• Пожаловаться

Абрахам Меррит: Burn, Witch, Burn!

Здесь есть возможность читать онлайн «Абрахам Меррит: Burn, Witch, Burn!» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. год выпуска: 1932, категория: Ужасы и Мистика / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

libcat.ru: книга без обложки

Burn, Witch, Burn!: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Burn, Witch, Burn!»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Абрахам Меррит: другие книги автора


Кто написал Burn, Witch, Burn!? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Burn, Witch, Burn! — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Burn, Witch, Burn!», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

At that the spell of nightmare dropped from me; for the first time in hours I was on ground that I knew. It

was the rigor mortis, the stiffening of death-but setting in more quickly and proceeding at a rate I had

never known.

I stepped forward and drew the lids down over the glaring eyes. I covered the dreadful face.

I looked at Ricori. He was still on his knees, crossing himself and praying. And kneeling beside him, arm

around his shoulders, was Nurse Walters, and she, too, was praying.

Somewhere a clock struck five.

CHAPTER II: THE QUESTIONNAIRE

I offered to go home with Ricori, and somewhat to my surprise he accepted with alacrity. The man was

pitiably shaken. We rode silently, the tight-lipped gunmen alert. Peters' face kept floating before me.

I gave Ricori a strong sedative, and left him sleeping, his men on guard. I had told him that I meant to

make a complete autopsy.

Returning to the hospital in his car, I found the body of Peters had been taken to the mortuary. Rigor

mortis, Braile told me, had been complete in less than an hour-an astonishingly short time. I made the

necessary arrangements for the autopsy, and took Braile home with me to snatch a few hours sleep. It is

difficult to convey by words the peculiarly unpleasant impression the whole occurrence had made upon

me. I can only say that I was as grateful for Braile's company as he seemed to be for mine.

When I awoke, the nightmarish oppression still lingered, though not so strongly. It was about two when

we began the autopsy. I lifted the sheet from Peters' body with noticeable hesitation. I stared at his face

with amazement. All diabolism had been wiped away. It was serene, unlined-the face of a man who had

died peacefully, with no agony either of body or mind. I lifted his hand, it was limp, the whole body

flaccid, the rigor gone.

It was then, I think, that I first felt full conviction I was dealing with an entirely new, or at least unknown,

agency of death, whether microbic or otherwise. As a rule, rigor does not set in for sixteen to twenty-four

hours, depending upon the condition of the patient before death, temperature and a dozen other things.

Normally, it does not disappear for forty-eight to seventy-two hours. Usually a rapid setting-in of the

stiffening means as rapid a disappearance, and vice versa. Diabetics stiffen quicker than others. A sudden

brain injury, like shooting, is even swifter. In this case, the rigor had begun instantaneously with death,

and must have completed its cycle in the astonishingly short time of less than five hours-for the attendant

told me that he had examined the body about ten o'clock and he had thought that stiffening had not yet

set in. As a matter of fact, it had come and gone.

The results of the autopsy can be told in two sentences. There was no ascertainable reason why Peters

should not be alive. And he was dead!

Later, when Hoskins made his reports, both of these utterly conflicting statements continued to be true.

There was no reason why Peters should be dead. Yet dead he was. If the enigmatic lights we had

observed had anything to do with his death, they left no traces. His organs were perfect, all else as it

should have been; he was, indeed, an extraordinarily healthy specimen. Nor had Hoskins been able to

capture any more of the light-carrying corpuscles after I had left him.

That night I framed a short letter describing briefly the symptoms observed in Peters' case, not dwelling

upon the changes in expression but referring cautiously to "unusual grimaces" and a "look of intense fear."

Braile and I had this manifold and mailed to every physician in Greater New York. I personally attended

to a quiet inquiry to the same effect among the hospitals. The letters asked if the physicians had treated

any patients with similar symptoms, and if so to give particulars, names, addresses, occupations and any

characteristic interest under seal, of course, of professional confidence. I flattered myself that my

reputation was such that none of those who received the questionnaires would think the request actuated

either by idle curiosity or slightest unethical motive.

I received in response seven letters and a personal visit from the writer of one of them. Each letter,

except one, gave me in various degrees of medical conservatism, the information I had asked. After

reading them, there was no question that within six months seven persons of oddly dissimilar

characteristics and stations in life had died as had Peters.

Chronologically, the cases were as follows:

May 25: Ruth Bailey, spinster; fifty years old; moderately wealthy; Social Registerite and best of

reputation; charitable and devoted to children. June 20: Patrick McIlraine; bricklayer; wife and two

children. August 1: Anita Green; child of eleven; parents in moderate circumstances and well educated.

August 15: Steve Standish; acrobat; thirty; wife and three children. August 30: John J. Marshall; banker;

sixty interested in child welfare. September 10: Phineas Dimott; thirty-five; trapeze performer; wife and

small child. October 12: Hortense Darnley; about thirty; no occupation.

Their addresses, except two, were widely scattered throughout the city.

Each of the letters noted the sudden onset of rigor mortis and its rapid passing. Each of them gave the

time of death following the initial seizure as approximately five hours. Five of them referred to the

changing expressions which had so troubled me; in the guarded way they did it I read the bewilderment

of the writers.

"Patient's eyes remained open," recorded the physician in charge of the spinster Bailey. "Staring, but gave

no sign of recognition of surroundings and failed to focus upon or present any evidence of seeing objects

held before them. Expression one of intense terror, giving away toward death to others peculiarly

disquieting to observer. The latter intensified after death ensued. Rigor mortis complete and dissipated

within five hours."

The physician in charge of McIlraine, the bricklayer, had nothing to say about the ante-mortem

phenomena, but wrote at some length about the expression of his patient's face after death.

"It had," he reported, "nothing in common with the muscular contraction of the so-called 'Hippocratic

countenance,' nor was it in any way the staring eyes and contorted mouth familiarly known as the death

grin. There was no suggestion of agony, after the death-rather the opposite. I would term the expression

one of unusual malice."

The report of the physician who had attended Standish, the acrobat, was perfunctory, but it mentioned

that "after patient had apparently died, singularly disagreeable sounds emanated from his throat." I

wondered whether these had been the same demonic machinations that had come from Peters, and, if so,

I could not wonder at all at my correspondent's reticence concerning them.

I knew the physician who had attended the banker-opinionated, pompous, a perfect doctor of the very

rich.

"There can be no mystery as to the cause of death," he wrote. "It was certainly thrombosis, a clot

somewhere in the brain. I attach no importance whatever to the facial grimaces, nor to the time element

involved in the rigor. You know, my dear Lowell," he added, patronizingly, "it is an axiom in forensic

medicine that one can prove anything by rigor mortis."

I would have liked to have replied that when in doubt thrombosis as a diagnosis is equally as useful in

covering the ignorance of practitioners, but it would not have punctured his complacency.

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Burn, Witch, Burn!»

Представляем Вашему вниманию похожие книги на «Burn, Witch, Burn!» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Joe Lansdale: Freezer Burn
Freezer Burn
Joe Lansdale
Sara Paretsky: Burn Marks
Burn Marks
Sara Paretsky
John Lutz: Burn
Burn
John Lutz
James Kelman: The Burn
The Burn
James Kelman
Ricardo Piglia: Money to Burn
Money to Burn
Ricardo Piglia
Отзывы о книге «Burn, Witch, Burn!»

Обсуждение, отзывы о книге «Burn, Witch, Burn!» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.