Дж. Хатчинс - Personal Effects - Dark Art

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Personal Effects: Dark Art: краткое содержание, описание и аннотация

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Want to try it yourself? Call the phone number shown on book’s cover: 212-629-1951 and listen to the voicemail message for main character Zach Taylor.
Personal Effects follows the extensive notes of therapist Zach Taylor’s investigation into the life and madness of Martin Grace, an accused serial killer who claims to have foreseen, but not caused, his victims’ deaths. Zach’s investigations start with interviews and art sessions, but then take him far from the hospital grounds—and often very far from the reality that we know.
The items among Grace’s personal effects are the keys to understanding his haunted past, and finding the terrifying truth Grace hoped to keep buried:
• Call the phone numbers: you’ll get a character’s voicemail.
• Google the characters and institutions in the text: you’ll find real websites
• Examine the art and other printed artifacts included inside the cover: if you pay attention, you’ll find more information than the characters themselves discover Personal Effects, the ultimate in voyeuristic storytelling, represents a revolutionary step forward in changing the way people interact with novels.

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The sound came from ahead, from behind the wood-frame house.

Tktktk. Tktktk.

“Back,” I said, slinging a palmful of spit from my mouth. My voice sounded alien, unused. I was drowning in the fear now. I coughed a manic laugh, recalling an AC/DC song.

“Back In Black,” I said.

Tktktk.

I stepped forward, nodding at the noise, heading to the rear of Drake’s home. I passed a waist-high pile of chopped wood. Yellow eyes glittered from the gaps between the blocks. Raccoons. Or darkling friends, perhaps.

The grass field behind the house rustled, whispered. I came to the back door and tried its knob. Locked. I brought my nose to the cracked window, gazed into the kitchen. The world inside was soaked in black velvet.

“DANIEL!” I shouted.

The wind swept in, carrying away my voice. The field whispered. And now my mind whispered… whispered slippery, boozy confidence. Oh, I knew this voice. It purred, the voice of a slut, the voice of sin, the voice of the doppelganger—the side we deny ourselves because it always brings misery and madness.

Hi there , Zach, it said. Long time .

“Anti-Zach,” I replied.

I’d lost my mind. I was certain of it now.

We’re back on the wild ride, ain’t we? Finally? Repeat performance.

“One night only,” I agreed, staring at the doorknob’s cheap lock.

Oh, gooood. Giddy-giddy.

Yes. Giddy-giddy. I opened my satchel and let my fingers slide inside, groping for the folder containing Drake’s Brinkvale admittance papers. I plucked a paperclip from the stack and pulled it from the bag. It glimmered in the moonlight.

I tugged at the wire, fingernails bending and denting it, using my teeth when I needed to, just like the old days, the A-Z days.

See, Z? You oughta keep me around. You need me. I ain’t as bad as you think.

“No,” I said, jigging the pick into the knob. “You’re worse.”

Ouch, partner. And can you live with that? Can you live with me being in your head?

The lock clicked. The door swung open.

“Let’s first see if I can live through tonight,” I said.

I stepped inside, on a mission to find the “X” on Drake’s mural map—the thing he’d brought me here to find. The darkness enveloped me, and I could feel the beast here, could nearly hear the saliva dripping from its black fangs.

Anti-Zach had enough sense not to follow.

The kitchen reeked of bacon grease, rotten food, cigarettes ashes and beer. My hand found a light switch by the door and toggled it up, then down, then up again. No dice. Daniel Drake’s electric bill was still unpaid.

The room felt like a walk-in freezer. I shivered now, marveling at the vapor puffing from my lips. The walls were alive, crawling with shadows, creaking, tktktking. I wondered which ones were the Dark Man, and which were my fright-trip imagination.

“Night On Bald Mountain” played on and on from the living room ahead, presumably from a CD.

The fear-needles poked at my skin, a thousand cold fingernails nicking and scratching. I told myself to breathe, to stay calm, that there was light in here, there really was, look, see, light.

My eyes adjusted to a keyhole’s worth of moonlight streaming through the window. It wasn’t nearly enough. I pressed my body along the wall, determined to traverse the room along its perimeter, inching against its walls and counters and

BONG.

I flinched, swearing. My hand flailed in the darkness, searching for the thing against which my hip had struck. Metal, smooth, pebbled with grime, grease-slick. My fingers found the wrought-iron cooking grates, and I nodded. Stove.

The walls tittered.

I stepped around the appliance, hand now sliding across its surface, now feeling the steel give way to pocked countertop. My fingertips parted a sea of crumbs, then pressed into something half-eaten, mushy. For a heartbeat, I was more revolted by this room than I was afraid of it.

The meager moonlight began to wane, victim of another cloud. I held my breath, desperate and sick again. No. Not now. Please, Lord. Not now.

My hand brushed against a small cardboard box, and I picked it up, praying for a box of matches. I shook it. The ex-smoker in me heard the ubiquitous rattle of cigarettes inside. I pitched it.

The kitchen was darker now. From the living room, the music began to stutter, fade in and out.

My hand groped again, and my panic rose again, blazing red-hot, blowing hypothermic in this icy room. Come, damn it. Come on.

“Come on,” I whispered.

The music roared louder, surging with static.

My sweating palm grasped the hilt of something plastic and I fumbled with it in the dark, hungry to understand it, see it by touch alone. Plastic handle, metal nozzle. A grill lighter—the thing with which Daniel Drake lit his gas stove, his cigarettes.

I sighed, index finger sliding past the trigger guard. I pressed its switch. The room flared to life.

Daniel Drake stood before me, his eyes bloodshot and murderous.

A whiskey bottle hung from one hand. In his other, a hatchet.

“You again,” he muttered, swaying.

I was stupefied, scared stiff.

“Never here . He was never here. And when he finally came home, Mom and Jenny died.”

His breath was putrid from the booze. My mouth tried to find words, but my brain was stuck, vapor locked. I suddenly needed to pee.

The living room thunderstorm raged on, even louder now.

“Obsessed, he was insane, obsessed,” Daniel said. He shrugged his broad shoulders. “He ruined everything. He ruined our brand-new life out here. My life. Her life. And. And then…”

He dropped the whiskey bottle. It shattered on the floor.

“…he…”

Daniel snarled, hefting the hatchet in both hands now.

“…left.”

The radio trumpeted a final crescendo, then fell silent.

“It’s you, ” I said, backing away, the lighter’s flame still flickering between us. “You tracked them, all of them, all of his friends. You killed them.

“You’re the Dark Man.”

25 Daniel clomped forward closing the gap The countertop dug into my ass - фото 31

25

Daniel clomped forward, closing the gap. The countertop dug into my ass, immovable. I glanced about in the shadowdance, frantically doing an inventory of the cramped kitchen. Stove beside me. Refrigerator across the room. Between them: counters, sink. In the kitchen’s center, a weathered thrift-store table and two rickety, mismatched chairs.

An open jar of peanut butter on the counter. Empty booze bottles in the sink. Skillet on the table, writhing with roaches. Unwashed plates there. Crumpled cans of Coors.

GOD BLESS THIS MESS.

I resisted a suicidal urge to laugh.

“No. No, fucker,” Daniel Drake said. His massive form swayed in place. He grinned knowingly. “No-fucking-comprendo. Dad’s the killer, was always the killer. He brought something back with him from the See-See-See-Pee. A curse. An Inkstain. He could see the future, see the blood a-comin’, and he ran. God, all the blood…

His hollow, hopeless face twisted into a sneer.

“…and oh, the blood that’d come and gone, Jesus, the things he did. I know. I saw. Extra-shittin’-extra, read all a-fuckin’-bout it. Them people he killed in Russia. All the letters that came here after he left, all them government letters, letters from fucking lawyers—oh, he knew, he knew I’d see ’em, knew they were comin’, I know he knew. I read ’em all. I burned ’em all.”

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