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Jim Butcher: White Night

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Jim Butcher White Night

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Book Nine of the Dresden Files Someone is targeting the city's magic practitioners, the members of the supernatural underclass who don't possess enough power to become full-fledged wizards. Many have vanished. Others appear to be victims of suicide. But the murderer has left a calling card at one of the crime scenes--a message for Harry Dresden, referencing the book of Exodus and the killing of witches. Harry sets out to find the killer before he can strike again, but his investigation turns up evidence pointing to the one suspect he cannot possibly believe guilty: his half brother, Thomas. Determined to bring the real murderer to justice and clear his brother's name, Harry attracts the attention of the White Court of vampires, becoming embroiled in a power struggle that renders him outnumbered, outclassed, and dangerously susceptible to temptation. Harry knows that if he screws this one up, a lot of people will die--and one of them will be his brother.

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"Aha," he said. "None of which is delicate?"

"I've practiced enough to handle a lot of different kinds of delicate magic," I said. "But… it's the difference between me strumming power chords on a guitar and me playing a complex classical Spanish piece."

Nutters absorbed that and nodded. "And the kid plays Spanish guitar?"

"Close enough. She's not as strong as me, but she's got a gift for the more subtle magic. Especially mental and emotional stuff. It's what got her in so much trouble with…"

I bit my tongue and stopped in midsentence. It wasn't my place to discuss Molly's violations of the White Council's Laws of Magic with others. She would have enough trouble getting past the horrible acts she'd committed in innocence without me painting her as a psycho monster-in-training.

Butters watched my face for a few seconds, then nodded and let it pass. "What do you think she'll find?"

"No clue," I said. "That's why we look."

"Could you do this?" he said. "I mean, if you had to?"

"I've tried it," I hedged. "But I'm bad about projecting things onto the object, and I can barely ever get something intelligible out of it."

"You said it might not be pleasant for her," Butters said. "Why?"

"Because if something's there, and she can sense it, she gets to experience it. First person. Like she's living it herself."

Butters let out a low whistle. "Oh. Yeah. I guess that could be bad."

We got back to the other room, and I peered in before opening the door. Molly was sitting on the floor with her eyes closed, her legs folded lotus-style, her head tilted slightly up. Her hands rested on her thighs, the tips of her thumbs pressed lightly against the tips of her middle fingers.

"Quietly," I murmured. "No noise until she's finished. Okay?"

Butters nodded. I opened the door as silently as I could. We brought the gurney into the room, left it in front of Molly, and then at my beckon, Butters and I went to the far wall and settled in to wait.

It took Molly better than twenty minutes to focus her mind for the comparatively simple spell. Focus of intention, of will, is integral to any use of magic. I'd drawn myself up to focus power so often and for so long that I only had to actually make a conscious effort to do it when a spell was particularly complex, dangerous, or when I thought it wise to be slow and cautious. Most of the time, it took me less than a second to gather up my will—which is critical in any situation where speed is a factor. Drooling abominations and angry vampires don't give you twenty minutes to get a punch ready.

Molly, though she was learning quickly, had a long damned way to go.

When she finally opened her eyes, they were distant, unfocused. She rose to her feet with slow, careful movements, and drifted over to the gurney with the corpse. She pulled the sheet down, revealing the dead girl's face. Then Molly leaned down, her expression still distant, and murmured quietly beneath her breath as she opened the corpse's eyelids.

She got something almost instantly.

Her eyes flew open wide, and she let out a short gasp. Her breath rasped in and out frantically several times before her eyes rolled back up into her head. She stood frozen and rigid for a pair of quivering seconds, and then her breath escaped in a low, rough cry and her knees buckled. She did not fall to the floor so much as melt down onto it. Then she lay there, breathing hard and letting out a continuous stream of guttural whimpers.

Her breathing continued, fast and hard, her eyes unfocused. Her body rippled with several slow, undulating motions that drew the eye to her hips and breasts. Then she slowly went limp, her panting gradually easing, though little, unmistakably pleased sounds slithered from her lips on every exhalation.

I blinked at her.

Well.

I hadn't been expecting that.

Butters gulped audibly. Then he said, "Uh. Did she just do what I think she just did?"

I pursed my lips. "Um. Maybe."

"What just happened?"

"She, um." I coughed. "She got something."

"She got something, all right," Butters muttered. He sighed. "I haven't gotten anything like that in about two years."

For me, it had been more like four. "I hear you," I said, more emphatically than I meant to.

"Is she underage?" he asked. "Legally speaking?"

"No."

"Okay. I don't feel quite so… Nabokovian, then." He raked his fingers back through his hair. "What do we do now?"

I tried to look professional and unfazed. "We wait for her to recover."

"Uh-huh." He looked at Molly and sighed. "I need to get out more."

Me and you both, man. "Butters, is there any way you could get her some water or something?"

"Sure," he said. "You?"

"Nah."

"Right back." Butters covered up the corpse and slipped out.

I went over to the girl and hunkered down by her. "Hey, grasshopper. Can you hear me?"

It took her longer than it should have to answer, like when you're on the phone with someone halfway around the world. "Yes. I… I hear you."

"You okay?"

"Oh, God." She sighed, smiling. "Yes."

I muttered under my breath, rubbed at the incipient headache beginning between my eyes, and thought dark thoughts. Dammit all, every time I'd opened myself up to some kind of horrible psychic shock in the name of investigation, I'd gotten another nightmare added to my collection. Her first time up to bat, and the grasshopper got…

What had she gotten?

"I want you to tell me what you sensed, right away. Sometimes the details fade out, like when you forget parts of a dream."

"Right," she murmured in a sleepy-sounding drawl. "Details. She…" Molly shook her head. "She felt good. Really, really good."

"I gathered that much," I said. "What else?"

Molly kept shaking her head slowly. "Nothing else. Just that. It was all sensation. Ecstasy." She frowned a little, as if struggling to order her thoughts. "As if the rest of her senses had been blinded by it, somehow. I don't think there was anything else. Not sight nor sound nor thought nor memory. Nothing. She didn't even know it when she died."

"Think about it," I said quietly. "Absolutely anything you can remember could be important."

Butters came back in just then, carrying a bottle of water beaded with drops of condensation. He tossed it to me, and I passed the cold drink to Molly. "Here," I told her. "Drink up."

"Thanks." She opened the bottle, turned on her side, and started guzzling it without even sitting up. The pose did a lot to make her clothing look tighter.

Butters stared for a second, then sighed and quite evidently forced himself to go over to his desk and start sharpening pencils. "So what do we know?"

"Looks like she died happy," I said. "Did you run a toxicology check on her?"

"Yeah. Some residual THC, but she could have gotten that from the contact high at a concert. Otherwise she was clean."

"Damn," I said. "Can you think of anything else that would do… that to a victim?"

"Nothing pharmacological," Butters said. "Maybe if someone ran a wire into the pleasure centers of her brain and kept stimulating them. But, uh, there's no evidence of open-skull surgery. I would have noticed something like that."

"Uh-huh," I said.

"So it must be something from the spooky side," Butters said.

"Could be." I consulted my packet again. "What did she do?"

"No one knew," Butters said. "No one seemed to know anything about her. No one came to claim the body. We couldn't find any relations. It's why she's still here."

"No local address, either," I said.

"No, just the one on an Indiana driver's license, but it dead-ended. Not much else in her purse."

"And the killer took her clothes."

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