Стивен Кинг - The Institute

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The Institute: краткое содержание, описание и аннотация

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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

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“I do,” Sheriff John said, “but not because I don’t believe you. I’d just like to see it. You’re ridiculously overqualified for the job of night knocker, but if you really want it, you start at eleven tonight. Eleven to six, that’s the deal.”

“I want it,” Tim said.

“All right.”

“Just like that?”

“I’m also a man who trusts his instincts, and I’m hiring a night knocker, not a Brinks guard, so yeah, just like that. No need to come in at ten. You catch a little more sleep and drop by around noon. Officer Gullickson will give you the rundown. Won’t take long. It ain’t rocket science, as they say, although you’re apt to see some road rockets on Main Street Saturday nights after the bars close.”

“All right. And thank you.”

“Let’s see how thankful you are after your first weekend. One more thing. You are not a sheriff’s deputy, and you are not authorized to carry a firearm. You run into a situation you can’t handle, or you consider dangerous, you radio back to the house. We good on that?”

“Yes.”

“We better be, Mr. Jamieson. If I find out you’re packing a gun, you’ll be packing your bags.”

“Understood.”

“Then get some rest. You’re about to become a creature of the night.”

Like Count Dracula, Tim thought. He hung up, put the DO NOT DISTURB sign on the door, drew the thin and dispirited curtain over the window, set his phone, and went back to sleep.

9

Deputy Wendy Gullickson, one of the Sheriff’s Department part-timers, was ten years younger than Ronnie Gibson and a knockout, even with her blond hair pulled back in a bun so tight it seemed to scream. Tim made no attempt to charm her; it was clear her charm shield was up and fully powered. He wondered briefly if she’d had someone else in mind for the night knocker job, maybe a brother or a boyfriend.

She gave him a map of DuPray’s not-much-to-it business district, a handheld belt radio, and a time clock that also went on his belt. There were no batteries, Deputy Gullickson explained; he wound it up at the start of each shift.

“I bet this was state of the art back in 1946,” Tim said. “It’s actually sort of cool. Retro.”

She didn’t smile. “You punch your clock at Fromie’s Small Engine Sales and Service, and again at the rail depot at the west end of Main. That’s one-point-six miles each way. Ed Whitlock used to make four circuits each shift.”

Which came to almost thirteen miles. “I won’t need Weight Watchers, that’s for sure.”

Still no smile. “Ronnie Gibson and I will work out a schedule. You’ll have two nights a week off, probably Mondays and Tuesdays. The town’s pretty quiet after the weekend, but sometimes we may have to shift you. If you stick around, that is.”

Tim folded his hands in his lap and regarded her with a half-smile. “Do you have a problem with me, Deputy Gullickson? If you do, speak up now or hold your peace.”

Her complexion was Nordic fair, and there was no hiding the flush when it rose in her cheeks. It only added to her good looks, but he supposed she hated it, just the same.

“I don’t know if I do or not. Only time will tell. We’re a good crew. Small but good. We all pull together. You’re just some guy who walked in off the street and landed a job. People in town joke about the night knocker, and Ed was a real good sport about all the ribbing, but it’s important, especially in a town with a policing force as small as ours.”

“An ounce of prevention is worth a pound of cure,” Tim said. “My grandpa used to say that. He was a night knocker, Officer Gullickson. That’s why I applied for the job.”

Maybe she thawed a little at that. “As for the time clock, I agree that it’s archaic. All I can say is get used to it. Night knocker is an analog job in a digital age. At least in DuPray, it is.”

10

Tim discovered what she meant soon enough. He was basically a beat cop circa 1954, only without a gun or even a nightstick. He had no power to arrest. A few of the larger town businesses were equipped with security devices, but most of the smaller shops had no such technology. At places like DuPray Mercantile and Oberg’s Drug, he checked to make sure the green security lights were burning and there was no sign of intruders. For the smaller ones, he shook doorknobs and doorhandles, peered through the glass, and gave the traditional triple knock. Occasionally this brought a response—a wave or a few words—but mostly it didn’t, which was fine. He made a chalk mark and moved on. He followed the same procedure on his return trip, this time erasing the marks as he went. The process reminded him of an old Irish joke: If you get there first, Paddy, chalk a mark on the door. If I get there first, I’ll rub it out . There seemed no practical reason for the marks; it was simply tradition, perhaps dating all the way back, through a long chain of night knockers, to reconstruction days.

Thanks to one of the part-time deputies, Tim found a decent place to stay. George Burkett told him that his mother had a small furnished apartment over her garage and she’d rent it to him cheap if he was interested. “Only two rooms, but pretty nice. My brother lived there a couple of years before he moved down to Florida. Caught on at that Universal theme park in Orlando. Makes a decent wage.”

“Good for him.”

“Yeah, but the prices they charge for things in Florida… whoo, out of sight. Got to warn you, Tim, if you take the place, you can’t play music loud late at night. Mom don’t like music. She didn’t even like Floyd’s banjo, which he could play like a house on fire. They used to argue about it something awful.”

“George, I’m rarely home at night.”

Officer Burkett—mid-twenties, goodhearted and cheerful, not overburdened with native intelligence—brightened at this. “Right, forgot about that. Anyway, there’s a little Carrier up there, not much, but it keeps the place cool enough so you can sleep—Floyd could, at least. You indrested?”

Tim was, and although the window-shaker unit really wasn’t up to much, the bed was comfortable, the living room was cozy, and the shower didn’t drip. The kitchen was nothing but a microwave and a hotplate, but he was taking most of his meals at Bev’s Eatery anyway, so that was all right. And the rent couldn’t be beat: seventy a week. George had described his mother as something of a dragon, but Mrs. Burkett turned out to be a good old soul with a southern drawl so thick he could only understand half of what she said. Sometimes she left a piece of cornbread or a slice of cake wrapped in waxed paper outside his door. It was like having a Dixie elf for a landlady.

Norbert Hollister, the rat-faced motel owner, had been right about DuPray Storage & Warehousing; they were chronically short-staffed and always hiring. Tim guessed that in places where the work was manual labor recompensed by the smallest per-hour wage allowed by law (in South Carolina, that came to seven and a quarter an hour), high turnover was typical. He went to see the foreman, Val Jarrett, who was willing to put him on for three hours a day, starting at eight in the morning. That gave Tim time to get cleaned up and eat a meal after he finished his night knocker shift. And so, in addition to his nocturnal duties, he once more found himself loading and unloading.

The way of the world, he told himself. The way of the world. And just for now.

11

As his time in the little southern town passed, Tim Jamieson fell into a soothing routine. He had no intention of staying in DuPray for the rest of his life, but he could see himself still hanging around at Christmas (perhaps putting up a tiny artificial tree in his tiny over-the-garage apartment), maybe even until next summer. It was no cultural oasis, and he understood why the kids were mostly wild to escape its monochrome boringness, but Tim luxuriated in it. He was sure that would change in time, but for now it was okay.

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