt Matilda for an insight into next week’s lottery numbers was dull; a maniac with a pointy beard unleashing an army of skeletal warriors, however, was fun. Thus, we see the evolution of a language — and a gratifying sight it is, to be sure. Johannes Cabal had no time for the Aunt Matildas of this world or the next. He fitted neatly into the newer definition of necromancer — he dealt with raising the dead (although skeletal warriors he left to those of a more theatrical bent). First and foremost, he considered himself a scientist embarked upon a search for a cure for a terrible disease. Death. This would seem laudable if it were not for his methods, his manner, and his failed experiments, the latter tending to hang around the countryside, dismaying the yokels. Even this might have been forgivable — pharmaceutical companies have done worse — if it were not for the bad reputation that the more melodramatic necromancers have given the profession. Skeletal warriors are all very well when they’re chasing Jason and the Argonauts around on the silver screen, but when they’re battering down your door … Well, that’s a different matter altogether. So the necromancers were all besmirched with the same gory brush, and Cabal, who just wanted to be left to his research, found himself in a profession proscribed in the most capital terms. It was very galling. Especially when you got caught.

* * *

Cabal had been caught trying to check out a book from the library of the Krenz University. The book was in the Special Collection, and Cabal had intended the loan to be of an extended, open-ended sort of period. Anticipating resistance from the library authorities, he had made the loan at half past one in the morning of a national holiday and might have got away with it, too, if it hadn’t been for an enormous mastiff that patrolled the corridors and of which his contacts had unaccountably failed to warn him. When the library was reopened, they’d found Cabal pinned down by 180 pounds of overfriendly dog in the reading room, half drowned in slobber. Just out of reach was a well-travelled Gladstone bag that was found to contain an enormous handgun, a collection of surgical instruments, a closely written notebook, a padded case holding several sealed test tubes full of murky fluids, and the library’s own demy-quarto copy of Principia Necromantica .

Nobody wanted a long, drawn-out trial. In fact, nobody who mattered wanted a trial at all, so Johannes Cabal didn’t get one. He was just told that he was going to be executed and taken to Harslaus Castle. That had all been almost a month ago, and Cabal was getting bored. He knew full well that his execution was unlikely to be any more formal than his sentencing and at any time, probably in the wee small hours, the door would thud open, he’d be manhandled off to some dark cellar, his throat would be cut, and his twitching cadaver thrown down an oubliette. But there was nothing he could do about it, so why worry? Still, it hadn’t happened yet; they were still feeding him with nearly edible food, and the more intelligent cats had long since learned to stay out of his cell. So why were they waiting? He had a vague and uncomfortable feeling that somebody somewhere had plans for him.

Then it happened just as he’d expected after all, in the wee small hours of the morning. He was awoken by the sound of the cell door being thrown open and, before he could recover his wits, a sack was pulled over his head and he was bundled off down the labyrinthine corridors. He didn’t try to fight; there were at least four of them, of whom even the slightest might be described as “burly.” He could only stay calm, wait for any small opportunity to escape, should one arise, and hope that, if all failed, and he was to die, the entry procedures for Hell had at least been rationalised since his last visit.

He was half dragged, half carried for a short time and then thrown into a chair. The sack was whipped off him and, as he blinked in the hard light, he caught a glimpse of a dour, portly man stropping a cutthroat razor on a leather strap. He had the presence of mind to be impressed that such clandestine executions were so common that they seemed to have somebody employed to commit them. This sangfroid slipped slightly when brutal hands stripped him of his stinking clothes. Any complaints he might have wished to make thus provoked were drowned when he was thrown into a tub of soapy water and belaboured with sponges. He was still coughing bubbles when he was dragged out again, held down in the chair, slapped in the face with a quantity of lather, and the portly man — glowering fiercely — grabbed him by the throat and slashed at him with the razor.

Cabal stopped struggling immediately. The man slid his eyes sideways to look at the quantity of bristles and soap scum that hung from the blade. He twitched the razor and the scum flew in a discrete body off into the shadows, where it fell with an indistinct plap . His eyes swivelled back to regard Cabal.

“Warm for the time of year, isn’t it, sir?” he grated. The razor swept in again.

Ten minutes later, Cabal — cleanly shaven, bathed, and dressed in freshly pressed clothes — regarded himself in the mirror. He stood a shade over six feet tall and, although he’d have preferred his blond hair cut back a little and the suit they’d given him was a dark grey rather than his habitual black, he wasn’t altogether displeased with his appearance. It was sober, and Cabal was a very sober man. “Not bad,” he said, running his hand over his chin. “Not bad at all. You’re the prison barber, then?”

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