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Роберт Чамберс: The King in Yellow and Other Horror Stories

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Роберт Чамберс The King in Yellow and Other Horror Stories

The King in Yellow and Other Horror Stories: краткое содержание, описание и аннотация

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A treasured source for Lovecraft, Howard, and others, this collection endures as a work of remarkable power. Includes all the stories from The King in Yellow—“Yellow Sign,” “Repairer of Reputations,” “Demoiselle d’Ys,” and others—plus stories from other sources, including three early sci-fi fantasies from In Search of the Unknown. 10 total. Editor’s Note: cite Robert Raven, contributing editor

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A shadow, a mass, huge, undefined, rose to his right. He recognized the Arc de Triomphe and gravely shook his cane at it. Its size annoyed him. He felt it was too big. Then he heard something fall clattering to the pavement and thought probably it was his cane but it didn’t much matter. When he had mastered himself and regained control of his right leg which betrayed symptoms of insubordination, he found himself traversing the Place de la Concorde at a pace which threatened to land him at the Madeleine. This would never do. He turned sharply to the right and crossing the bridge passed the Palais Bourbon at a trot and wheeled into the Boulevard St. Germain. He got on well enough although the size of the War Office struck him as a personal insult, and he missed his cane which it would have been pleasant to drag along the iron railings as he passed. It occurred to him, however, to substitute his hat, but when he found it, he forgot what he wanted it for and replaced it upon his head with gravity. Then he was obliged to battle with a violent inclination to sit down and weep. This lasted until he came to the rue de Rennes, but there he became absorbed in contemplating the dragon on the balcony overhanging the Cour de Dragon, and time slipped away until he remembered vaguely that he had no business there, and marched off again. It was slow work. The inclination to sit down and weep had given place to a desire for solitary and deep reflection. Here his right leg forgot its obedience and attacking the left, outflanked it and brought him up against a wooden board which seemed to bar his path. He tried to walk around it, but found the street closed. He tried to push it over, and found he couldn’t. Then he noticed a red lantern standing on a pile of paving stones inside the barrier. This was pleasant. How was he to get home if the boulevard was blocked? But he was not on the boulevard. His treacherous right leg had beguiled him into a detour, for there, behind him lay the boulevard with its endless line of lamps,—and here, what was this narrow dilapidated street piled up with earth and mortar and heaps of stone? He looked up. Written in staring black letters on the barrier was

RUE BARRÉE.

He sat down. Two policemen whom he knew came by and advised him to get up, but he argued the question from a standpoint of personal taste and they passed on, laughing. For he was at that moment absorbed in a problem. It was, how to see Rue Barrée. She was somewhere or other in that big house with the iron balconies, and the door was locked, but what of that? The simple idea struck him to shout until she came. This idea was replaced by another equally lucid,—to hammer on the door until she came; but finally rejecting both of these as too uncertain, he decided to climb into the balcony, and opening a window politely inquire for Rue Barrée. There was but one lighted window in the house that he could see. It was on the second floor, and toward this he cast his eyes. Then mounting the wooden barrier and clambering over the piles of stones, he reached the sidewalk and looked up at the façade for a foothold. It seemed impossible. But a sudden fury seized him, a blind, drunken obstinacy, and the blood rushed to his head, leaping, beating in his ears like the dull thunder of an ocean. He set his teeth, and springing at a window-sill, dragged himself up and hung to the iron bars. Then reason fled; there surged in his brain the sound of many voices, his heart leaped up beating a mad tattoo, and gripping at cornice and ledge he worked his way along the façade, clung to pipes and shutters, and dragged himself up, over and into the balcony by the lighted window. His hat fell off and rolled against the pane. For a moment he leaned breathless against the railing,—then the window was slowly opened from within.

They stared at each other for some time. Presently the girl took two unsteady steps back into the room. He saw her face,—all crimsoned now,—he saw her sink into a chair by the lamplit table, and without a word he followed her into the room, closing the big door-like panes behind him. Then they looked at each other in silence.

The room was small and white; everything was white about it,—the curtained bed, the little wash-stand in the corner, the bare walls, the china lamp,—and his own face,— had he known it, but the face and neck of Rue were surging in the color that dyed the blossoming rose-tree there on the hearth beside her. It did not occur to him to speak. She seemed not to expect it. His mind was struggling with the impressions of the room. The whiteness, the extreme purity of everything occupied him—began to trouble him. As his eye became accustomed to the light, other objects grew from the surroundings and took their places in the circle of lamplight. There was a piano and a coal-scuttle and a little iron trunk and a bath-tub. Then there was a row of wooden pegs against the door, with a white chintz curtain covering the clothes underneath. On the bed lay an umbrella, and a big straw hat, and on the table, a music-roll unfurled, an ink-stand, and sheets of ruled paper. Behind him stood a wardrobe faced with a mirror, but somehow he did not care to see his own face just then. He was sobering.

The girl sat looking at him without a word. Her face was expressionless, yet the lips at times trembled almost imperceptibly. Her eyes, so wonderfully blue in the daylight, seemed dark and soft as velvet, and the color on her neck deepened and whitened with every breath. She seemed smaller and more slender than when he had seen her in the street, and there was now something in the curve of her cheek almost infantine. When at last he turned and caught his own reflection in the mirror behind him, a shock passed through him as though he had seen a shameful thing, and his clouded mind and his clouded thoughts grew clearer. For a moment their eyes met, then his sought the floor, his lips tightened, and the struggle within him bowed his head and strained every nerve to the breaking. And now it was over, for the voice within had spoken. He listened, dully interested but already knowing the end,—indeed it little mattered;—the end would always be the same for him;—he understood now,—always the same for him, and he listened, dully interested, to a voice which grew within him. After a while he stood up, and she rose at once, one small hand resting on the table. Presently he opened the window, picked up his hat, and shut it again. Then he went over to the rosebush and touched the blossoms with his face. One was standing in a glass of water on the table, and mechanically the girl drew it out, pressed it with her lips and laid it on the table beside him. He took it without a word and crossing the room, opened the door. The landing was dark and silent but the girl lifted the lamp and gliding past him slipped down the polished stairs to the hallway. Then unchaining the bolts, she drew open the iron wicket.

Through this he passed with his rose.

The End
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